Innocenti bugie

This movie was very entertaining. It was a fun, action-packed romantic comedy. It did not do well at the box office domestically because U.S film critics were harsh, but it performed superbly in the international market. International films fans understood to not take it too seriously. Both Tom and Cameron performed well in their roles. They had some adorably funny lines to deliver. Regardless of what is in the gossip columns on these actors, they are good, great actors depending on the roles and scripts they are given. If you want to see a nice escape from reality type movie, watch this one. About 2 weeks after I purchased the three disc combo, I enjoyed the extended version as well. I appreciate that Amazon was offering that bonus, and it's a great way for them to introduce their Video On Demand services.

"Knight and Day" revolves around Cameron Diaz, who is boarding a plane to see her sister April get married. At first, she is forbidden to board the plane, but then the flight attendant finds a seat for her. And guess who Diaz sits next to? The inevitable Tom Cruise. After having a little "talk" with the pilot, the passengers, and the flight attendant, him and Diaz seek out to hunt down the antagonists, one which is played by Peter Sarsgaard. Although, Cruise warns Diaz that the bad guys will say that they are the "FBI" and will pretend she's in a safe place. However, through further investigation, Diaz may think that Cruise is unto something. In the meantime, the bad guys are looking for the battery and are not too thrilled about who holds its possession.

First, let's get to the positives. First off, I liked that this movie established character development. Most action/comedy films fail to fully flesh out are leads and then we aren't registered with them. 3:10 to Yuma director makes us care about these characters, and when put in a tough situation, we just hope the best. Second of all, I thought the script was great. I thought this movie had some really funny one-liners and the film had great comic timing. It couldn't have been better. Thirdly, I thought that the performances were great. All the characters did their job and even stood out, especially Cameron Diaz and Tom Cruise. Diaz and Cruise also had wonderful chemistry and their relationship never felt forced or phony. It came out as very authentic rather than artificial and syrupy. Moreover, I thought the film's pacing was excellent. The film is shy of two hours, yet feels like half of that. After the film was over, I thought there would be at least another hour added. Furthermore, I thought the action was awesome. It definitely delivered and this is the best action I've seen in a long time. And lastly, the cinematography was just amazing. I loved the scenery and great production values I must add.

There are very minimal flaws with this movie. However, there are some. First of all, I know this film is intentionally nonsensical, but some scenes went so over-the-top, that when it occasionally was meant to be serious, it came off as cheesy or laugh worthy, fortunately, like I said, occasionally. Second of all, I enjoyed this movie so much that I just wish it were longer.

Overall, "Knight and Day" is a great film because of its fresh script, great performances, amazing action, great comic timing, breathtaking cinematography, and a fascinating direction. And for the first time, it's actually not mindless! If you keep your brain on, you'll still thoroughly enjoy it. If you were disappointed by "Killers", don't worry, so was I, because you will still like this movie. Shoot, I enjoyed it so much I think it's even better than "Mr. & Mrs. Smith" which I liked. "Knight and Day" is one of those rare movies that just works on every level and is one of those rare movies that is worth full admission. See it at night with a large crowd, with a big bucket of popcorn, and a drink, and you'll have a blast. I enjoyed the movie so much that I wanted it to last from "Knight" to "Day". It comes highly recommended.

While not a success at US cinemas, the film performed very well overseas and is enjoyable romp, which does not take itself too seriously. Despite the fact that the film's script went through as many as ten different writers, the final script, no doubt with the director James Mangold having a pretty big influence, is fun and entertaining, despite some typical tent-pole summer release plot contrivances (most notably a crass attempt at playing a plane crash for laughs, and silly plot twist at the end of the film that leads to a corny and stereotypical climax).

These weaknesses are largely offset by fun performance of Tom Cruise, who is very good in the role of a darker, shiftier, wittier and a more morally ambiguous version of his Ethan Hunt persona from Mission Impossible. He handles himself very well throughout the film and his character makes for a good foil for Cameron Diaz , who has fun playing a car mechanic version of Cameron Diaz. The trajectory of her character in the film is far too obvious, but despite this there is a lot of fun to be had watching her get there, and the on screen chemistry between her and Cruise is charming and draws the audience along.

