Wall Street - Il denaro non dorme mai

Wall Street: Money Never Sleeps isn't the sharp, critical film that its makers want you to think of it as. The sequel to the supremely influential, endlessly quotable original from the 80's is a dull whimper about what triggered the present financial meltdown and though it's cut from the same cloth as the original, it possess all of the bark yet, sadly, none of the bite.

Gordon Gekko is a name that defined an era. Played by Michael Douglas twenty three years ago, he reverberated in the minds of viewers as a ruthless, amoral investor without a soul. Years later, the sequel finds him released after serving his prison sentence. Cut to seven years after his release, and its 2008, the dawn of the financial crisis. Gekko is now known as a speaker publicly vilifying the notion of greed in corporate America while simultaneously, and some would reckon quite ironically, publicizing his book inspiringly titled "Is Greed Good". A loner who travels in subways, he is estranged from his daughter Winnie (Carey Mulligan, androgynously unglamorous) who is engaged to a young trader named Jake Moore (Shia LaBeouf). Jake bumps into Gekko at one of his speeches (the films finest scene) and the two form a mentor-protégé relationship that irks Winnie but allows Jake to benefit by plotting revenge from Bretton James (Josh Brolin, the films principle villain), suspected of being responsible for the suicide of Louis Zabel, a close friend and confidant of Jake.

If the film sounds like a mess of relationships, then it is. As muddled as Stone's own political activism it has no clarity on what its trying to say. From trying to rationalize the reasons behind the market crash to the impulsive nature of human behaviour, it doesn't get either right. Not helping are the actors that Stone assembles. It's a mystery to me why Shia LaBeouf is constantly being thrust down viewer throats in film after film by studios convinced he is the next best thing. He is not, and despite being dressed up in expensive designer garb, cannot pass off as being anything more convincing than a working intern. His relationship with Gekko has none of the enticing quality that Charlie Sheen's Bud Fox did and a cameo appearance by Sheen only underscores this disparity. Douglas himself has none of the limelight. He has some powerful lines, but feels largely sidelined by the revenge/relationship/murder subplots and behaves uncharacteristically, especially in the very last scene (these were probably added as an afterthought). After showing some promise of returning to his incendiary, often infuriating filmmaking style and point of view with his previous film W, director Stone seems to have gone back to being comfortable working with drab studio approved material.

Not only was the original Wall Street a tremendously entertaining film, but one that was blessed with the critical foresight of its maker. The sequel partially entertains but does not have a new perspective. It is neither critical nor insightful and could have, with the same script and actors, been the work of a lesser director than Stone. The films themes are also impersonal - none of the characters suffer directly from the financial crisis the way they did in the original, they suffer from their own incompetent decision making, a sharp departure from how the original handled and fused stock trading with personal loss and gain.

I was looking forward to seeing what Oliver Stone & the ensemble he got together could do with an updated version of an even greedier Wall Street that was gambling with obscene amounts of money & making their own rules that the S.E.C. didn't do anything about or even try to understand it seems.

I was very disappointed. This follow up didn't fare well against the original...which is almost always the case. But with Stone directing again & Douglas in again...I thought this may have a chance. Some part 2's are just laughable...I guess they make money or they would stop doing them. The big exception of course was "The Godfather part 2".

Anyway - this movie just didn't have the snap, crackle & pop of the original. And I think the movie spent way too much time on the Jake & Winnie relationship played by Shia LaBeouf (wasn't that Glenn Campbell's name in the original "True Grit", well....maybe it was LaBeef) & Carey Mulligan. By the way...very sad about Campbell's Alzheimers admission.

When I saw this movie I knew that LaBeouf had been in a lot of Hollywood movies & must have been well thought of....but it was the 1st movie I had seen him in. I thought he did OK with the part he was given. But Mulligan was such an annoying character as Winnie....or was it Whiney? Every time she was in a scene it was like fingernails on a blackboard. Did anybody else feel that way about Mulligan's performance?

And as others have said...the ending was just not very good.

