Francia, 1956. Un prete viene assassinato. Un male si sta diffondendo. Suor Irene si trova ancora una volta faccia a faccia con Valak, la suora demone.Francia, 1956. Un prete viene assassinato. Un male si sta diffondendo. Suor Irene si trova ancora una volta faccia a faccia con Valak, la suora demone.Francia, 1956. Un prete viene assassinato. Un male si sta diffondendo. Suor Irene si trova ancora una volta faccia a faccia con Valak, la suora demone.
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Riepilogo
Reviewers say 'The Nun II' receives mixed feedback, with praise for its enhanced atmosphere, cinematography, and jump scares. Fans appreciate the return of Sister Irene and Frenchie, and the expanded demon nun backstory. However, criticisms include reliance on clichés, a predictable plot, and underdeveloped characters. Some find the scares less effective and the pacing uneven, though it's seen as a slight improvement over the first film by some.
Recensioni in evidenza
The Nun II takes its time building the narrative and delving into character development. Unfortunately, the Christian relic's relevance and backstory, especially concerning Sister Irene, remain underexplored. While the film is well-crafted and directed, the resolution of the mystery and subsequent events feel somewhat rushed compared to the extensive setup.
Taissa Farmiga delivers a solid performance, but one craves more depth in her character beyond the initial portrayal. Jonas Bloquet's likable character arc from the previous installment is a highlight. However, Bonnie Aarons as the titular character lacks the expected menace and terror, except for a memorable encounter with Maurice's young friend, Sophie.
The Nun II boasts occasional atmospheric brilliance but falls short of consistently delivering in the vast Conjuring universe. Its low scare factor, uneven pacing, and reliance on horror cliches hold it back from reaching its full potential. While it somewhat redeems its predecessor, it still doesn't meet overall expectations.
Taissa Farmiga delivers a solid performance, but one craves more depth in her character beyond the initial portrayal. Jonas Bloquet's likable character arc from the previous installment is a highlight. However, Bonnie Aarons as the titular character lacks the expected menace and terror, except for a memorable encounter with Maurice's young friend, Sophie.
The Nun II boasts occasional atmospheric brilliance but falls short of consistently delivering in the vast Conjuring universe. Its low scare factor, uneven pacing, and reliance on horror cliches hold it back from reaching its full potential. While it somewhat redeems its predecessor, it still doesn't meet overall expectations.
Another let-down in the 'Conjuring' universe. Who would've guessed? Apparently, just having creepy looking villainous characters isn't enough to make a strong horror movie. 'The Nun' is a very creepy looking character, there's no doubt about that. But these films do not seem to know how to use her properly.
The funny thing in these films to me, is when it's a minor character in danger - instant death. But when it is a major character in the movie - seemingly all 'The Nun' wants to do it jump out and scare you over and over again. It just makes no sense and really deflates all of the tension out of the movie.
If you're a fan of jump-scares then there's good news. You're likely going to have a good time with this one. The movie is riddled with them. Some are well done, others not so much. The problem with horror movies based entirely around jump-scares is that they are instantly forgettable. Maybe you remember one jump scare if it was especially well done, but you certainly never remember the film as a whole.
And I think that's the biggest problem here. There was nothing new, or unique about this film. Nothing that I will still be thinking about a week (or even 24 hours) from now. Just another forgettable experience and $22 down the drain. 4.5/10.
The funny thing in these films to me, is when it's a minor character in danger - instant death. But when it is a major character in the movie - seemingly all 'The Nun' wants to do it jump out and scare you over and over again. It just makes no sense and really deflates all of the tension out of the movie.
If you're a fan of jump-scares then there's good news. You're likely going to have a good time with this one. The movie is riddled with them. Some are well done, others not so much. The problem with horror movies based entirely around jump-scares is that they are instantly forgettable. Maybe you remember one jump scare if it was especially well done, but you certainly never remember the film as a whole.
And I think that's the biggest problem here. There was nothing new, or unique about this film. Nothing that I will still be thinking about a week (or even 24 hours) from now. Just another forgettable experience and $22 down the drain. 4.5/10.
Given that The Nun (2018) was nothing more than a polished-looking series of loud noises and nonsensical happenings, I was not looking forward to the sequel.
And even though The Nun II has its share of cheap scares and a few unintentionally funny moments, I was shocked by how much better it is than the first film.
