Piscina infinita

Infinity Pool, the latest from writer/director Brandon Cronenberg, focuses on James and Em Foster, on vacation to help James clear his head in order to attempt writing his second novel. James and Em meet and are guided by a mysterious couple also vacationing outside of the resort to find themselves stuck in a culture packed with sex, violence, and unimaginable terrors. After a fatal vehicular accident leaves them facing the wrath of local law enforcement, James and Em are faced with a decision: be executed for their crime or, if rich enough, watch themselves die. What results is a downward plunge into debauchery, murder, and desperation.

Infinity Pool stars Alexander Skarsgård and Mia Goth. Fresh off his tilt as Amleth in 2022's The Northman, Skarsgård plays a very different character here. In Infinity Pool Skarsgård is James Foster, struggling writer married to Em Foster, daughter of a power publisher and the couple's breadwinner. An amenable guy, James is enjoying his vacation with Em at Lotoka, a beachside country. Skarsgård plays James with the air of a man a bit adrift in life, clinging onto Em as a comfortable life raft. As an actor used to playing characters with power (see: True Blood) or iron determination (Mute, The Northman), Skarsgård takes a surprising turn as a meek, easily-lead man. While the change of pace is refreshing, Skarsgård's portrayal of James is nothing noteworthy. His passable acting is enough to offset the insanity that is Mia Goth.

Mia Goth as Gabi Bauer is trouble from the first moment she appears on screen until her final. A performance that starts unsettling before ramping up to completely unhinged, Goth milks every ounce of craziness she can from the script. While it's not always for the best (Goth has some truly questionable line readings in this), she's by far the overall best part of the movie. While her characterization is maddening, the motivations Cronenberg gives Gabi are nebulous at best. Thankfully, that's no fault of Goth's and when she shows up on screen, audiences are in for a treat.

Written and directed by Brandon Cronenberg, Infinity Pool is the director's second outing after 2020's amazing debut, Possessor. Sadly, the sophomore slump is apparent in his second project, giving audience and body horror fans a lackluster followup that's unfocused and meandering. From a directing standpoint, Cronenberg is still sharp, delivering tension and suspense along with the cringe-inducing scenes the family is known for. Extreme closeups of mutilation, murder, and blood by the buckets (topped off with a cumshot in the film's first 30 minutes) will put moviegoers on their backfoot while being completely vulnerable to whatever could happen next. Cinematographer Karim Hussain, who also shot the beautiful Possessor, delivers on the goods again, providing a remarkable visual journey that James embarks upon. Cronenberg's choice to shoot Infinity Pool in Croatia, one of the planet's most beautiful countries, while mostly resisting the opportunity to display that beauty and instead focus on the grime and side streets is a commendable decision that lines up with tone of the movie.

As a writer, after tackling the theme of identity loss in an increasingly technological world in Possessor, in Infinity Pool no such messages seem to exist outside of a general human desensitivity to death. The first act might be the story's strongest, developing characters and creating situations that will entice the audience to be locked in and attentive. Unfortunately in the second act turn, where everything starts to fall apart for James, is also where everything will fall apart for the audience. James' descent into depravity, while interesting to look at in a well executed montage of sex and psychedelics, ultimately leads to a chaotic story with little in the way of explanation or true resolution.

Overall, Infinity Pool is a mess of a movie. Within that mess are hints at something good, possibly great, but Cronenberg seems to be too in love with the idea of creating something off kilter more than telling an actual story. Alexander Skarsgård's performance is passable as a man lost in hedonism, while Mia Goth's unhinged insanity somehow fluctuates between amazing and downright lousy. Lacking the usual amount of body horror audiences have come to expect from the name Cronenberg, this film instead chooses to skate by on its ambience, which doesn't always work in its favor.

I walked into this movie knowing little to nothing other than Brandon Cronenberg was at the helm, and Mia Goth was staring. I heard it was artsy, and "disturbing" but that should've meant it was right up my alley. What I found out was that, while the film's acting + visuals + base story concept were good....it just felt a little underwhelming.

Let's start with what was good. Like I said, the acting is pretty good from the two main leads. Mia Goth goes over the top, and Alexander Skarsgard goes more realistic and human, which is a good contrast. Visuals are pretty good, same with the sound. The story has a premise that will get you interested in the first 30 minutes, dealing with a rich resort and a local government that loves to clone. However, this is where it has problems.