I have mentioned before that director Oliver Stone seriously thought about retiring after Natural Born Killers. That movie took so much out of him (and I think the previous JFK did also in the aftermath of that film), that he said: "I don't think I have another one in me". At that time I thought he was crazy. But looking back at what he has made since NBK. Maybe not… Stone's new film has 3 maybe 4 good scenes and all of them were in the trailer. The scenes of the release of Gekko are well done and set up for a nice premise. But it all just falls apart. Or it really never gets going. Wall Street: Money Never Sleeps fits perfectly in the new Oliver Stone trend. Before 1994, his films were raw, edgy and a little rebellious. World Trade Center, W. and Wall Street 2 all have the appearance of politically engaging or hard-hitting films. But they are not. Tame would be an understatement. Pleasing would be better. Oliver Stone has lost his will to fight. He's got bills (probably a big house, swimming pool, alimony and stuff). He just wants a job and please the studio and the audience. It almost looks like he doesn't want much hassle with his films after they come out.

Wall Street 2 is such a disappointment I don't know where to start. Maybe the biggest let down was in the smallest amount of celluloid: the cameo of Charlie Sheen as Bud Fox. His character Fox was a character we could relate to. Especially in his scene with his father Martin Sheen. But his cameo was so wrong, so out of place, so not Bud Fox, it diminishes the entire first movie. Bud Fox is now Charlie from Two and a Half Man.

Let me go on with the characters: The successor of Bud Fox is now Jake Moore, a kid who doesn't blink when he gets a 1.5 million dollar bonus. Off course, in the banking industry this is normal. So, it is authentic that Jake doesn't flinch. His girlfriend has an Iphone, does something with a website but other then that they really don't have to work for a living seeing the house they live in. Live really has no challenges left for these two. So maybe that why Jake has such a hard on for his 'Green Project'. But I'm just guessing here. Bud Fox wanted to be filthy rich, he wanted to be a player. Jake Moore doesn't want anything. And we should watch for him for 2 somewhat hours… Josh Brolin, the actor with the single most dangerous look in Hollywood, comes off as such a whiny boy. You do not believe he is the successor of Gordon Gekko. One or two times Shia LaBoeuf's character Jake Moore went head to head with Brolin and I couldn't help but think: "This is so unbelievable. Brolin's character should clock this spoiled brat right on the nose". If anyone can tell me what value or what message I should take from the motorcycle-scene: you can e-mail me.

Wall Street: Money Never Sleeps misses edge, a believable script and ditto characters. It is a missed opportunity at best, and a total failure if I am really honest. It demises it's classic predecessor, has a weak script where the cutthroat mentality in the banking industry is played out in such a cliché manner. Josh Brolin is grossly underused. Shia LaBoeuf is overplayed, because he's not that great an actor. Not as a serious adult anyway. But that's Stone's fault. Charlie Sheen isn't a great actor, but 20 years ago Stone could direct him in a way that made him believable. That Oliver Stone is no more, as you can see with the awful cameo of Sheen. The problem for this sequel is that it totally diminishes the first film. It takes all the good things from the first film and throws it out. What's left is chewed up, spit out and rehashed. Money never sleeps, but the audience does.

I loved this movie until its final thirty minutes or so. During those thirty minutes you realize that Stone and his team of writers were searching desperately for a way to end the movie on a positive, hopeful note. We are left to plod along with them on this implausible track. Also, during the ending Gekko's daughter's character consistency is shot to hell and she appears as venal as the characters against whom she rails.

Those moments are especially disappointing because I believed that this movie had the potential to be Stone's best film ever. Carey Mulligan and Michael Douglas in particular delivered great performances. Shia Lebeouf is "good enough." The writing is fairly unpredictable then everything seems to be tied into a nice bundle near the end. The problem was that Stone couldn't quite bring himself to put the bow on that bundle. He wanted to add a bit of glitter to it, which seemed gaudy and completely out of place.

Bottom line: if this movie had ended on a somewhat dark note it would have reflected the reality of modern day Wall Street, and it would have made for a tighter, better movie.

It's worth watching, and if you liked the first Wall Street it probably won't disappoint you. You might want to leave during its third act, though :)

You like songs, that's nice, they belong on the radio. There were so many dramatic moments ruined in this film by pushing in a song and turning it up LOUDER AND LOUDER, to try to make up for a dramatic moment that was lost by using a song. Dramatic underscore that's written by a real film composer is what makes the music work in a film. Stuffing songs into it is nothing more than the production company trying to make money selling a soundtrack album that has no real relationship to the film. You might notice on soundtracks they include songs that weren't even in the film! Ever since David Chase ruined The Sopranos with poorly placed songs people have come to accept this as what they should do. Get back to the basics of music scoring.

The plot was truly horrible. So many disjointed ideas that didn't come together to form any sort of story.