The plot, as I have already mentioned is hardly original, but despite the aforementioned problems it is pretty impressive for one that has gone through a whole slew of writers. Normally these scripts come out very bad. Director James Mangold is the individual who deserves credit for fashioning the script into an entertaining and satisfying caper film, even if the fate of Peter Sarsgaard (the CIA/NSA type operative sent to apprehend/kill the Tom Cruise character, and who is pretty good in the role) is obvious almost within the first ten minutes of the movie.

Action sequences are well handled, (kudos to second unit director Brian Smrz)and the digital visual effects are by and large pretty good, being handled by a variety of different companies. Editing is polished , and Jon Powell's score helps keep the proceedings brisk and enjoyable, and there are subtlety amusing nods to both Bourne and Bond in the music. Director Mangold, as usual, marshals all these elements together with style and panache to produce a slick, fun final product that while hardly original, is very enjoyable and leaves you feeling emotionally satisfied when it is over.

This is a film that if you simply allow yourself to lap up the experience, will find it to be a fun and entertaining experience, albeit hardly a profound one.

Knight and Day" is a comfort food movie. It's a pleasant diversion, a fun time at the cinema that doesn't ask a lot of of it's audience and offers an enjoyable ride. We've seen it all before, but it worked pretty well then, and it works pretty well now.

June Havens (Cameron Diaz) is an average perky blonde romantic comedy heroine who runs into the charming and mysterious Roy Miller (Tom Cruise) at the airport, and is sucked into a series of misadventures when Roy turns out to be a secret agent fighting rogue elements in his own agency . . . or maybe HE's the rogue agent . . . It depends on who she listens to. there's a mysterious device called the Zephyr that Roy is either protecting or trying to steal. All of this is fairly predictable, and, again, nothing new. But director James Mangold ("Copland", "Walk the Line", "3:10 to Yuma") always knows how to make a film play, and his skills haven't deserted him here. His pacing is brisk and fun, and he stages some terrific action (including one sequence from Diaz' point of view that did feel genuinely new).

Of course, this is a star vehicle, and whether you enjoy it will depend a lot on how you feel about Tom Cruise. Dismissing his personal life as utterly irrelevant, I find him to be a solid and dependable actor who does action better than almost anyone in Hollywood. And, here, he gets a rare chance to flex his comic muscles, and hie's quite funny (though too much of the best material is in the trailer). Diaz is pleasant, but tries a little too hard to be cute. And, occasionally, the film itself has the same problem.

But, overall, it's a funny little spy movie. part adventure, part romcom. Not destined for any Ten Best Lists, but enjoyable summer entertainment.

Although far inferior in both concept and results, "Knight and Day" has its roots in the classic screwball comedies of the 1930's. Cute, seemingly coincidental airport encounters connect an attractive blonde, Cameron Diaz, who is en route to her sister's wedding, with a handsome man of mystery, Tom Cruise, and a series of wildly improbable events ensues. An early scene aboard a near-empty airliner is perhaps the film's highlight, as Cruise does battle with unknown assailants, while a blissfully unaware Diaz primps in the restroom, intent on seducing Cruise. Perhaps if the humor and pace of this scene had been sustained, the film would have been more successful. If Cary Grant were the dashing stranger and Katharine Hepburn the unwitting accomplice, the film would have been classic.

However, while they are attractive leads, Tom Cruise and Cameron Diaz are not Grant and Hepburn. Although the pair have undeniable star power and seem to be having fun, their eyes were likely focused more on the paycheck than on the superficial script which lacks the witty exchanges of classic screwball comedy. Also appearing for the money is a talented supporting cast that includes Viola Davis, Peter Sarsgaard, and Paul Dano; unfortunately, none of these gifted performers have roles that stretch their acting skills. With chases, gunfights, and rapid cutting, director James Mangold keeps the film moving at breakneck speed as the cast chases a "McGuffin" in the form of a super battery, whose importance is often lost in the sometimes confusing proceedings.

Although even the classic screwball comedies stretched credibility, Mangold's film uses CGI to create sequences that are beyond preposterous. At times, Cruise seems to be a super-hero with supernatural powers; his close encounters are unbelievable even for a Batman or Fantastic Four. As the complicated plot unfolds, the characters' motivations seem to shift, and the audience is kept guessing as to who can and cannot be trusted and who is working for whom. The action, light comedy, and appealing performers will hold viewer interest throughout, although, like cotton candy, this fluffy piece will fade from memory before the closing credits finish rolling.