La vita di tutti i giorni di June Havens si incrocia con quella di un agente segreto che si è reso conto di non dover sopravvivere alla sua ultima missione. Nonostante la loro avventura si e... Leggi tuttoLa vita di tutti i giorni di June Havens si incrocia con quella di un agente segreto che si è reso conto di non dover sopravvivere alla sua ultima missione. Nonostante la loro avventura si estenda in tutto il mondo, presto realizzano che tutto ciò su cui si possa contare è il pro... Leggi tuttoLa vita di tutti i giorni di June Havens si incrocia con quella di un agente segreto che si è reso conto di non dover sopravvivere alla sua ultima missione. Nonostante la loro avventura si estenda in tutto il mondo, presto realizzano che tutto ciò su cui si possa contare è il proprio compagno.
- Regia
- Sceneggiatura
- Star
- Premi
- 3 candidature totali
- Wilmer
- (as Jack A. O'Connell)
Recensioni in evidenza
June Havens (Cameron Diaz) is an average perky blonde romantic comedy heroine who runs into the charming and mysterious Roy Miller (Tom Cruise) at the airport, and is sucked into a series of misadventures when Roy turns out to be a secret agent fighting rogue elements in his own agency . . . or maybe HE's the rogue agent . . . It depends on who she listens to. there's a mysterious device called the Zephyr that Roy is either protecting or trying to steal. All of this is fairly predictable, and, again, nothing new. But director James Mangold ("Copland", "Walk the Line", "3:10 to Yuma") always knows how to make a film play, and his skills haven't deserted him here. His pacing is brisk and fun, and he stages some terrific action (including one sequence from Diaz' point of view that did feel genuinely new).
Of course, this is a star vehicle, and whether you enjoy it will depend a lot on how you feel about Tom Cruise. Dismissing his personal life as utterly irrelevant, I find him to be a solid and dependable actor who does action better than almost anyone in Hollywood. And, here, he gets a rare chance to flex his comic muscles, and hie's quite funny (though too much of the best material is in the trailer). Diaz is pleasant, but tries a little too hard to be cute. And, occasionally, the film itself has the same problem.
But, overall, it's a funny little spy movie. part adventure, part romcom. Not destined for any Ten Best Lists, but enjoyable summer entertainment.
It was also refreshing to see Tom Cruise play a part that wasn't meant to be almost completely emotionally impotent. I've never before seen him play a character where his face actually SHOWED such a full spectrum of emotions. Cameron Diaz also runs a gamut of emotional and psychological states as she progresses from the sheltered, Midwestern blonde who's in way over her head to the semi-savvy (albeit awkward) companion/sidekick of a rogue spy trying to clear his name.
I found myself applauding at the end.
I've come to really appreciate Tom Cruise's ability to provide some top notch comedy. It's not what he's known for, but man can he deliver some really funny scenes. Point in case, "Tropic Thunder". Cruise was absolutely hilarious in this movie. People who make their living being comedians would be hard pressed to match the level he obtains in that movie. "Edge of Tomorrow" is another. Cruise is a man who can deliver on many different levels when it comes to acting. He does just that in "Knight And Day". Cameron Diaz, who I normally don't like very much - does a very good job in this movie and her chemistry with Cruise is spot on.
This movie delivers a good script, beautiful locations, great acting and intense action. What more could you ask for? I highly recommend this film. It delivers on so many different levels. A great way to spend an evening!
However, while they are attractive leads, Tom Cruise and Cameron Diaz are not Grant and Hepburn. Although the pair have undeniable star power and seem to be having fun, their eyes were likely focused more on the paycheck than on the superficial script which lacks the witty exchanges of classic screwball comedy. Also appearing for the money is a talented supporting cast that includes Viola Davis, Peter Sarsgaard, and Paul Dano; unfortunately, none of these gifted performers have roles that stretch their acting skills. With chases, gunfights, and rapid cutting, director James Mangold keeps the film moving at breakneck speed as the cast chases a "McGuffin" in the form of a super battery, whose importance is often lost in the sometimes confusing proceedings.