The story and characters are its biggest problem. They're not bad per se, but they are not are par with the rest of the film. I feel like the cronenbergs always have great ideas, but cannot execute on the characters and fleshing out of the story. You don't relate to the main character "James" all that much. I can sympathise with him, and I kinda liked him but it just wasn't enough. Same with Mia Goth, you never see why the way she is other than maybe inferences (stuff that would spoil the movie). It just needed a special something in the story department to top it off, but we don't get that.

If you like these types of experimental and artsy movies, then I would recommend giving it a shot (you love it). However, if you're more of a casual movie goer, you can probably skip. Unless you wanna pop a couple edibles and have a very weird night. However, Avatar or Puss in Boots would probably give you a better experience in that department.

This film totally misses it's mark. It tries so hard to be bizarre and abstract but ends up being pretentious and annyoing. I honestly have no idea why people like this film. I could barely get through it and honestly couldn't wait for it end. I normally like Mia Goth films but this one didn't do it for me. She was super cringe in this. Especially in the scene where she's riding on the front of the car. Her screeching voice almost made my head explode. How this film has a rating above six stars is beyond me. This is definitely not a film I'd recommend or torture myself by sitting through again. 4 stars.

Premise: Not-so-successful writer seeking inspiration for his next book travels to a La Tolqa, a fictional Eastern-bloc country set on what appears to be the Black Sea. He quickly is sucked into socializing with a group of Western tourists who have discovered a quirk in the host country's legal system: Any crime you commit in the host country can be "redeemed" with a large payment to the local officials and a type of ceremony where a doppelgänger of the criminal is created and then executed in place of the "real" self.

In short, the heart of the horror is a sort of reverse-Dorian Gray where morally repugnant acts are carved-off as a separate entity and then destroyed, leaving the perpetrator to indulge in further acts of depravity.

So, what is left of the "real" self in such an arrangement? (If you have seen "Possessor," the thematic preoccupation is very similar.)

The two central characters are Skarsgard's "James" and Goth's "Gabi." From the beginning, James proves himself to be an empty vessel who is more than willing to be towed out to sea by the beguiling (and increasingly cruel) siren Gabi. Despite the presence of his wife at the resort, James abandons any loyalties he might have to her or her own concerns with what is going on. And, in contrast to newcomer-James, Gabi's social circle appears to have existed in this bizarre world of excess and violent privilege for, well, forever. Yet, they seem to effortlessly enter and exit that world at will (back to Los Angeles, of course!).

But what about James? What he becomes and where he ends up in the closing segments are far from clear. (Emptier than what he already was? A shell of a shell?).

"Infinity Pool" is a confident but cold movie. It reminds me quite a bit of the cult-group/occult horror movies that were made circa 1969-1974. The film uses quite a bit of arthouse-style flash imagery (the hues are different, but I was reminded of Norm Li's work in Panos Cosmatos' films). And despite the events taking place on a linear narrative, they are nonetheless sometimes difficult to follow due to Cronenberg's cinematic choices. In short, I can understand the polarizing reviews. I myself have mixed feelings. The film is very well done, the acting top-notch, and Cronenberg certainly attempts much more than the average horror flick director. But the "point" of the film is not always clear . . . And I felt like soaking in Dawn after viewing it. Recommended, with an asterisk.

I saw "Infinity Pool" last night in the theatre. It is a very strange movie directed by Brandon Cronenberg, the son of David Cronenberg ("Videodrome", "The Fly", etc.) It is about a couple (Alexander Skarsgård and Cleopatra Coleman) who travel to a luxury resort in a repressive dictatorship. They meet another couple (Jalil Lespert and Mia Goth) who convince them to travel off the grounds of the resort, even though it is prohibited by the rules of the resort and country. Soon a tragedy occurs, and the couple is thrust into a fever dream of drugs, sex and violence. Mia Goth is excellent as the temptress who pushes Skarsgård's character into doing things he would never think of doing. Skarsgård is wasted in this role and his character takes actions that defy common sense. And while some have praised Brandon Cronenberg's direction - I found some of the strange angles and quirks he uses to be more annoying than ingenious. There is a surfeit of sex, violence and gore for those who enjoy that, but I cannot say that it really added anything to a convoluted plot that really makes no sense. Only recommended for Mia Goth's standout performance - wait for cable or Netflix on this one. 5/10.