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6,3/10
3772
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe son of a thrifty conman begrudgingly joins his father on the road.The son of a thrifty conman begrudgingly joins his father on the road.The son of a thrifty conman begrudgingly joins his father on the road.
- Regia
- Sceneggiatura
- Star
Gregory Chase
- Reporter
- (as Greg Chase)
Recensioni in evidenza
The lame pun in my title is a reference to the menu at IHOP where you get a free meal on your birthday, or, as we learn in the movie, where you get a free meal if you show them a convincing fake ID that says it's your birthday.
"$5 a Day" is a cute road movie about a father & son pair of small time con artists who live on $5 a day by committing various harmless scams on their way from Atlantic City, NJ to New Mexico. Their goal is get the father (Walken) to an alternative treatment center because he says he's dying.
It's a standard road movie but with some interesting twists. The big gimmick, of course, is the fun way they scam their way across the USA, much to the straight-laced son's irritation. But his pop is Christopher Walken, and hey who can argue with that. It's definitely Walken's characteristic charm that carries this flick, but there's also a certain sensitivity that gives it a unique flavor which you might not expect from a bro road movie. In the DVD bonus interviews, director Nigel Cole says he really wanted to explore the unspoken emotional side in men, especially an estranged father-son pair who have a barrier of resentment between them. It's the gradual breaking of that barrier that becomes the focus of the story.
Sharon Stone, though featured prominently on the posters and DVD cover, only has a few scenes. But her time on screen is fantastic as she plays a very memorable character, a con artist herself.
Like any good road movie, the story is episodic, with characters entering and exiting never to be seen again. At the same time, secrets from the past reveal themselves and what had initially seemed like a random adventure starts to take shape as an interesting goal-oriented plan.
"$5 a Day" is an entertaining film with a lot of fun moments and of course great acting all around. My only criticism is that it mostly plays it safe (perhaps deliberately) so it's not as edgy as it could be, given the subject matter. But maybe that's what you're looking for: a charming little flick about penny-ante criminals making their way across the country.
I would compare the feel of this movie to "The Open Road" (with Jeff Bridges & Justin Timberlake playing the reluctant father-son travel buddies) or mabye "About Schmidt" (with Jack Nicholson as the retiree going cross country to find his estranged daughter). These are all well-made, sentimental stories that focus on reconnecting with our past and putting demons to rest.
"$5 a Day" is a cute road movie about a father & son pair of small time con artists who live on $5 a day by committing various harmless scams on their way from Atlantic City, NJ to New Mexico. Their goal is get the father (Walken) to an alternative treatment center because he says he's dying.
It's a standard road movie but with some interesting twists. The big gimmick, of course, is the fun way they scam their way across the USA, much to the straight-laced son's irritation. But his pop is Christopher Walken, and hey who can argue with that. It's definitely Walken's characteristic charm that carries this flick, but there's also a certain sensitivity that gives it a unique flavor which you might not expect from a bro road movie. In the DVD bonus interviews, director Nigel Cole says he really wanted to explore the unspoken emotional side in men, especially an estranged father-son pair who have a barrier of resentment between them. It's the gradual breaking of that barrier that becomes the focus of the story.
Sharon Stone, though featured prominently on the posters and DVD cover, only has a few scenes. But her time on screen is fantastic as she plays a very memorable character, a con artist herself.
Like any good road movie, the story is episodic, with characters entering and exiting never to be seen again. At the same time, secrets from the past reveal themselves and what had initially seemed like a random adventure starts to take shape as an interesting goal-oriented plan.
"$5 a Day" is an entertaining film with a lot of fun moments and of course great acting all around. My only criticism is that it mostly plays it safe (perhaps deliberately) so it's not as edgy as it could be, given the subject matter. But maybe that's what you're looking for: a charming little flick about penny-ante criminals making their way across the country.
I would compare the feel of this movie to "The Open Road" (with Jeff Bridges & Justin Timberlake playing the reluctant father-son travel buddies) or mabye "About Schmidt" (with Jack Nicholson as the retiree going cross country to find his estranged daughter). These are all well-made, sentimental stories that focus on reconnecting with our past and putting demons to rest.
If the late 2000s are the new 1930s then this is the perfect movie. In a time of recession we need Christopher Walken's optimistic, unrealistic, opportunistic grifter...
This was a real surprise - and a very pleasant one. I was expecting deep and sorrowful, but got hilarious, thoughtful, and even belly laughs - and enough grifts to make me wonder how or why we pay for anything anymore.
By turns honest, hilarious, outrageous, and moving this is all wrapped up in a lowball low-fi package that smacks of good indie roots.
Definitely one of my favorite movies of the year. Walken's gives a masterclass in comic timing, and Alessandro Nivola is a great straight man as the son who never could. And some great cameos. This is at times snort your milk through your nose funny, at others tragic: but it is not buffoonish in your face slapstick and even better for it.
All in all a really great little road movie that constantly sparkles with fresh ideas and little touches of originality that puts most movies to shame - I hope the Dobrofkys have got another 20 scripts like this - they deserve awards for the writing - a wonderful mix and they deserve lots of work on the basis of this.
