Al centro di una prestigiosa compagnia di danza regna l'oscurità che avvolge il direttore artistico, un giovane ballerino ambizioso e uno psicoterapeuta addolorato. Mentre alcuni stanno cade... Leggi tuttoAl centro di una prestigiosa compagnia di danza regna l'oscurità che avvolge il direttore artistico, un giovane ballerino ambizioso e uno psicoterapeuta addolorato. Mentre alcuni stanno cadendo nell'incubo, gli altri si stanno finalmente svegliando.Al centro di una prestigiosa compagnia di danza regna l'oscurità che avvolge il direttore artistico, un giovane ballerino ambizioso e uno psicoterapeuta addolorato. Mentre alcuni stanno cadendo nell'incubo, gli altri si stanno finalmente svegliando.
- Regia
- Sceneggiatura
- Star
- Premi
- 28 vittorie e 75 candidature totali
- Dr. Klemperer
- (as Lutz Ebersdorf)
- …
- Susie's Mother
- (as Malgosia Bela)
- …
- Miss Boutaher
- (as Clementine Houdart)
Riepilogo
Recensioni in evidenza
For anyone unaware of the original, you do not have to have seen it, to enjoy this. But you can watch both, because they differ on enough levels to make them both enticing and interesting to watch. Even a double will would be something that made sense. And whichever order you want to watch them. Though I think it would make sense to watch Argentos Suspiria first. We have different characters here, we have an amount violence and depicted visual explicit pain enducing scenes, that this is not for the faint of hearted. If you are squeamish, do not - I repeat: do NOT watch this! But if you stomach the visceral and painful moments (there are not that many and they are mixed well with the story), you will love the rest too.
Great storytelling and a weirdness that can hold up to that of the original. And really great acting to go along with everything.
Unlike the 1977 original, this one employs muted colours, shrivelled set design, slow-burn approach, hypnotic score & an unnecessarily drawn out narrative that piles one needless segment on top of another, resulting in an overlong flick that exceeds the original's length by a considerable margin, and will test the patience of most viewers.
Aiming for more than a straightforward supernatural horror, Guadagnino retains the themes of the original but is more interested in exploring the political unrest of the depicted timeline, not because the plot calls for it but because he wants to. While some will admire his choice to not rehash the same story, others will argue that his reach far exceeds his grasp here.
On the plus side, the eerie mood & foreboding aura never leaves the room, some kills are downright terrifying, the earthy tones do fit its depressing tone, that Volk dance sequence is truly a highlight, Make-up is top-notch, and Thom Yorke's score just fits. As for the performances, Tilda Swinton steals the show by taking the role of not one, not two but three different characters, and she excels at all of them.
Overall, Suspiria does retain the original's title but everything about it is different. More a homage than a full-fledged remake, it is an abstract re-imagination that attempts to tackle themes & elements that it could've done without, and comes stuffed with an unwarranted subplot that's detrimental to the viewing experience. In short, Luca Guadagnino's Suspiria is too long, too slow & too far up its own ass.
I will say, though, that even if this movie was a complete FAILURE of a horror remake, I will gladly praise the fact that it tried to be its own thing. It wasn't a shameless ripoff. It really, truly IS a reimagining. We just don't get enough of those these days.
The writing, storytelling and maybe the editing seems to be decent but perhaps holding the film back a bit. So I'm unfamiliar with the historical backdrop of the film, but that's ok because I think there is enough gloom and doom feeling that I get the mood it's trying to set. But then all the flashbacks or sharp cuts to all these random pictures and scenes gets muddy. I get that maybe it was supposed to bring this elevated artistic thriller element but it failed because it was overused and just too random at times. The pacing was a bit slow as well or maybe it was the long runtime that made it feel like it was ongoing forever.
In all, I think it's a 6, but it could have been an easy 8 with at least better editing and shorter runtime.
WTF Is 'Suspiria'? The Cast Call It a "Horr-epic"
WTF Is 'Suspiria'? The Cast Call It a "Horr-epic"
Lo sapevi?
- QuizDakota Johnson completed 2 years of ballet training in preparation for her role in this film.
- BlooperThe film opens in West Berlin in 1977, with protesters chanting, among other things, "Free Meinhof!" However, Ulrike Meinhof was already dead by that point. She was found hanged in her prison cell a year earlier than the film is set, in May 1976.
- Citazioni
Dr. Josef Klemperer: Love and manipulation, they share houses very often. They are frequent bedfellows.
- Curiosità sui creditiJust before the credits end, Susie reappears and makes a small gesture to the camera.
- ConnessioniFeatured in WatchMojo: Top 10 Best Horror Movies of 2018 (2018)
I più visti
Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Suspiria: El maligno
- Luoghi delle riprese
- Grand Hotel Campo dei Fiori, Varese, Lombardia, Italia(Dance Academy)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 20.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.483.472 USD
- Fine settimana di apertura Stati Uniti e Canada
- 184.037 USD
- 28 ott 2018
- Lordo in tutto il mondo
- 7.956.877 USD
- Tempo di esecuzione2 ore 32 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1