VALUTAZIONE IMDb
5,9/10
97.953
LA TUA VALUTAZIONE
I nazisti stabiliscono una base segreta sul lato oscuro della luna nel 1945, dove si nascondono e progettano di tornare al potere nel 2018.I nazisti stabiliscono una base segreta sul lato oscuro della luna nel 1945, dove si nascondono e progettano di tornare al potere nel 2018.I nazisti stabiliscono una base segreta sul lato oscuro della luna nel 1945, dove si nascondono e progettano di tornare al potere nel 2018.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 2 candidature totali
Tom Hoßbach
- Dieter
- (as Tom Hossbach)
Yu Fang
- Chinese Representative
- (as Fang You)
Claus Wilcke
- Russian Representative
- (as Claus Wilke)
Recensioni in evidenza
US astronauts disturb a Nazi moonbase, and the Nazis launch an expedition to earth to pick up a computer tablet to power their final invasion using a super-fuel mined from the moon.
Hectic spoof sci-fi that's totally illogical, full of plot holes, and yet turns into a good satire. Effects are done really well, plenty of other movies referred to (including the music), and closest in spirit probably to Flash Gordon from 1980.
It does hurry itself along, so the pace is good but at the expense I think of decent character based gags. The acting was good, particularly the females - the lead was very charming, and the president and her sidekick were mean and brisk.
A final plus is that some US reviewers don't like fun being poked at their awful political system.
Overall not great, but it was refreshing.
Hectic spoof sci-fi that's totally illogical, full of plot holes, and yet turns into a good satire. Effects are done really well, plenty of other movies referred to (including the music), and closest in spirit probably to Flash Gordon from 1980.
It does hurry itself along, so the pace is good but at the expense I think of decent character based gags. The acting was good, particularly the females - the lead was very charming, and the president and her sidekick were mean and brisk.
A final plus is that some US reviewers don't like fun being poked at their awful political system.
Overall not great, but it was refreshing.
I loved all the cgi in this movie. See it on a big screen, it will be worth it. I guess you could compare it to movies such as Starship Troupers (1997) or Mars Attacks (1996). Iron Sky is a great example of what can be achieved with cgi. You may even laugh out loud. You will certainly smile for an hour and a half.
This diesel-punk film picks up on a conspiracy theory of Nazi's on the moon.... Yes, that's right! In 1945 Nazi's launched a plan so epic that it takes until 2018 for it to be uncovered. They have a secret moon base on the dark side of the moon, from where they have been mining resource and building an army of flying saucers that could once again pose a threat to humanity on Earth. US astronauts accidentally uncover the base but soon regret it as they find themselves fighting for their life trying to escape, while also fighting for humanity too. The Nazi's are only a few steps away from global domination, but they decide that now is the time to act - a plan is set in motion for officers to get the equipment they need to launch the full scale war on Earth.
This is an absurd B-movie sci-fi film which takes inspiration from lots of 1950's sci-fi films - this is clearly evident with the steam punk look of the Nazi's moon base which is based on 1950's technology. It is filled with plot holes and bad logic, it's wrong on so many levels - but it actually works in its own way. Intentionally camp and cheesy with lots of hammed up but superb acting, with over the top but stylish CGI and effects. This film certainly won't be for everyone, but if you are in that small percentage of film fans that like this kind of cr@p (like me) then you are likely to love this refreshing film which pokes fun at itself, and everything that can be poked.
As I have alluded to, the visuals are great, this was intended to be a visual movie and it delivers on that. Superb green screen work, but to an almost Hollywood level - great effects and CGI. It's interesting to note that this film uses almost double the amount of CGI shots as the first Michael Bay "Transformers" film and almost the same as "Spider Man 3" (this uses over 800 CGI shots), but for a fraction of the cost because it used low budget techniques rather than big studios.
