Mang shan

BLIND MOUNTAIN (dir. Yang Li) Although set in China during the early 1990's, this drama seems completely out of sync with the modern world. A college educated young woman is lured to Northern China with the promise of a well paying job, but she actually has been sold to a village family to become the wife of their eldest son. The villagers would have let her go if she paid back the $7,000 in dowry money that they paid for her, but she has no identification or money, and they are convinced she is only trying to renege on the deal. The authorities were aware of her plight, yet took the side of the villagers. Apparently this is not an isolated incident, and the film implies that there are many such rural Chinese women in the same predicament. Although the subject matter is harrowing, the mountainous terrain where the film was shot is undeniably beautiful. Very much worth a look.

I heard about the movie from Leonard(a youtuber) when something happened in Harvest County(I don't dare to tell the name so I translated it), which shares the same event as the plots here.

However the movie is banned in China because it has torn the fig leaf of the dark side.

And therefore miss some of the nuances, but its a watchable film if you like asian tragedy. its about trading women , whos numbers have decreased after the introduction of the one child per family politics.a boy is much more worth than a girl, and that makes young women, even high educated ones real easy targets to lure and then sell into the rural countryside. it happens all over the planet, but usually its rural girls being sold into the cities .

the film has got some really primitive technical qualities, and the acting are quite stiff at times, but the mains do deliver a credible job to tell this story, though there are some holes in the timeline, and the end is very abrupt. it would have been interesting with a sequel or continuious film made ...... you know when this happens, but the timeline are narrowly told, and where they are would have helped a lot. china is a vast country with hundreds of ''tribes'' and the language,rites and traditions varies a lot. i may say that this is not a hollywood production, neither a norwegian or indiish. its made out of sheer will and poverty, and shall get acknowledgement from me.its recommended

This is an extremely compelling and thought provoking film.

It portrays the fate of a young woman who accepts a job offer in the countryside and finds she has been sold as a bride to a family in a remote village in modern day China.

It is extremely realistic, my uninformed guess is that there were very few professional actors involved. All the characters seemed completely true to life.

Village life in modern China is very accurately portrayed. The Chinese government is vigorously trying to stop the old cultural practice of young women being sold as brides but traditions sometimes die hard; especially in areas remote from centers of authority.

Most interestingly the film revealed how Chinese people relate to authority. The villagers' reactions to visits from party officials and the police were right on the mark.

I watched this with a woman who grew up in in a small village and she confirmed its unerring accuracy.

There are many wonderful improvements in the life of most Chinese people. This film doesn't negate them; but shines a light on one facet that is heartbreaking in its injustice.

Make sure you catch this classic.

The style reminded me so much of Zhang Yimou's "Not One Less" - the way that it was directed with nonactors (only two of the characters were professional actors), the teaching of school children in the country side, and the contrast between the lifestyles of rural and urban China. In fact, I'm pretty sure that one of the locations in the city is a location in Not One Less – the broadcast station. I'm wondering whether or not the obvious influences are intentional, since this movie seemed to be receiving warm praise. I would hate to learn that the director did not realize the similarities between this and Not One Less, since Zhang Yimou's present influence seemed to be somewhat overt to me. The way in which it is shot mostly with wide lenses with a deemphasis on the shot in order to normalize and situate the film as a socialistic commentary on modern day China definitely owes much to the 5th gen directors Zhang Yimou, Chen Kaige, and others (at least in my opinion). I don't think this film is anywhere near the level that those experienced veterans are used to making, but it's a good effort. I think the biggest thing that it lacks is fluency between scenes and I think that that is a burden the actors have to carry. It's difficult to direct nonactors (imagine being abducted to act for a month, i'm surprised they weren't terrified 100% of the time). He actually used real policemen, hospital workers, and rural villagers and although they don't have to pretend to be anyone other than themselves, it can be dangerous if these characters have a presence in the movie because they have to be able to carry on the story in their own way as well. Even minor roles have motivations and emotional arcs, but it seems as if these people have lost them, and are acting from a shot to shot basis without any idea of how the overall story is like. I'm glad I got to see this film though, despite the acting, because it gives me a chance to see how important the element of directing your actors are. And I definitely respect the choice of using nonactors. It seems to be a characteristic feature of many of these kinds of international films. Besides, these people have a realistic understanding of the micro-cosmic world of which we so easily play critic from afar. You just have to know how to tap into it.