VALUTAZIONE IMDb
6,8/10
19.293
LA TUA VALUTAZIONE
A una festa di compleanno a New York nel 1968, un ospite non invitato e sette amici gay si impegnano in un gioco alcolico che riporta alla mente sentimenti e verità sepolti di cui non parlav... Leggi tuttoA una festa di compleanno a New York nel 1968, un ospite non invitato e sette amici gay si impegnano in un gioco alcolico che riporta alla mente sentimenti e verità sepolti di cui non parlavano da molto tempo.A una festa di compleanno a New York nel 1968, un ospite non invitato e sette amici gay si impegnano in un gioco alcolico che riporta alla mente sentimenti e verità sepolti di cui non parlavano da molto tempo.
- Premi
- 1 vittoria e 6 candidature totali
Robin de Jesus
- Emory
- (as Robin de Jesús)
Recensioni in evidenza
I read the screenplay which was published in book form decades ago-maybe in the mid-seventies-and recall finding it depressing.
Just finished watching this new Netflix film and must comment on the terrific casting and production-the clothing and set design were as "spot on" as possible, but more importantly the acting was superb. Each character was distinct and believable. The setting was close and intimate, but not claustrophobic. In revisiting this drama decades after first reading the screenplay, I would describe it as sad, rather than depressing.
Fortunately the LGBT community finds much more visibility and acceptance today. This production clearly depicts self-loathing, repression and invisibility felt by some in the sixties. A good period piece with some light moments, but still very sad.
Just finished watching this new Netflix film and must comment on the terrific casting and production-the clothing and set design were as "spot on" as possible, but more importantly the acting was superb. Each character was distinct and believable. The setting was close and intimate, but not claustrophobic. In revisiting this drama decades after first reading the screenplay, I would describe it as sad, rather than depressing.
Fortunately the LGBT community finds much more visibility and acceptance today. This production clearly depicts self-loathing, repression and invisibility felt by some in the sixties. A good period piece with some light moments, but still very sad.
While the actors were all very convincing in their roles, and the art direction was satisfying, I still don't think I got the point of this film. So, regrets and arguments abound amongst a group of gay friends, how is this the fodder of film? Maybe I just don't get "slice of life" scripts. It kind of left me feeling empty.
This cover is as mediocre as it gets. They should have left well enough alone.
Those who think this is "good acting" need to understand the difference between acting and "mannerisms," because this is an example of the latter, barely the former.
Jim Parsons hardly transcends the character he plays in "The Big Bang," including his vocal intonations. It sounds like Sheldon - and that's no compliment. He barely has any change in intonation or volume in the entire play.
Enjoy it, especially if you're under 35, but don't confuse this with great acting or the reality of the original film, which was explosive when it came out. It's not that it's a failure, it's just that it is simply a scene reading, where actors sit at a table and just...read the lines. The essence of acting is to forget who YOU are and BE the character. By those standards, this is unexceptional.
As for those who deem it depressing,well, it was an accurate representation of the psyche of many gay men of the time: self-loathing. So many of the reviews come from people born after 1985, (or, for that matter, 1995), who have NO knowledge of what gay culture was like (except through books and excerpts of newsreels). I'd see these guys at parties in 1970 - and go the other way. The actors fail to convey the internal self-hatred of so many gay men of that time. The original movie surpasses this by the proverbial country mile, with tension so thick, especially after Harold arrives, that all the sadness, bitterness and self-loathing of the gay men of that era (and it REALLY was like that in the Metropolis' of that time, and especially New York, but also LA). Take it from the 75 year old.
I'm listening to it, as I type, and even without seeing the expressions of the actors, it sounds bloodless, as in "devoid of LIFE." Everyone except Quinto is a caricature of a real actor. Or even more, a real PERSON.
This is nothing more than a rehearsal reading. NO fire, NO authentic passion.
If you're going to do a re-make, do it right. This is not that re-make, but perhaps someone will get another chance to do it, although it seems so many reviews are contemptuous of their elders without having the slightest sense of what their elders had to go through. If that is the case, you have ZERO sense of gay history. Go read Larry Kramer's "Faggots," which is an accurate portrayal of New York gay culture in the '70s. The past can't be changed by those who don't understand it. As George Santayana said, "Those who cannot remember the past are condemned to repeat it." So this movie falls into the "condemned" category.
Those who think this is "good acting" need to understand the difference between acting and "mannerisms," because this is an example of the latter, barely the former.