Flashes of greatness are seen here-more often than not it's directed with considerable skill and far more restraint than the first movie was. It's quieter and more patient at first, fleshing out its characters before things get insane in the third act.
As for these character dynamics, they're actually interesting this time around. The dialogue is sometimes cheesy, but there's a sincerity to the humans in this story that gives a gripping quality to the film's perilous moments.
There's certainly quite a bit of bad to be found here, but I actually liked more of this than I didn't. Hopefully these movies will get back to being good.
And even though The Nun II has its share of cheap scares and a few unintentionally funny moments, I was shocked by how much better it is than the first film.
Flashes of greatness are seen here-more often than not it's directed with considerable skill and far more restraint than the first movie was. It's quieter and more patient at first, fleshing out its characters before things get insane in the third act.
As for these character dynamics, they're actually interesting this time around. The dialogue is sometimes cheesy, but there's a sincerity to the humans in this story that gives a gripping quality to the film's perilous moments.
There's certainly quite a bit of bad to be found here, but I actually liked more of this than I didn't. Hopefully these movies will get back to being good.
My dedication to the horror genre leads me to seeing a lot of films at the cinema that I fully expect to be rubbish. Like the Nun II, which I had very little real interest in watching since I couldn't remember much about the first one, other than the fact that I didn't like it. And for a long time, the film is just as bland and generic as I had imagined it would be, director Michael Chaves taking matters far too seriously, with a dreary pace, gloomy cinematography and all of the religious horror clichés he can cram in.
Then, just as I was about to give up all hope of being entertained, Chaves seems to remember that, hey, horror films can be fun! After the introduction of a demonic goat (Satan himself?), the film really picks up, with action, excitement, and a few well-crafted scares (I think I actually jumped a couple of times, but that was probably down to the extremely loud noises that accompany the jumpy bits). If only there had been some of this liveliness during the earlier parts of the film - The Nun II could have been really good instead of just okay.
My rating: 6/10.
Then, just as I was about to give up all hope of being entertained, Chaves seems to remember that, hey, horror films can be fun! After the introduction of a demonic goat (Satan himself?), the film really picks up, with action, excitement, and a few well-crafted scares (I think I actually jumped a couple of times, but that was probably down to the extremely loud noises that accompany the jumpy bits). If only there had been some of this liveliness during the earlier parts of the film - The Nun II could have been really good instead of just okay.
My rating: 6/10.
Knowing that Ed is present for the exorcism of frenchie and that's technically a pivotal moment in the relationship of Ed and Loraine (according to the films), and the look Irene gives Frenchy at the end of the film makes me certain we're due for a 3rd Nun film. I had a feeling this movie was going to be a bit stale. The design and appearance of the Nun creeping in dark shadowy halls in the film has lost its shock factor. And the increased exposure of the creature has decreased the menacing creepiness of the Nun. It always was more terrifying when all you were able to see was a silhouette of the Nun and the pale face. I give them credit as they've built a pretty solid story building to the exorcism of Frenchy. They've also found creative ways of adding these religious relics to the storyline as weapons against the demon. When they first released Annabelle people were really creeped out by the dolls lore. In 2023 it's looked at as a new age Chucky doll attached to a major film franchise. It feels like the Conjuring Universe is building to something huge. I have said for years it's building to a Amityville Film as a grand finale. But after this film and the inevitable third film, it's clear that the franchise might want to find a new horrific creature from the cases of the Warren's to add to the library of horror.
Lo sapevi?
- QuizThe movie was filmed at an actual abandoned church in France.
- Blooper(at around 1h 9 mins) The painting of the nun is the same Patrick Wilson painted in The Conjuring - Il caso Enfield (2016), which is set in 1977, years after the events in this movie.
- Curiosità sui creditiThere's a mid-credits scene.
- Colonne sonoreMoonlight Serenade
Written by Glenn Miller and Mitchell Parish
Performed by Mark 'Dr. SaxLove' Maxwell
Courtesy of Mark Maxwell Music
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Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- La Monja II
- Luoghi delle riprese
- Couvent des Prêcheurs, Aix-en-Provence, Bouches-du-Rhône, Francia(boarding school interiors and cloister)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 38.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 86.267.073 USD
- Fine settimana di apertura Stati Uniti e Canada
- 32.603.336 USD
- 10 set 2023
- Lordo in tutto il mondo
- 269.667.073 USD
- Tempo di esecuzione1 ora 50 minuti
- Proporzioni
- 2.39 : 1
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