In una casa abbandonata a Poughkeepsie, gli investigatori alla Omicidi di New York scoprono centinaia di nastri che mostrano decenni di lavoro di un serial killer.In una casa abbandonata a Poughkeepsie, gli investigatori alla Omicidi di New York scoprono centinaia di nastri che mostrano decenni di lavoro di un serial killer.In una casa abbandonata a Poughkeepsie, gli investigatori alla Omicidi di New York scoprono centinaia di nastri che mostrano decenni di lavoro di un serial killer.
- Regia
- Sceneggiatura
- Star
- James Foley
- (as Bill Bookston)
Recensioni in evidenza
The story is one of cops in Poughkeepsie New York finding a huge stash of VCR tapes during a raid on a serial killer's house, and there's literally thousands of tapes chronicling the killer kidnapping and killing people. It all unfolds in a documentary style which serves very well as a framing device.
But right away the film starts to quake a bit. Some of the actors portraying FBI agents or specialists look badly out of place or way too young, some of the actors add in unrealistic comments that are supposedly meant to show just how extreme this killer is/was.
The uneven quality of the acting starts to cause some of these scenes to be literally laughable, as an FBI specialist, in his most overly dramatic "barely holding it together voice" tells us that his wife accidentally watched 30 minutes of a tape and wouldn't let him touch her for over a year. Even remembering it now just made me laugh out loud not because of how it sounds, but just the absurdly serious way it was delivered.
Other events that are supposed to be serious, including even clips from the tapes themselves, filmed by the killer, sometimes struggle to maintain a balance between the theatrical/macabre and the absurd, in particular whenever the killer is shown dressed in his Plague Doctor costume. No matter how brutal or disturbing the content on screen is, the ridiculous theatricality just makes me laugh.
Some of the content matter actually fares better as a result of this unintentional comedy; without the absurd image of the killer walking on all fours with a mask on the back of his head, it would be much more difficult to take in the more brutal and sadistic things he does.
But at the same time, some of these "unintentional comedy" moments aren't a naturally flowing element to leaven a horrible moment. A lot of the police and witness interviews just try too hard to come across as "Serious true crime Netflix presents AmazonPrime documentary" and it comes across as almost wacky as a result.
The way the killer is repeatedly described as being an almost Mary Sue-ish caliber of serial killer, able to always outsmart the cops at every turn, always have everything pre-planned to perfection, described in such a way like if the killer was a Sith Lord, he would be "more powerful than Darth Vader and the Emperor and Darth Maul put together on steroids baaaa"
Some of the unexpected best parts of the film are when it touches upon Cheryl Dempsey, the longest-running victim of the killer, that it could almost become the story of her alone, her experiences and how it permanently damaged her as a person. But most of the film is spent fixating on the serial killer like he was a living Terminator, an absolute unstoppable genius that would make Hannibal Lecter look like a buffoon.
In fact it spends so much time hyping up the killer that I ended up spending more time laughing at the film than being disturbed or grossed out by it.
The filmmaking Dowdle brothers make a serious effort at shocking and disturbing their viewers, but all of this may have had more impact if this viewer hadn't been somewhat inured to this sort of material over the years. The main problem is, this viewer was never convinced that he was watching something "real". Part of that is due to some very amateurish acting. And part of that is due to the fact that Messmer is not really successful at making his villain truly menacing in any way. One way that a viewer can tell this is fictional is the way that the Dowdles take the time to wallow in depravity and gore when an actual documentary would be more likely to exercise restraint rather than go for sensationalism.
Despite the reputation of "The Poughkeepsie Tapes", it would ultimately be much more interesting - and genuinely disturbing - to watch or revisit "Henry: Portrait of a Serial Killer", the real high water mark as far as this kind of film goes.
Five out of 10.
This movie is a found footage mockumentary. So the movie takes off with a bunch of interviews of police and FBI who found hundreds of tapes containing murders and torture.
This movie was actually better then I thought it would be. It was actually really creepy. The bad quality of the camera kind of annoyed me but it was good overall
I've seen an awful lot of found-footage horror/pseudo-snuff in my time, some of which has achieved a level of realism that has bordered on the limits of what I will watch. But despite it's controversial reputation, I didn't find The Poughkeepsie Tapes in the least bit shocking, largely because at no point was I convinced that what I was watching was real.
Some of the acting was very weak, which certainly didn't help (those girl scouts selling cookies were dreadful), but the main problems I had were with the killer, who wasn't in the least bit intimidating (his voice and ridiculous costumery were laughable), and the fact that no genuine documentary would ever show uncensored footage of dismembered victims, as this did.
I wanted to believe and become fully immersed in the movie, but in the end I couldn't, and that seriously spoiled the experience.
Lo sapevi?
- QuizAll the fake interviews were done in two days.
- BlooperA police officer claims that a person has to be missing for 24 hours before filing a missing person's report. While this is a common myth and trope in film it is untrue.
- Citazioni
Victoria Dempsey: She kept covering her eyes, whispering "please take me home, please take me home, please take me home..." a week later I got her outta there and I brought her home... but she just kept repeating it. At that point I realized... she didn't mean OUR home.
- Curiosità sui creditiThere is an additional scene after the credits
I più visti
Dettagli
- Tempo di esecuzione1 ora 21 minuti
- Colore
- Proporzioni
- 1.85 : 1