And if I'm raving it's because it deserves it - it stands out from the crowd by a mile: fresh, witty, sincere, slightly surreal and oddball, and by the end, exemplary.
Get to see, you'll be glad you did.
This was a real surprise - and a very pleasant one. I was expecting deep and sorrowful, but got hilarious, thoughtful, and even belly laughs - and enough grifts to make me wonder how or why we pay for anything anymore.
By turns honest, hilarious, outrageous, and moving this is all wrapped up in a lowball low-fi package that smacks of good indie roots.
Definitely one of my favorite movies of the year. Walken's gives a masterclass in comic timing, and Alessandro Nivola is a great straight man as the son who never could. And some great cameos. This is at times snort your milk through your nose funny, at others tragic: but it is not buffoonish in your face slapstick and even better for it.
All in all a really great little road movie that constantly sparkles with fresh ideas and little touches of originality that puts most movies to shame - I hope the Dobrofkys have got another 20 scripts like this - they deserve awards for the writing - a wonderful mix and they deserve lots of work on the basis of this.
And if I'm raving it's because it deserves it - it stands out from the crowd by a mile: fresh, witty, sincere, slightly surreal and oddball, and by the end, exemplary.
Get to see, you'll be glad you did.
Flynn Parker (Alessandro Nivola) is a corrupt health inspector who loses his job for not disclosing his criminal past. His girlfriend Maggie (Amanda Peet) moves out for keeping too many secrets. His con artist father Nat (Christopher Walken) tells him he's dying of cancer, and they go on a cross-country trip to New Mexico for an experimental treatment. Nat is proud of living on no more than $5 a day.
There isn't any real tension in this. I can't really understand why Flynn would go on the trip. He must be thinking his father is lying. It's completely out of character that Nivola has already laid out for Flynn. It seems much more likely that he would put his father on the Greyhound.
That aside, it's still nice to see Christopher Walken chew up the screen in this indie. Nivola is a completely low energy dude. He's not very compelling. There is a desperate need for funnier jokes to make this a fun dark comedy. It just isn't funny. Some of it is mildly cute.
There isn't any real tension in this. I can't really understand why Flynn would go on the trip. He must be thinking his father is lying. It's completely out of character that Nivola has already laid out for Flynn. It seems much more likely that he would put his father on the Greyhound.
That aside, it's still nice to see Christopher Walken chew up the screen in this indie. Nivola is a completely low energy dude. He's not very compelling. There is a desperate need for funnier jokes to make this a fun dark comedy. It just isn't funny. Some of it is mildly cute.
Christopher Walken and Alessandro Nivola are Father and Son scheming and scamming their way from New Jersey to New Mexico. Much like "House of Games" and "The Grifters", this road odyssey plays like a house of mirrors. In other words, very little is exactly as it seems. Walken is estranged from his son because his irresponsibility landed Nivola in jail. Together they mend fences, while still working the angles along the road. Rarely have two characters been so unsympathetic, and yet somewhat sympathetic at the same time. If you enjoy road movies about rebuilding relationships, "$5 a Day" just might work for you. I know I enjoyed the ride. - MERK
there isn't really much to say about this movie. the other reviewers have said about all that can be said. BUT i do not understand nor agree with the more negative reviews.
this story is nicely told and at times very funny and thoughtful. there are implausible and plausible situations these two cross country travelers find themselves or rather 'get' themselves into. the dialog and character development are adequate and easy to follow. in other words it's an easy light hearted story that is strictly for entertaining you. not deep thinking or symbolism.
this is an excellent choice for easy entertainment and having a few laffs along the way! give it a look - you'll like it.
this story is nicely told and at times very funny and thoughtful. there are implausible and plausible situations these two cross country travelers find themselves or rather 'get' themselves into. the dialog and character development are adequate and easy to follow. in other words it's an easy light hearted story that is strictly for entertaining you. not deep thinking or symbolism.
this is an excellent choice for easy entertainment and having a few laffs along the way! give it a look - you'll like it.
Lo sapevi?
- QuizThe only scene not written in the script was the scene with Nivola and Walken in the sales condo talking about the cat and the question mark.
- BlooperNat tells Richie he's taking a picture of him beside a '63 Corvair. The '63 Corvair has a straight vertical front end; the Corvair hulk they are standing by has a curved front like the '67 Corvair.
- Citazioni
Nat Parker: The fact is, I don't want you to do this. I need you to. I need to make things copacetic between us. I know I've been a terrible father. It's not a thing I can ignore. Sometimes for no particular reason, life falls off and knocks you flat. Slams you so hard against the wind, you think that all your insides are busted. But if you look for something to replace what's broken, if you're luck, you can find it.
[looks at his son]
Nat Parker: You're all I have.
- ConnessioniFeatures Zanna gialla (1957)
- Colonne sonoreI Don't Mind
Written and Performed by Marcus Foster
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Dettagli
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Proporzioni
- 1.85 : 1
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