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5,9/10
30.152
LA TUA VALUTAZIONE
Dee Dee Allen e Barry Glickman sono due stelle del teatro newyorchese alle prese con una crisi: il loro nuovo e costoso spettacolo di Broadway è un enorme flop che stronca all'improvviso la ... Leggi tuttoDee Dee Allen e Barry Glickman sono due stelle del teatro newyorchese alle prese con una crisi: il loro nuovo e costoso spettacolo di Broadway è un enorme flop che stronca all'improvviso la loro carriera.Dee Dee Allen e Barry Glickman sono due stelle del teatro newyorchese alle prese con una crisi: il loro nuovo e costoso spettacolo di Broadway è un enorme flop che stronca all'improvviso la loro carriera.
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Recensioni in evidenza
One of the only movies like this that acknowledges how liberalism doesn't do much to change minds.
It's also not a coming out movie, which is nice, as that has been done too much and doesn't show the true experience.
So, yeah, it's not the best, I'm guessing the musical is better and would be fun to watch. James Corden is kinda annoying, hetero side relationship is boring, it's still kinda forced.
But hell, they finally got queer actors to play queer characters (besides James Corden, seriously, why dude).
I like that the "gay makeover scene" is a gay character dressing a gay character. I like Emma's first song.
My liberal family likes it, so it certainly reaches its audience. I hope it hasn't/doesn't win any awards though.
There are much better, more artistic or unique, less flashy and Hollywood, gay movies out there.
The Prom is a wonderful, bright musical, great to look at, with a marvelous cast, good music, and an old but so often ignored message - the world is for everyone. Everyone deserves to be who they are.
However, everybody being who they are does not, in my opinion, extend to acting. Acting is playing someone different from yourself - not in all ways all the time, but certainly in some ways. This is why I can't understand the insistence on casting a gay actor as a gay character, referring to the bad reviews James Corden received. Ridiculous. Grow up. He did a great job. I don't know about anybody else's gay friends, but my gay male friends loved him.
If you're sick of hate, and want to feel some optimism about anything (and of this writing, I don't know about anybody else, but I need it) this is the film for you. Take it for what it is. It's not Citizen Kane. It's a typical Ryan Murphy, somewhat campy production. I'm not a particular fan of Ryan Murphy, but I enjoyed this immensely.
However, everybody being who they are does not, in my opinion, extend to acting. Acting is playing someone different from yourself - not in all ways all the time, but certainly in some ways. This is why I can't understand the insistence on casting a gay actor as a gay character, referring to the bad reviews James Corden received. Ridiculous. Grow up. He did a great job. I don't know about anybody else's gay friends, but my gay male friends loved him.
If you're sick of hate, and want to feel some optimism about anything (and of this writing, I don't know about anybody else, but I need it) this is the film for you. Take it for what it is. It's not Citizen Kane. It's a typical Ryan Murphy, somewhat campy production. I'm not a particular fan of Ryan Murphy, but I enjoyed this immensely.
The Prom is the movie adaptation of a Broadway show bearing the same name. It has an important message, and for the most part, is entertaining. And while most of the music is good, the way it translates to the silver screen is, unfortunately, quite hit or miss.
Since music is what makes or breaks a musical, let's start with that. Most songs were catchy and fun, and the ones that were meant to be more emotional worked fairly well. Had that not been that case, The Prom would've been an absolute disaster. While some musicals may save the singing for the most important story points, this one used them for everything. It's song after song, and the breaks in between tend to be quite short. Some, I'm sure, will be opposed to that as is, but I didn't mind it too much. However, when the entire narrative is told through song, they need to be good. And most of them certainly are. In fact, I don't think that there was anything wrong with the songs themselves, unfortunately though, some of the performances worked well in a movie form, while others didn't. What makes musicals on a live stage good is the sense of wonder and admiration. It's always more impressive to watch someone sing and act and dance live on stage, rather than in a movie. And on stage, even if the song itself isn't the most memorable one, the props and grandeur of the whole performance make it come to life, literally. So when you take music and performances designed for a stage and put them into a movie, they are already at a disadvantage. And while watching The Prom, it's easy to see that. However, movies do also bring their own possibilities. And it was those songs and performances, that used and benefitted from the movie format, that worked the best. While others, unfortunately, felt like cheap and lifeless copies of what they could've been on stage.
The story, which introduces us to a group of dishevelled broadway actors who have lost their charm, is quite good. While the group of four actors are the main focus of the story, we also follow the life of Emma, a 17-year old girl who is trying to fight for a prom that welcomes everyone, no matter who they love. The group of actors help Emma on her journey, while learning a lot about themselves, as well. Although the story didn't offer anything new or groundbreaking, it does come with a crucially important message. The message that we should all be proud of who we are, and we should all be free to love whoever we want to. And it's that message that really carries this film.
