Un uomo rifiuta tutta l'assistenza di sua figlia con l'età. Mentre cerca di capire cosa sta succedendo intorno a lui, comincia a dubitare dei suoi cari, della sua mente e persino della sua s... Leggi tuttoUn uomo rifiuta tutta l'assistenza di sua figlia con l'età. Mentre cerca di capire cosa sta succedendo intorno a lui, comincia a dubitare dei suoi cari, della sua mente e persino della sua stessa realtà.Un uomo rifiuta tutta l'assistenza di sua figlia con l'età. Mentre cerca di capire cosa sta succedendo intorno a lui, comincia a dubitare dei suoi cari, della sua mente e persino della sua stessa realtà.
- Regia
- Sceneggiatura
- Star
- Vincitore di 2 Oscar
- 39 vittorie e 171 candidature totali
Adnan Kundi
- Passerby
- (non citato nei titoli originali)
Brian Rodger
- Hospital Visitor
- (non citato nei titoli originali)
Riepilogo
Reviewers say 'The Father' is a poignant film exploring dementia's impact, lauded for its realistic portrayal and Anthony Hopkins' exceptional performance. The direction, using disorienting visuals, effectively immerses viewers in the protagonist's reality. However, some find the depiction too extreme, suggesting it may not fully represent all dementia experiences. Overall, it's a compelling, thought-provoking film on a universal struggle.
Recensioni in evidenza
Anthony Hopkins portrays in a fantastic way how life erodes, piece by piece, when dementia takes over an old man's life.
Olivia Coleman, who plays his daughter, shows with greatness how painful and sad it is to see her loved father slowly disappear into the fog.
The film really grabbed me and tore my heart apart.
And then you get Anthony Hopkins in THE FATHER. This is a devastatingly, heartbreakingly-brilliant performance and a great film. Hopkins' range is incredible. He goes from charming and funny to menacing to wholly lost in seconds. From man to child on a dime. It's a powerful rumination on a terrifying disease, bolstered by Sir Tony at his finest, a strong supporting turn from Olivia Colman, and an excellent script by Christopher Hampton and Florian Zeller (based on Zeller's play). It's a daring move to tell the story from the perspective of Hopkins' character as his mind increasingly deteriorates. A savvy one too, as the audience is forced to engage to truly understand what is real, who is who, and where precisely we are in our protagonist's gut-wrenching journey. This may be Hopkins best work, a late-career revelation that once again reminds us why he's one of our finest cinematic performers. Be warned. If you've ever been touched by the tragedy of dementia, this film could wreck you.
Wow. This story is expertly crafted that I just don't know what is real and what isn't. Amazing acting too.
This movie was shot in May 2019 just a few months before the COVID-19 pandemic was recognized. The writer-director says he wrote this with Anthony Hopkins, who was 81, in mind. The movie has a number of well established actors but the story's impact depends on Hopkins and he achieves this as very few might be able to do.
Usually movies dealing with aging and dementia depict it from the points of view of all the others around, friends, family members, medical personnel. This does the opposite, it depicts it from the point of view of the afflicted person. As such I found myself totally confused after about 20 minutes but eventually understood why it had to be this way. We are seeing what Anthony (character's name) sees and experiences, the confusion as to where he is and his failure to recognize people he knows.
In many ways this is a hard movie to watch because we know people who have gone through dementia and its inevitable end, or know people who are in the early stages of it. For that reason my wife chose not to watch this movie.
For the subject matter it is a very good movie.
Usually movies dealing with aging and dementia depict it from the points of view of all the others around, friends, family members, medical personnel. This does the opposite, it depicts it from the point of view of the afflicted person. As such I found myself totally confused after about 20 minutes but eventually understood why it had to be this way. We are seeing what Anthony (character's name) sees and experiences, the confusion as to where he is and his failure to recognize people he knows.
In many ways this is a hard movie to watch because we know people who have gone through dementia and its inevitable end, or know people who are in the early stages of it. For that reason my wife chose not to watch this movie.
For the subject matter it is a very good movie.
This is a film that stays with you. Of course there's the brilliant performances but there's more. While other films have taken on old age and dementia, those films took on coping with a significant other's condition. The difference here is that the film is from the sufferer's perspective. You therefore see these events as if you yourself have dementia. And it's stunning how, when you walk away, you know you can.
Lo sapevi?
- QuizFlorian Zeller wanted Sir Anthony Hopkins specifically for the part. He sent Hopkins the script in 2017 and waited for a reply. In the meantime, he did not pursue production with any other actors in the lead role. He said if Hopkins had not agreed to the film, then it likely would have been made in French instead.
- ConnessioniFeatured in CBC News: Toronto: Episodio datato 18 settembre 2020 (2020)
- Colonne sonoreCold Wind Var. 1 - Day 1
Music by Ludovico Einaudi
Piano: Ludovico Einaudi
Violin/Viola: Federico Mecozzi
Cello: Redi Hasa
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- El padre
- Luoghi delle riprese
- Blythe House, 23 Blythe Road, West Kensington, London, Greater London, Inghilterra, Regno Unito(Exterior scene: nursing home)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 6.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 2.122.771 USD
- Lordo in tutto il mondo
- 24.048.935 USD
- Tempo di esecuzione1 ora 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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