The level of humour in the film is satirical and excellent, yes, it's occasionally slapstick too, but not enough for me to put it in a slapstick movie category. The film doesn't just poke fun at itself but also the modern political systems rife in the western worlds. While there is an obvious pantomime villain in the Nazi's the film does much more than pit good guys against bad guys. It looks at motives, it looks at outcomes, it looks at who the actual bad guys are, and where their decisions can ultimately take humanity. It's almost on a Dr Strangelove level in saying "yes this is who we are, you should fear what we represent, oh but by the way, you are one of us too and you didn't know it". Similarly, in a "1984" way it raises the question of who is pulling the strings, and what are their intentions - should they be listened to?
Timo Vuorensola, the creator of "Star Wreck", has done justice directing this film and presented something epic for budget they had. Produced by Blind Spot Pictures from Finland, they have made a Finnish/ German/ and Australian co-produced film for 7.5 millions euros, but it's worth noting that this is still a fan fueled film. 10-15% of the budget came from the people who go to movies rather than investors. At the time of it's release this was the biggest budget for a Finnish film. The musical score by Slovenian band Laibach fits perfectly with the film, making the whole thing a fantastical concept experience. I'll be honest, this is my first experience of them, but it hopefully won't be my last experience.
In the acting stakes, Julia Dietze and Christopher Kirby steal the show in the film. It has to be said though that Gotz Otto and Udeo Kier are brilliant too and bring a wealth of experience to the acting talent on display.
It would be criminal to compare this to Hollywood blockbusters because that's simply not it was aimed to be - a future cult classic for sure, but definitely a film that will divide opinion. An original film - which in this day and age is something that you will rarely come across. Hilariously offensive, and at only an hour and a half it will leave you wanting more.
8 out of 10.
This is an absurd B-movie sci-fi film which takes inspiration from lots of 1950's sci-fi films - this is clearly evident with the steam punk look of the Nazi's moon base which is based on 1950's technology. It is filled with plot holes and bad logic, it's wrong on so many levels - but it actually works in its own way. Intentionally camp and cheesy with lots of hammed up but superb acting, with over the top but stylish CGI and effects. This film certainly won't be for everyone, but if you are in that small percentage of film fans that like this kind of cr@p (like me) then you are likely to love this refreshing film which pokes fun at itself, and everything that can be poked.
As I have alluded to, the visuals are great, this was intended to be a visual movie and it delivers on that. Superb green screen work, but to an almost Hollywood level - great effects and CGI. It's interesting to note that this film uses almost double the amount of CGI shots as the first Michael Bay "Transformers" film and almost the same as "Spider Man 3" (this uses over 800 CGI shots), but for a fraction of the cost because it used low budget techniques rather than big studios.
The level of humour in the film is satirical and excellent, yes, it's occasionally slapstick too, but not enough for me to put it in a slapstick movie category. The film doesn't just poke fun at itself but also the modern political systems rife in the western worlds. While there is an obvious pantomime villain in the Nazi's the film does much more than pit good guys against bad guys. It looks at motives, it looks at outcomes, it looks at who the actual bad guys are, and where their decisions can ultimately take humanity. It's almost on a Dr Strangelove level in saying "yes this is who we are, you should fear what we represent, oh but by the way, you are one of us too and you didn't know it". Similarly, in a "1984" way it raises the question of who is pulling the strings, and what are their intentions - should they be listened to?
Timo Vuorensola, the creator of "Star Wreck", has done justice directing this film and presented something epic for budget they had. Produced by Blind Spot Pictures from Finland, they have made a Finnish/ German/ and Australian co-produced film for 7.5 millions euros, but it's worth noting that this is still a fan fueled film. 10-15% of the budget came from the people who go to movies rather than investors. At the time of it's release this was the biggest budget for a Finnish film. The musical score by Slovenian band Laibach fits perfectly with the film, making the whole thing a fantastical concept experience. I'll be honest, this is my first experience of them, but it hopefully won't be my last experience.
In the acting stakes, Julia Dietze and Christopher Kirby steal the show in the film. It has to be said though that Gotz Otto and Udeo Kier are brilliant too and bring a wealth of experience to the acting talent on display.
