Madame Tutli-Putli

Madame Tutli-Putli is one of five Oscar nominees for Best Animated Short of 2007. I saw this Canadian effort on a link from Cartoon Brew. It basically tells, in silent form with luminous musical scoring throughout, a story of a young woman with plenty of baggage, both literally and figuratively, on a train as it travels during the day and night with other people and insects who may or may not be figments of her imagination. I admired many of the images and the way various cuts and movements were made yet there was a confusing air that wasn't entirely satisfied by the end. It's obviously supposed to be dreamlike in a kind of abstract quality but that wasn't enough for me to think this was one of the best animated efforts of the previous year. Still, it was certainly unique so on that note, I'd recommend Madame Tulti-Putli to anyone with a real sense of imagination.

I'm not quite sure what to make of this. At least I'm being honest. Maybe a second viewing will make me see things clearer. The last few minutes were extremely puzzling. But don't be misled; I liked it.

This is another bizarre and riveting stop-action animated short from the National Film Board of Canada, which has put out some really interesting material in recent years.

"Madame Tutli-Putli" is not a humorous story, although you might get a few chuckles in the 17 minutes. It's mostly a haunting tale of a waif-like woman on a Canadian night train with all her earthly possessions and a cabin full a strange people. It must take place in the 1920s or early '30s because the woman wore one of the "Flapper" hats.

Anyway, without giving more away, the story gets tense and then gets downright scary. Is the woman going to be attacked by outside strangers who mysteriously board the train or is it all a fantasy by this troubled woman? I liked the music score in here, and was glad to read some other reviewers here felt the same way. It's easy to get wrapped up in the amazing visuals and the story and overlook this cool music.

"Madame Tutli-Putli" was nominated in 2008 for an Oscar. It didn't win, but just being nominated tells you it is definitely worth a look. But, beware: it's not "for all tastes," as the cliché goes. I saw it on the Blu-Ray "Animated Express" DVD which showed off the artwork to the max.

Madame Tutli-Putli and her many luggage board a train. She is alone among many strangers. She's sitting opposite a crude former tennis star. The train stops to wait for another passing train. Three mysterious thieves sneak on board and release sleeping gas. She wakes up into a nightmarish situation. Her luggage and the other passengers are all gone. She sees an image of someone cutting out the liver of another passenger.

This National Film Board of Canada animated short received an Oscar nomination. This is all about the visual look. The stop-motion animation looks creepy. The human eyes really make it stand out. This would be a great horror but it needs a well written story. This short is more experimental. There is a possibility of a great style for a longer film with a more compelling story.

With a name like Tutli-Putli, one can expect many things. But one will not expect the marvelous short film Lavis and Szczerbowski will present you. Though the name sounds kinda ridiculous (and is reminiscent of oddly creepy characters from children's tales), it's actually a Hindu word referencing "puppet" and "delicate women". Bet you didn't expect that.

Madame Tutli-Putli is a 17-minute, stop-motion animation short. Now, I'm a big fan of stop-motion already, but the work of both directors takes this particular field in cinema way beyond.

Looking at the credits, you'll see that both directors did a lot of the work themselves. From script to art direction to animation to sculpting, it's all very much their own blood, sweat and tears. Typical for such films (where directors are playing a key role in most aspects of the production), Madame Tutli-Putli has a very characteristic and detailed feel to it.

The most striking element of the film are the visuals, which are beyond impressive. The combination of agile camera work with the animation of the puppets is simply nutters. A lot of effort was spent on getting the lighting just right, the puppets look gorgeous and the setting just oozes detail. The visual impression reminded me of the work of Pitoff and Caro, set in a universe that could've easily been that of Les Triplettes de Belleville.

The animation itself is quite slick and solid, without losing the stop-motion feel. Another eerie detail are the eyes of the puppets, which were filmed in real life, then superposed on the puppets. They've tried a similar technique with mouths before, but never to good effect. With the eyes it works miraculously, giving the puppets that little extra bit of humanity.

Apart from the stunning visuals, the film boasts a marvelous score, starting off rather jazzy and ending in more ethereal sounds as the film progresses. It's nice to see that the same level of detail went into creating and timing the soundtrack, something which is often overlooked.

The film is short, making the story rather confusing the first time around. There is no dialog and little time to grasp the realm of Madame Tutli-Putli. The whole story develops inside the train and transcends normal storytelling by the end of the film. Personally, I liked the feel of the ending, although I haven't been able to make much sense of it so far.

If I had to name one downside, it would be the length of the film. I realize the amount of work that goes into creating a short like this is tremendous, but in the end it does feel rather short and I wouldn't have minded to sit through another solid 40 minutes of Madame Tutli-Putli.

This short is a marvel in the realm of stop-motion film. A true milestone project that will hopefully keep the genre alive. Sadly, it's another short film and no full length feature, but hopefully this film might give Lavis and Szczerbowski the funding to create a feature film in the near future. Definitely recommended, 4.5*/5*

This was an astounding, haunting little film. The protagonist has this eerie Buster Keaton look about her and the subtlety and realism of her expressions is extraordinary. It's like no stop motion animation I've ever seen. The protagonist is this small, put upon woman who embarks on a train journey with what appear to be all her worldly possessions. She speaks not a word the entire time, but her gestures and her giant silent film star eyes are incredibly evocative as she faces small insults and later very real threats on her journey. Try to catch a screening of this amazing tiny gem if you can, or order it via Netflix. It's absolutely worth it.