San taam daai zin

The storyline is good, with great level of depth as well as twists and turns. It's easy to understand and NOT confusing at all.

The pace is fast and compact! Things happen here and there to keep you going, without a sense of boredom from the beginning to the end!

An appropriate level of action was inserted to enhance the visual excitement, e.g. Gunfights and typical HK car chasing scenes. All these action sequences work well to keep the momentum going. And the clues unfolded one by one to facilitate audiences' understanding towards the cases and reasons for murders! All the main casts performed well to make it a good show!

However, two main pitfalls were picked up as follows: Firstly, the pace is far too fast that it doesn't allow the movie to breathe and the audiences to think through what is going on!

Secondly, each clue is unfolded too quickly! It should allow audiences to process each clue and piece together the puzzles to guess who is the SUSPECT! In fact, this is a psychological thriller, it should thus confuse audiences more, especially Lau Ching Wan's role with his paranoid delusion and multiple-personality disorder, and challenge our ability to unfold the clues. Yet, it's made to look more like an action movie, revealing all things abruptly!

I gave 8/ 10. Overall, it's a great movie! I would highly recommend you to watch it in the cinema, to enjoy the tension and dynamic action, which you will NEVER get from your laptop or home TV. It's definitely worth your ticket money! Take my words! Go, Go, Go..!!

I like the original promise to be a continuation for the first film but the mystery whether the lead character has special power or not was part of the charm, this sequel sadly ruined some of that.

Quite a number of surprises although some was a bit lame. Part of the stories felt forced and was shock for the sake out it, a some of the characters could do with a few more acting lessons from the lead actor.

The film really was saved by Lau Ching Wan alone, his portrait is so good it made it almost uncomfortable to watch.

Overall, I found the film entertaining enough and is one of the better hk films in recent years.

Instead of saying this is a detective story, it would rather be described as a creepy nonsense and full of shet talk.

The story writer focus too much on shaping a physical mad detective but completely ignore the basic reality of crime fiction presentations. For example, you would ask me to believe an female police officer would perform her job in crime scene where she have to chase, gun fight and building climbing when she is nearly at a stage of a childbirth? And you expect me to believe that Li Jun could be allowed to engage official crime investigation when he suffer severe mental health problem and risk all citizens and officers in life danger? Such nonsense just appeared all over the screen time and made people literally wonder what's going on with this movie.

Most of the character's motivations are simple, easy-predicated and some even ridiculous, which made people more easily to find that how unbelievable flat the character is. This is the kind of the story that you whish you never heard of. This is so....exhausted to watch. Once again, a new tip for myself: DO get out of it even in the middle of screening, when you find something funny is in the film. Instead of a crime fiction that you can enjoy, its more like those ridiculous Late talk show meme for spoof.

In 2007, Ka-Fai Wai wrote and co-directed, along with his much more internationally-famous colleague Johnnie To, the absurd crime thriller "Mad Detective", one of my all-time favourite films.

Now, after a 13-year absence from directing, Ka-Fai Wai is back, this time without Johnnie To or To's production company Milky Way, but with a film that seems like a new riff on "Mad Detective", almost a sequel. Ching Lan Wau is back, playing again an insane detective with some apparently supernatural crime-solving abilities lying underneath his madness.

It might sound derivative of the former film, but Detective vs Sleuths has some new tricks up its sleeve, and it honestly feels extremely fresh. Its twisty plot comes together beautifully in the end, the action scenes are some of the best in recent memory, and Ching Lan Wau's performance is bloody brilliant. His antics are crowd-pleasingly hilarious, but it never undermines the film's commitment to its increasingly outrageous narrative.

This film feels like a throw-back, to a level of creativity in Asian cinema that was much more common in the 2000s than what we've seen in the last decade. Certainly, I enjoyed this more than anything Johnnie To has directed since "Mad Detective". That film inspired me to check out more of Johnnie To's work, but now I'm realizing that Ka-Fai Wai deserves equal attention, and I'm very glad he's back after such a long absence.

When I stumbled upon the 2022 Hong Kong crime mystery "San Taam Daai Zin" (aka "Detective vs Sleuths"), I had to sit down and watch it.

First of all, it was a Hong Kong movie that I hadn't already seen, and that in itself is more than sufficient to make me watch it. But the movie also has Ching Wan Lau and Charlene Choi on the cast list and they usually tend to make okay movies.

However, the storyline in "San Taam Daai Zin", as written by Lu Jia, Li Jie, Ka-Fai Wai and Yibing Wang, was a swing and a miss for me. The storyline was incredibly cluttered and made for a very confusing viewing. Whatever was going on in the movie just wasn't properly introduced or described to the audience, and as such I felt like I was sitting in darkness trying to make sense of the barrage of events, killings and characters that came rushing at me on the screen.

For a crime mystery, then director Ka-Fai Wai just went a bit overboard in terms of setting out to accomplish way too much with the storyline.

The acting performances in the movie were good, and especially Ching Wan Lau portrayed the disturbed Lee Chun character quite well.

Lots of nice locations throughout the course of the movie, and there was a nice dynamic feel to the movie and the way it was filmed, and that at least helped make the movie somewhat more watchable.

This is not a shining gem in the Hong Kong cinema, and it is definitely not a movie that I would recommend fans of the Hong Kong cinema to rush out and get to watch. In fact, this movie is one that I will never return to watch a second time. There are indeed far better crime mysteries in the Hong Kong cinema, if that particular genre is what you enjoy.

My rating of "San Taam Daai Zin" lands on a very generous four out of ten stars.