It would be criminal to compare this to Hollywood blockbusters because that's simply not it was aimed to be - a future cult classic for sure, but definitely a film that will divide opinion. An original film - which in this day and age is something that you will rarely come across. Hilariously offensive, and at only an hour and a half it will leave you wanting more.
8 out of 10.
Excellent parody! If you would wanted to watch a Star Wars type of movie you would be disappointed for sure, but if you appreciate the subtle irony then this your flick. I am sure that not much US Americans would enjoy it, because America is the greatest and you know, they have no mistakes! :) They only have jokes like: Hiroshima joke, Nagasaki joke, Vietnam joke and so on. And these were not acts of extreme fascism, but just peaceful and liberating intervention. ;) I liked this movie be not only for the good sarcasm, but also for the truths that have been said. This is a good German response to the Tarantino's Indigenous Bastards.
As we have always feared, the Nazis have been hiding on the dark side of the moon since the end of WWII. Plotting their triumphant return to power, they have waited these many decades. When an American lunar mission happens upon the enormous, hidden Nazi fortress, it causes problems both on the moon and back on Earth.
In IRON SKY, much has changed since the Reich was booming on our planet, including an African American astronaut, a female President of the United States, and the UN transformed into a World Confederacy! The Fuhrer would be appalled! When a Nazi mission to Earth takes them to New York City, the real fun starts.
The best way to describe this movie would be to liken it to what Mel Brooks might have created in his prime. It lampoons racism, sexism, fascism, political idiocy, high fashion, etc., by being an utterly over the top satire thereof. Plus, it's very well made, in addition to being hysterically funny! The main characters are perfectly ridiculous, yet not annoyingly so. The acting / dialogue is mostly dead pan, making it far more effective than a more slapstick approach. The result is a crackpot sci-fi parody wrapped around a mega-spoof. Highly inventive and entertaining...
In IRON SKY, much has changed since the Reich was booming on our planet, including an African American astronaut, a female President of the United States, and the UN transformed into a World Confederacy! The Fuhrer would be appalled! When a Nazi mission to Earth takes them to New York City, the real fun starts.
The best way to describe this movie would be to liken it to what Mel Brooks might have created in his prime. It lampoons racism, sexism, fascism, political idiocy, high fashion, etc., by being an utterly over the top satire thereof. Plus, it's very well made, in addition to being hysterically funny! The main characters are perfectly ridiculous, yet not annoyingly so. The acting / dialogue is mostly dead pan, making it far more effective than a more slapstick approach. The result is a crackpot sci-fi parody wrapped around a mega-spoof. Highly inventive and entertaining...
Lo sapevi?
- QuizAdler says Moon Nazi invasion on Earth begins at 5:45 a.m., exactly like the German invasion on Poland that triggered World War Two.
- BlooperThe Germans have lived all their lives on the Moon at 1/6th of Earth's gravity. When they come to Earth, they would experience the equivalent of 6G and would barely be able to stand let alone walk normally. Conversely, Washington ought to be clumsy in the Moonbase, particularly when running.
- Citazioni
James Washington: Remember me? The moon spook you turned into a snowflake?
- Curiosità sui creditiThere is a post-credits scene.
- Versioni alternativeThe Director's Cut adds 20 minutes of scenes not seen in the theatrical version.
- Colonne sonoreTake Me to Heaven
Written by I Dovzan and Laibach
Performed by Laibach with Miha Dovzan (zither), Severa Gjurin (vox), Niko Zlobko (guitar), Robi Pikl (slide guitar) and Iron Sky Choir
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Iron Sky
- Luoghi delle riprese
- Warner Roadshow Studios, Gold Coast, Queensland, Australia(as Village Roadshow Studios)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 7.500.000 € (previsto)
- Lordo Stati Uniti e Canada
- 122.082 USD
- Lordo in tutto il mondo
- 10.109.659 USD
- Tempo di esecuzione
- 1h 33min(93 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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