VALUTAZIONE IMDb
6,2/10
10.402
LA TUA VALUTAZIONE
Negli anni '70, una donna è costretta a fuggire dopo che suo marito ha tradito i suoi colleghi, mandando lei e il suo bambino in un viaggio pericoloso.Negli anni '70, una donna è costretta a fuggire dopo che suo marito ha tradito i suoi colleghi, mandando lei e il suo bambino in un viaggio pericoloso.Negli anni '70, una donna è costretta a fuggire dopo che suo marito ha tradito i suoi colleghi, mandando lei e il suo bambino in un viaggio pericoloso.
- Regia
- Sceneggiatura
- Star
- Premi
- 2 vittorie e 4 candidature totali
Recensioni in evidenza
I enjoyed it. Sure, there might be plot issues, if you over-analyze it, but I try to not do that. I enjoyed Rachel Brosnahan's acting, and the plot was not predictable. I also enjoyed how much of the action was off-screen, how viewers and the main character did not know what was going on, how the story was told from a minor character's POV, and the relationships that developed.
No idea where this movie was going from it's placid opening and then it takes off with a female twist on the usual crime gone wrong movie and keeps on hurtling to the end. Standout performances from the leads and great art direction.
I understand why many people have reviewed this film negatively. It's not for everyone. If it were meant to be for everyone, the producers would have dug up another comic book character and we'd have another steaming piece of Marvel to stare at for 2 hours. With great production value, I'm sure.
This is a slow burn. I like that. I want to care about the characters before I know (or I am left to determine) their fate. I want to see Jean's transformation-especially since she is simply Eddie's woman for the first part of the story. She starts off purposeless. Maybe a pretty face he didn't marry for her cooking.
Anyway, the plot moves soon enough and we are presented with a crime movie not dissimilar from most crime movies. Except for the transformation of Jean. And the humanity. The kindness of strangers along the way. The touch of a stranger at a laundromat. Some good people.
There are a couple of events in the film that cannot be overlooked. Maybe these events will cause some viewers to find one or two of the heroes irredeemable. (I'm being vague to avoid spoilers.) But at least it gives you something to think about as you watch it.
Also, I love the two Aretha songs (covers) in this film: Natural Woman and The Weight. (Sorry, I had to throw that in.)
If you like independent films, I think you'll like this one. Personally, I am glad I watched it and enjoyed seeing Jean's arc.
This is a slow burn. I like that. I want to care about the characters before I know (or I am left to determine) their fate. I want to see Jean's transformation-especially since she is simply Eddie's woman for the first part of the story. She starts off purposeless. Maybe a pretty face he didn't marry for her cooking.
Anyway, the plot moves soon enough and we are presented with a crime movie not dissimilar from most crime movies. Except for the transformation of Jean. And the humanity. The kindness of strangers along the way. The touch of a stranger at a laundromat. Some good people.
There are a couple of events in the film that cannot be overlooked. Maybe these events will cause some viewers to find one or two of the heroes irredeemable. (I'm being vague to avoid spoilers.) But at least it gives you something to think about as you watch it.
Also, I love the two Aretha songs (covers) in this film: Natural Woman and The Weight. (Sorry, I had to throw that in.)
If you like independent films, I think you'll like this one. Personally, I am glad I watched it and enjoyed seeing Jean's arc.
The experience of the movie is the experience of Jean (Rachel Brosnahan). That's on purpose, so if you can't handle a crying baby or not knowing what is happening, and only sloooowly figuring out what is going on: yup that's the point. It's annoying, harrowing, and helps explain some of the actions she takes in the movie.
The conceit is to look at what happens to some of the more peripheral characters in the typical mobster movie. When the wife is sent off with a trusted cohort, what happens? How unpleasant is it to not be in the know? To find you NEVER were in the know about anything, and slowly find out the truth of many things about your life.
Even those who rated it well, I will note, say that it's not got action etc. Wrong. It has Meaningful Action. You really, really start learning the stakes, and get paranoid about everything while watching. When there is a sudden burst of violence, it is both unexpectedly all the more frightening, and the probability of a violent outcome are very clear. Violence builds slowly, then happens suddenly. Like reality. People who hold others at gunpoint get shot by people not stupid enough to talk about it first.
Great movie, really makes me weep for civilization at all the low ratings.
The conceit is to look at what happens to some of the more peripheral characters in the typical mobster movie. When the wife is sent off with a trusted cohort, what happens? How unpleasant is it to not be in the know? To find you NEVER were in the know about anything, and slowly find out the truth of many things about your life.
Even those who rated it well, I will note, say that it's not got action etc. Wrong. It has Meaningful Action. You really, really start learning the stakes, and get paranoid about everything while watching. When there is a sudden burst of violence, it is both unexpectedly all the more frightening, and the probability of a violent outcome are very clear. Violence builds slowly, then happens suddenly. Like reality. People who hold others at gunpoint get shot by people not stupid enough to talk about it first.
Great movie, really makes me weep for civilization at all the low ratings.
8/10 for me. Great acting and kept me on my toes. The crying kid wasnt that annoying...some of you just have low tolerance I guess.
Lo sapevi?
- QuizThe same early '60s Pontiac 4 door is used repeatedly through out the film. Also the same goes for a '67 - '69 Chevelle.
- BlooperDuring the chase scene, the same Volkswagen Beetle can be seen 3 times (driving and parked).
- Colonne sonoreI Wouldn't Be Surprised
Written by Larry Henley & Marcus Mathis
Performed by Bobbie Gentry
Courtesy of Capitol Records Nashville
Under license from Universal Music Enterprises
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- I'm Your Woman
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione2 ore
- Colore
- Proporzioni
- 2.39 : 1
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