Although even the classic screwball comedies stretched credibility, Mangold's film uses CGI to create sequences that are beyond preposterous. At times, Cruise seems to be a super-hero with supernatural powers; his close encounters are unbelievable even for a Batman or Fantastic Four. As the complicated plot unfolds, the characters' motivations seem to shift, and the audience is kept guessing as to who can and cannot be trusted and who is working for whom. The action, light comedy, and appealing performers will hold viewer interest throughout, although, like cotton candy, this fluffy piece will fade from memory before the closing credits finish rolling.
First, let's get to the positives. First off, I liked that this movie established character development. Most action/comedy films fail to fully flesh out are leads and then we aren't registered with them. 3:10 to Yuma director makes us care about these characters, and when put in a tough situation, we just hope the best. Second of all, I thought the script was great. I thought this movie had some really funny one-liners and the film had great comic timing. It couldn't have been better. Thirdly, I thought that the performances were great. All the characters did their job and even stood out, especially Cameron Diaz and Tom Cruise. Diaz and Cruise also had wonderful chemistry and their relationship never felt forced or phony. It came out as very authentic rather than artificial and syrupy. Moreover, I thought the film's pacing was excellent. The film is shy of two hours, yet feels like half of that. After the film was over, I thought there would be at least another hour added. Furthermore, I thought the action was awesome. It definitely delivered and this is the best action I've seen in a long time. And lastly, the cinematography was just amazing. I loved the scenery and great production values I must add.
There are very minimal flaws with this movie. However, there are some. First of all, I know this film is intentionally nonsensical, but some scenes went so over-the-top, that when it occasionally was meant to be serious, it came off as cheesy or laugh worthy, fortunately, like I said, occasionally. Second of all, I enjoyed this movie so much that I just wish it were longer.
Overall, "Knight and Day" is a great film because of its fresh script, great performances, amazing action, great comic timing, breathtaking cinematography, and a fascinating direction. And for the first time, it's actually not mindless! If you keep your brain on, you'll still thoroughly enjoy it. If you were disappointed by "Killers", don't worry, so was I, because you will still like this movie. Shoot, I enjoyed it so much I think it's even better than "Mr. & Mrs. Smith" which I liked. "Knight and Day" is one of those rare movies that just works on every level and is one of those rare movies that is worth full admission. See it at night with a large crowd, with a big bucket of popcorn, and a drink, and you'll have a blast. I enjoyed the movie so much that I wanted it to last from "Knight" to "Day". It comes highly recommended.
Lo sapevi?
- QuizTom Cruise and Cameron Diaz did a majority of the stunts on their own. Cruise and Diaz are avid drivers, and have experience doing sharp turns and 180s.
- BlooperWhen June is taken to Antonio's home in Seville, Spain, the city is celebrating the festival of San Fermin. Part of that is the famous running of the bulls, which happens in Pamplona, not Seville. Pamplona is in northern Spain; Seville is in southern Spain.
- Citazioni
Roy Miller: Nobody follow us or I kill myself and then her!
- Curiosità sui creditiThe film's title appears at the very end of the closing credits.
- Versioni alternativeAn 'Extended Cut' is available in Region 2 (UK and Europe), Region 3 (Asia) and Region 4 (Australia & NZ). It adds eight minutes of footage, mostly extended versions of existing scenes, as well as a new opening scene that better establishes June Haven's profession as a mechanic. The 'Extended Cut' was released on Video On Demand in North America, but as of January 2011, it has yet to receive a Region 1 release. (See the FAQ page for more details.)
- ConnessioniEdited into RTL Boulevard: Episodio #11.70 (2010)
- Colonne sonoreLouie Louie
Written by Richard Berry
Performed by The Kingsmen
Courtesy of Kingsmen International Licensing, Inc.
I più visti
Dettagli
Botteghino
- Budget
- 117.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 76.423.035 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.139.985 USD
- 27 giu 2010
- Lordo in tutto il mondo
- 261.989.769 USD
- Tempo di esecuzione
- 1h 49min(109 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1