Un anno da ricordare

Secretariat is directed by Randall Wallace and written by Mike Rich and Sheldon Turner. It stars Diane Lane, John Malkovich, Margo Martindale, Amanda Michalka, Dylan Walsh, Scott Glenn, Kevin Connolly, Dylan Baker, James Cromwell and Drew Roy. Music is by Nick Glennie-Smith and cinematography by Dean Semler.

With the success and quality of production that came with 2003's Seabiscuit, it was perhaps inevitable that someone would turn their hand to making a film about a horse that many agree is the greatest American horse of all time. With Disney funding the cash flow and an "A" list cast assembled, Secretariat the movie is every inch the professional production you would expect. However, thematically it's surprising that the horse is very much secondary to the story of his owner, Penny Chenery (Lane).

Chenery's story as written on the film version page, is a worthy one to tell, for sure. After suffering family bereavements, she stood firm after winning the horse on a coin toss to guide the horse to the greatest of American horse racing triumphs. This in a male dominated sport dominated by chauvinists. Further more, Chenery had to hold her own family together whilst running the Chenery ranch. Inspirational woman for sure, and Lane is naturally steely in the role, but there just isn't great human interest drama crafted by director Wallace to warrant the film being primarily about the good lady.

Naturally, when the horse racing takes centre stage it's gripping and exciting, the race segments very well filmed, but we already knew that Secretariat was an awesome horse, how he got to be that way isn't known to us. Malkovich plays trainer Lucien Laurin with moody flamboyance, but we see next to nothing of his training of the horse! It's one of the many oversights that stop the film competing with Seabiscuit. It may seem unfair to compare the two, but the makers of Seabiscuit got the blend right whilst cleaving close to the facts to tell their story.

There's also the controversy factor, the fudging of the facts to suit the makers ends, where some characterisations have been pointedly argued to be incorrect and a deviation from truths to the point we don't have the real story of what made Secretariat so great. Whilst it spins a rags to riches story when in reality it wasn't, Riva Ridge anyone? Where's the Preakness clocking controversy? These facts would have boosted the film no end, but I guess this is the price we pay for having Disney funding the film supposedly about the magnificent beast in the title.

Come the home straight the music does swirl and the cheers go loud, and undeniably the uplift factor takes a hand, but there's too much wrong all told to make this a great picture. I have to say it, go watch Seabiscuit instead. 6.5/10

Greetings again from the darkness. The story of Secretariat is legendary in the world of thoroughbred racing. Being a sports fan, it is always fascinating to witness domination by a singular athlete - Michael Jordan, Tiger Woods, Roger Federer. Secretariat was the Michael Jordan of racing. In 1973, Big Red dominated racing like no other.

What makes this even more amazing is that Secretariat is actually the second most interesting story ... his owner, Penny Chenery Tweedy (played here by Diane Lane), was his match in competitive spirit. This Disney movie actually spends as much time on Ms. Tweedy as it does the fabulous horse.

Disney does what Disney does best. This is an all out feel-good, rah-rah movie in the vein of "Seabiscuit", "The Rookie", "Rudy" and even "Hoosiers". Don't expect in-depth analysis of the racing world or horse training or even horse farm operations. This movie is made to deliver a warm fuzzy via the perseverance of a strong-willed lady and an incredibly majestic animal.

Expect some over-the-top touches such as John Malkovich's portrayal of trainer Lucen Laurin, horse-whispering by Ms. Lane, and plenty of heart-string tugging as is customary from the fine folks at Disney. Expect historical facts to be treated a bit lax in some scenes (no mention of 1972 Derby winner Riva Ridge, also from the Chenery stables). Expect none of that to matter as this is a crowd-pleaser, not a documentary.

In addition to Mr. Malkovich and Ms. Lane, there is some fine support work from Fred Thompson, James Cromwell and Nelsan Ellis (so great as Lafayette in True Blood). Directed by Randall Wallace, whose most recent directorial effort was 2002's "We Were Soldiers", this is entertainment for all ages and an easy introduction to the champion that was Secretariat.

The movie is great for families, as there were a number of children in the theater who really enjoyed the film. There isn't any off-color language or scenes, and it is well acted and well made. My main complaint is that it really seemed to be the Penny Tweedy story, and not that much about Secretariat. If you want to take your children to a well made movie with horses, this is a good film. If you want to learn about the greatest racehorse of the 20th century, go to you tube and watch old clips of the actual horse itself. If you're looking for a good movie about a horse, buy or rent Seabiscuit. That movie tells much more of the story about the horse.

An interesting and emotional story about a family, perseverance and an extraordinary horse.

The film is well directed and easily guides the viewer through the story and gives him an insight into the tension of horse racing.

The cinematography is excellent, and Randall Wallace has proven to be a skilled director. The cast is excellent, they portrayed these interesting characters brilliantly. The characters are layered, in the film we see their desires, fears and everything that makes them human and they easily draw us into that interesting world of theirs.

There are different opinions in the Tweedy family, but they still support each other. We may have different opinions, but we should still agree on some universal things. An interesting film that offers us an insight is a truly fascinating world.

The soundtrack is great, the songs are perfectly incorporated into the film and elevate the overall impression of the whole story.

An excellent cinematic work that is definitely worth watching.

"It is beautiful to watch a fine horse gallop, the long stride, the rush of the wind as he passes—my heart beats quicker to the thud of the hoofs and I feel his strength." Richard Jefferies

Secretariat is no exception. It's the story of the fastest horse in history, first known as Big Red, who went on to win horse racing's triple crown on 1973, a feat not accomplished in 25 years. After that he sired 600 foals, much to the delight of his investors, the first to invest solely in a stud future.

But then I love Seabiscuit (2003) for it depression-era cheerleading. This is what American filmmakers do well--a rouser with messages, big–screen chases, and sentimentality for the little guy. Seabiscuit is Rocky for horses, a suspenseful crowd pleaser with characters such as the whisperer played by Chris Cooper, who said, "You don't throw a whole life away just because it's banged up a little." The thought resonates for almost everyone in the film, a tribute to unity of theme and expression of actor.

Similarly there's more than just a racing film in Secretariat; after all National Velvet has a more interesting story and a younger heroine in Elizabeth Taylor, but that was decades ago. This true story is about the grit of Penny Chenery, who took over Virginia's Meadow Stables from her father and beat the male-dominated odds.

This quintessential Disney movie depicts her as tough and loving, a mother and a businesswoman, who can serve as a model for young women aspiring to reach great goals even in this liberated 21st century, which still has a ways to go before it expunges fully the sexism scourge.

The photography is bracing, often putting the camera right by the prancing hoofs or mid-level close to the steed's haunches. Although nothing new here, it is still exciting fare. Because we all know going in that our horse will win the crown, director Randall Wallace is especially successful in keeping us interested and worried for Secretariat.

Disclosure: I like most Hollywood horse-racing stories.