Jim Parsons hardly transcends the character he plays in "The Big Bang," including his vocal intonations. It sounds like Sheldon - and that's no compliment. He barely has any change in intonation or volume in the entire play.
Enjoy it, especially if you're under 35, but don't confuse this with great acting or the reality of the original film, which was explosive when it came out. It's not that it's a failure, it's just that it is simply a scene reading, where actors sit at a table and just...read the lines. The essence of acting is to forget who YOU are and BE the character. By those standards, this is unexceptional.
As for those who deem it depressing,well, it was an accurate representation of the psyche of many gay men of the time: self-loathing. So many of the reviews come from people born after 1985, (or, for that matter, 1995), who have NO knowledge of what gay culture was like (except through books and excerpts of newsreels). I'd see these guys at parties in 1970 - and go the other way. The actors fail to convey the internal self-hatred of so many gay men of that time. The original movie surpasses this by the proverbial country mile, with tension so thick, especially after Harold arrives, that all the sadness, bitterness and self-loathing of the gay men of that era (and it REALLY was like that in the Metropolis' of that time, and especially New York, but also LA). Take it from the 75 year old.
I'm listening to it, as I type, and even without seeing the expressions of the actors, it sounds bloodless, as in "devoid of LIFE." Everyone except Quinto is a caricature of a real actor. Or even more, a real PERSON.
This is nothing more than a rehearsal reading. NO fire, NO authentic passion.
If you're going to do a re-make, do it right. This is not that re-make, but perhaps someone will get another chance to do it, although it seems so many reviews are contemptuous of their elders without having the slightest sense of what their elders had to go through. If that is the case, you have ZERO sense of gay history. Go read Larry Kramer's "Faggots," which is an accurate portrayal of New York gay culture in the '70s. The past can't be changed by those who don't understand it. As George Santayana said, "Those who cannot remember the past are condemned to repeat it." So this movie falls into the "condemned" category.
A bunch of queens together in 1968 is still the same as a bunch of queens together in 2020. Full of gin and regret.
As a young gay man coming out before Stonewall, I saw the original movie and was blown away with the intensity and truth in this film. It was a pivotal movie that showed me the self hate that we all had during that time, and how that hate manifested in our relationships with self and others.
This revision of that film with a 2020 cast was every bit as powerful and poignant, with an excellent direction by Joe Mantelo. Thank God they did not try to modernize the film and kept the original 1968 time. Jim Parsons is just an amazing actor as is Zachary Quinto who captured Michal and Harold with intensity and focus. The whole cast was amazing.
In some ways the play has a certain dated feel but that does not distract it enhances. The Gay men's community has been a work in progress and Mark Crowley wrote this decades before liberation, AIDS, gay marriage, wrote this when being gay was a crime. Thank God we don't have to embrace the self loathing we did back then. This still is a difficult film for me to watch, very confronting, but definitely a gem of a production.Awards are waiting I am certain!
This revision of that film with a 2020 cast was every bit as powerful and poignant, with an excellent direction by Joe Mantelo. Thank God they did not try to modernize the film and kept the original 1968 time. Jim Parsons is just an amazing actor as is Zachary Quinto who captured Michal and Harold with intensity and focus. The whole cast was amazing.
In some ways the play has a certain dated feel but that does not distract it enhances. The Gay men's community has been a work in progress and Mark Crowley wrote this decades before liberation, AIDS, gay marriage, wrote this when being gay was a crime. Thank God we don't have to embrace the self loathing we did back then. This still is a difficult film for me to watch, very confronting, but definitely a gem of a production.Awards are waiting I am certain!
Lo sapevi?
- QuizTuc Watkins and Andrew Rannells are a couple in real life.
- BlooperWhen Michael takes the Valium he lifts his bottle to his mouth with his left hand but lowers it with his right.
- ConnessioniFeatured in The Boys in the Band: Something Personal (2020)
- Colonne sonoreHold on I'm Coming
Written by Isaac Hayes and David Porter
Performed by Erma Franklin
Courtesy of Brunswick Record Corporation
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Boys in the Band?Powered by Alexa
Dettagli
- Data di uscita
- Paesi di origine
- Lingua
- Celebre anche come
- Các Chàng Trai Trong Hội
- Luoghi delle riprese
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 2h 1min(121 min)
- Colore
- Proporzioni
- 2.39 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti






