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Guarda If You Liked Terrifier 3, Watchlist These Endurance Horror Classics
Una giovane donna si vendica con l'aiuto di un'amica delle persone che l'hanno rapita e torturata da bambina; ma questo non è che l'inizio di un orribile incubo.Una giovane donna si vendica con l'aiuto di un'amica delle persone che l'hanno rapita e torturata da bambina; ma questo non è che l'inizio di un orribile incubo.Una giovane donna si vendica con l'aiuto di un'amica delle persone che l'hanno rapita e torturata da bambina; ma questo non è che l'inizio di un orribile incubo.
- Premi
- 7 vittorie e 9 candidature totali
Xavier Dolan
- Antoine
- (as Xavier Dolan-Tadros)
Recensioni in evidenza
I wonder why so many compare this to movies like "hostel"...
There was only one movie coming up my mind after having seen this one: Clive Barker's "Hellraiser" (and other works from him...)
Other comparisons? OK, let's compare this to "high tension"... yes, we get realism. but then? There are too many movies recently that do nothing but hide their lack of spirit and story... in the end the audience is left alone without a believable motivation for what happened...
"Martyrs" is different. It's scary and disturbing. It's painful to watch and still there is some kind of relief. You may separate that movie into three segments... and the first two would make a whole movie on their own. What happens then takes the story to whole new level and the audience to a whole new perspective. With a cynical bang in the end.
I liked it.
There was only one movie coming up my mind after having seen this one: Clive Barker's "Hellraiser" (and other works from him...)
Other comparisons? OK, let's compare this to "high tension"... yes, we get realism. but then? There are too many movies recently that do nothing but hide their lack of spirit and story... in the end the audience is left alone without a believable motivation for what happened...
"Martyrs" is different. It's scary and disturbing. It's painful to watch and still there is some kind of relief. You may separate that movie into three segments... and the first two would make a whole movie on their own. What happens then takes the story to whole new level and the audience to a whole new perspective. With a cynical bang in the end.
I liked it.
I don't really want to say very much about this film. In some ways, it's a film I wish I could forget. It's a film I will most likely never watch again. I will say that most of the scenes in the film, at least in the first two thirds, are sickening and horrible and full of extreme human cruelty, violence, and gore. However, the film turns into something far worse than that in the last act. The film depicts pure evil and the true deterioration of the human soul and body about as bluntly as it possibly could. I will admit this. I'm not exactly sure what it was that I watched. I know that I will most likely never watch it again, I know that it was well made and had an effect on me, and I know that it was definitely extreme. The film is full of screaming, shrieking, mutilation, and torture, and there was a story and people did things. However, this is a film that is entirely inaccessible for most audiences. In terms of Extreme French Horror films, I thought it was very good. Inside, to me, is still the crowning champion of Extreme French Horror films, but Martyrs definitely works. However, it's far more than just a Horror film. It's a celebration of extreme human suffering, cruelty, and evil.
Don't listen to the poor reviews on here - this is actually a masterpiece in horror but it's very difficult to watch.. It's dark. bleak and incredibly disturbing and despite this being one of the best films I've seen I could never watch it again..
Having missed the opportunity to catch this at the Midnight Madness showing in TIFF08, I decided to go against all stated horror movie rules and watched this today around midday at a complex in downtown Toronto.. It's difficult to know what to say about this movie really; like a birth or a death, you really have to experience it yourself and draw your own conclusions. What I will say is that as a committed horror freak, rare is the occasion when I tense up and watch a film contorted, somehow trying to protect myself from what I'm putting myself through.. It contains enough tough to see horror/gore to satisfy the bloodhounds (though it doesn't feel like another attempt to up the gore ante for the sake of it, thankfully) and then - if you can watch it and many couldn't - transcends the genre totally with a jaw-dropping final act which if you're interested in the human condition and the capacity for seemingly normal people to do incredibly bad things will have you asking questions for some time to come and recognising that when horror and ideas mesh successfully, the result can be breathtaking. Absolutely not enjoyable but there again if you go to see a horror flick at a film festival and you know beforehand that it originally received an X-certificate in France, kicking up an almighty stink in the process - well, you know that an open mind is the least you can bring to bear. With that in mind I would recommend Martyrs as a film of incredible tension, harrowing physical violence and indelible imagery; unsurprisingly, the director name-checked Dario Argento during the Q&A as a major influence in his youth and there is a clear and confident signature in the work which suggests some parallels can be made between the two film-makers. I loved this movie and for those who have already posted comments good, bad or indifferent (and I really can't imagine a neutral response!) I hope like myself you have come away with a genuine sense of having seen something the like of which we are unlikely to see for some time..
...when there's a movie you've seen 10y ago and is constantly brought to memory, that's gotta mean something.
Anyone who sees it doesn't forget it. It sticks.
The pure rawness, the neverending pit of darkness when you're just hoping for a little light so you can breathe - not to spoil it - but it doesn't come.
Great acting, ok photography and editing, but your eyes will be halfway shut from the tension it causes, so no need to go over the head with special effects and cinematography. Just a very good movie where acting and suspense is just perfect.
Although I've seen it more than a decade ago, came across the poster in IMDB and still felt compeled to write a review. That's how much it sticks.
Anyone who sees it doesn't forget it. It sticks.
The pure rawness, the neverending pit of darkness when you're just hoping for a little light so you can breathe - not to spoil it - but it doesn't come.
Great acting, ok photography and editing, but your eyes will be halfway shut from the tension it causes, so no need to go over the head with special effects and cinematography. Just a very good movie where acting and suspense is just perfect.
Although I've seen it more than a decade ago, came across the poster in IMDB and still felt compeled to write a review. That's how much it sticks.
Lo sapevi?
- QuizMorjana Alaoui, the actress who plays Anna, broke three bones in her foot during the shoot when she fell 3 meters (9.8 ft) off a soundstage. She had to stay in bed for six weeks, and production was temporarily halted for over a month.
- Blooper(at around 59 mins) As the mother is kicked into the pit, a body flinches to brace itself for the impact of the mother falling on him.
- Citazioni
Mademoiselle: Martyrs are exceptional people. They survive pain, they survive total deprivation. They bear all the sins of the earth. They give themselves up. They transcend themselves... they are transfigured.
- Versioni alternativeAn heavily edited R-rated version was released on DVD, from The Weinstein Company.
- ConnessioniFeatured in Viande d'origine française (2009)
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Dettagli
Botteghino
- Budget
- 3.390.000 € (previsto)
- Lordo in tutto il mondo
- 1.149.256 USD
- Tempo di esecuzione1 ora 39 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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