Birds of America

The film means well at times. Matthew Perry played Morrie, the older sibling, husband and non-tenured professor at a Connecticut college or university. Matthew Perry brings life to Morrie's character. He is the responsible accomplished sibling while his brother and sister aren't. There is a lot of family blame to go around when they re-enter each other life in this film. Lauren Graham played his wife, Betty, who wants a family. Hillary Swank is sorely underused as a neighbor. The film was shot on location in Norwalk, Connecticut. Ben Foster and Ginnifer Goodwin play the siblings

Not a great movie, and certainly not as funny as the people who made it seem to think it is, but it still creeps up on you, and you find yourself rooting for these characters, even while you're getting slightly annoyed by them. Pulling together a really terrific cast is a triumph in itself, and if the end result isn't a home run, it's still a decent double, maybe even a triple. I grabbed this off the Hollywood Video shelf based totally on the cast, especially Ben Foster (LOVED him in Barry Levinson's Liberty Heights, and of course Six Feet Under). While I thought it could have been more, especially with Craig Lucas at the helm (and I was surprised that there was no gay characters at all), it wasn't a terrible way to spend a dreary Monday night when there was nothing to watch on TV.

I know a nine is going to seem high. But after a slow start, this movie begins to grab at you. There are moments you feel the boundaries of realism have been touched upon, but somehow it all meshes together and becomes the heartfelt story it's meant to be.

At times, you might suspect the actors were learning improvisational skills on the job, as they most definitely improved scene after scene.

Give this movie the half hour investment of boredom you might endure, and you'll be grateful for the half hour you "suffered" through.

Matthew Perry hasn't had the best of luck in reviews of his movies. I think this movie should certainly help to redeem any sagging career thoughts swirling is his head.

Honestly I found this movie to be a very enjoyable experience. The pacing was fantastic, the whole time I wanted a character to do this or that, but they didn't, so I'd get frustrated. But then a half hour later they'd do something twice as satisfying then what I had wanted them to do and with perfect timing. The movie starts off a little slow but let yourself get to know the characters, try to understand their points of view and guess how they became this way. By the end of the film everything is understood and it makes those first few scenes even better now that you understand why the characters where acting the way they were.

Elyse Friedman's writing feels genuine. The characters are rich, and the story plays out very well in getting to know those characters. At times you think you have one figured out and then you learn something new that changes who they are in your eyes. I love when a film can do that affectively and this one does. It feels like a character piece, but unlike most who overdo the story, this film is entertaining enough just getting to know the characters.

Craig Lucas does a great job directing the camera to support the performances. This film has a genuine indie feel. It's not forced it just fits.

The performances are also very appropriate for the feel of the film. Matthew Parry was a fantastic choice for his role. He acts by not overdoing it. He keeps his performance inside and in turn it seems more real on the outside. Ben Foster is perfect. He nails the character in a way that few actors could have pulled it off. He makes me want to meet Jay and have a conversation with him. I want to hang out with him and ask him about his perspectives on life. Lastly but certainly not least, was Ginnifer Goodwin. I want you Ginnifer, I want you so bad. She delivers a performance that is fantastic in its combination of both subtle and not so subtle moments. At times you have to look closely into her eyes to figure out what the character is feeling, other times it's displayed in her every expression and gesture.

I really am a tough critic most of the time, but I was just so surprised by this film that it sold me. I love it. I won't recommend it to all my friends because it is a film for people who love film and don't just want to see car chaises and sex scenes.

Though the title is derived from Audubon's priceless book and there are several references within the film corresponding to the title, it also serves as a metaphor. The film centres around a dysfunctional family and each member is like a bird. Morrie (Matthew Perry) is a bird who's lived in a cage for so long that he's finding it difficult to break free. His wife Bettie is like a bird who desperately wants to create a nest and nurture children. His brother Jay is a gentle young bird who keeps flying. And, similarly, his sister too keeps flying, only that she's flying away from having to deal with her problems.

While movies about dysfunctional families are becoming redundant these days (though they haven't tired me), 'Birds Of America' feels refreshing. It's a funny, at times hilariously outrageous, heartwarming, whimsical, poetic and humane little film. While these siblings, who have grown up without stable parents, have their own problems, their unconditional love for one another is strong and genuine it is sensitively demonstrated by the actors with compassion. They do feel like a real family.

Friedman's writing is superb as the dialogues are authentic, symbolic and humorous and the poetry of the story comes across very well. The characters are very real with a gentle touch of humour. Lucas's direction is equally good as he stays focused on the main story, telling it with sincerity and clarity. In addition, Yaron Orbach's playful cinematography and Ahrin Mishan's whimsical score are excellent and they beautifully enhance the mood. Eric Kissack's editing is crisp. It is a very short film but it's rounded up well.

The performances are outstanding. It was great to see Matthew Perry in a serious role (with a comic touch). He just proves what a versatile actor he is and his effective portrayal comes across as very genuine. Lauren Graham is just as fantastic as the desperate housewife desperate to have kids with the husband she loves. Ben Foster is brilliantly restrained and very likable. He does not have to rely on overt gimmicks to draw laughter. Ginnifer Goodwin too is excellent as the promiscuous, carefree and addictive sister Ida. Hilary Swank springs a pleasant surprise as the pompous 'perfect' neighbour. It's a role that any star of her caliber would turn down without second thought and it's not a role that one would expect an accomplished actress to play but Swank does a fine job nonetheless and it was great to see her as part of an already magnificent cast.

It's a light hearted film and it's basically about lightening up and not to take every single thing in life so seriously but at the same time to respect other's boundaries. To quote a friend, 'it's about the invisible boundaries of social norms: both breaking and respecting them and it's about the importance of loving and respecting people who care for you (family and real friends) versus sucking up to others only because they might give you a promotion or a 'better' social status'.