However, while the story and the musical performances were great, the movie as a whole wasn't. What baffles me the most, is how slow The Prom felt. You'd think that a movie that is basically one colourful and striking performance after another would go by in a whim. But, this one did the opposite. I checked how much there was left at least three times, and every time I was amazed by how much there was. The only reason I can come up with for its sluggish feel is an overuse of music. Since the story is quite a simple one, it could've been told much quicker in a non-musical format. While the songs and performances are fun, they also make the narrative take a lot longer. And although I did enjoy most of the songs, I guess they just lacked the effect that they would've had on stage.
It's quite unfortunate that The Prom felt like it was twice as long as it actually was. Had that not been the case, I think I would've enjoyed it quite a bit more. It has a good message, as well as a good heart, and what it lacks in originality, it tries to make up for with entertaining musical numbers, and for the most part, it succeeds. While it does a lot of things right, the end product just felt underwhelming and lacked the charisma and wow factor that it would have had on a stage.
Since music is what makes or breaks a musical, let's start with that. Most songs were catchy and fun, and the ones that were meant to be more emotional worked fairly well. Had that not been that case, The Prom would've been an absolute disaster. While some musicals may save the singing for the most important story points, this one used them for everything. It's song after song, and the breaks in between tend to be quite short. Some, I'm sure, will be opposed to that as is, but I didn't mind it too much. However, when the entire narrative is told through song, they need to be good. And most of them certainly are. In fact, I don't think that there was anything wrong with the songs themselves, unfortunately though, some of the performances worked well in a movie form, while others didn't. What makes musicals on a live stage good is the sense of wonder and admiration. It's always more impressive to watch someone sing and act and dance live on stage, rather than in a movie. And on stage, even if the song itself isn't the most memorable one, the props and grandeur of the whole performance make it come to life, literally. So when you take music and performances designed for a stage and put them into a movie, they are already at a disadvantage. And while watching The Prom, it's easy to see that. However, movies do also bring their own possibilities. And it was those songs and performances, that used and benefitted from the movie format, that worked the best. While others, unfortunately, felt like cheap and lifeless copies of what they could've been on stage.
The story, which introduces us to a group of dishevelled broadway actors who have lost their charm, is quite good. While the group of four actors are the main focus of the story, we also follow the life of Emma, a 17-year old girl who is trying to fight for a prom that welcomes everyone, no matter who they love. The group of actors help Emma on her journey, while learning a lot about themselves, as well. Although the story didn't offer anything new or groundbreaking, it does come with a crucially important message. The message that we should all be proud of who we are, and we should all be free to love whoever we want to. And it's that message that really carries this film.
However, while the story and the musical performances were great, the movie as a whole wasn't. What baffles me the most, is how slow The Prom felt. You'd think that a movie that is basically one colourful and striking performance after another would go by in a whim. But, this one did the opposite. I checked how much there was left at least three times, and every time I was amazed by how much there was. The only reason I can come up with for its sluggish feel is an overuse of music. Since the story is quite a simple one, it could've been told much quicker in a non-musical format. While the songs and performances are fun, they also make the narrative take a lot longer. And although I did enjoy most of the songs, I guess they just lacked the effect that they would've had on stage.
It's quite unfortunate that The Prom felt like it was twice as long as it actually was. Had that not been the case, I think I would've enjoyed it quite a bit more. It has a good message, as well as a good heart, and what it lacks in originality, it tries to make up for with entertaining musical numbers, and for the most part, it succeeds. While it does a lot of things right, the end product just felt underwhelming and lacked the charisma and wow factor that it would have had on a stage.
Despite all of the glitter, glamour as well as the renowned cast, The Prom (2020) fails to become the Oscar contender it aspires to be. The subject matter is definitely worthy of attention, but this movie will probably not stay in your mind for long. An easy movie to watch that is close to deserving a failing grade.
I'm a 50 something straight man and I loved it. As a parent you can do nothing more than love your children for who they are.
A joy of a film.
Lo sapevi?
- QuizIn one scene, Barry (James Corden) laments the fact that he has not yet won a Tony Award. James Corden is the only member of the film's cast who has actually won a Tony in real life.
- BlooperIn the opening scene, when the Broadway stars watch the story on Twitter about Emma, Principal Hawkins is identified in the news broadcast on TV as "Principal, Edgewater High School." The name of the school in the rest of the movie is James Madison High School.
- Citazioni
Principal Hawkins: Straight people like Broadway too.
Dee Dee Allen: I've heard that. Always thought it was a fairy tale.
- Curiosità sui creditiThe characters have Prom photographs part-way through the end credits.
- ConnessioniFeatured in WatchMojo: Top 10 Failed Oscar Bait Movies of 2020 (2021)
- Colonne sonoreChanging Lives
Written by Matthew Sklar and Chad Beguelin
Produced by Adam Anders, Peer Astrom and Ryan Murphy
Performed by Meryl Streep and James Corden
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- The Prom: Vũ Hội Tốt Nghiệp
- Luoghi delle riprese
- Orpheum Theater - 842 South Broadway, Downtown, Los Angeles, California, Stati Uniti(as the Shubert Theatre in New York for the show "Eleanor")
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 187.430 USD
- Tempo di esecuzione
- 2h 10min(130 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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