Alice, ora diciannovenne, ritorna nel Paese delle Meraviglie e si unisce ai suoi vecchi amici per compiere la missione a cui è destinata: distruggere il regno di terrore della Regina di Cuor... Leggi tuttoAlice, ora diciannovenne, ritorna nel Paese delle Meraviglie e si unisce ai suoi vecchi amici per compiere la missione a cui è destinata: distruggere il regno di terrore della Regina di Cuori.Alice, ora diciannovenne, ritorna nel Paese delle Meraviglie e si unisce ai suoi vecchi amici per compiere la missione a cui è destinata: distruggere il regno di terrore della Regina di Cuori.
- Regia
- Sceneggiatura
- Star
- Vincitore di 2 Oscar
- 35 vittorie e 65 candidature totali
Recensioni in evidenza
But, even as someone with a lot of time for his films, and a pre-existing bias, I couldn't really connect with this. The cast acquit themselves well, especially considering the noted difficulty in emoting to a tennis ball on a stick, but all their tics and quirks seem to be masking a void at the centre of what should be a free-floating, evocative trip. Sure, it's weird looking, but we've seen it before, and back then in films like Edward Scissorhands it had a sense of purpose. Now we're left exploring a CGI wonderland that seems to be without a great deal of wonder. The book revels in its bizarre environs, absurd dialogue and whimsical characters. This film grounds them, drains them of that mystery and leaves us with a colourful but forgettable retread. It seems intent on driving us to a narrative conclusion that few people will have had much stake in through its running time, simply because we're not giving much to care for.
With a source material so familiar, even to those whose knowledge is second hand references, there needs to be a degree of innovation (as in Svenkmejer's dark stop-motion version, or the co-opting of Terry Gilliam in to his "Tideland" narrative), or else a studious and inspired adaptation that completely returns to Lewis Carroll. What we end up with is a mid-point that fails to get to grips with what enchants people about the Alice story, and another chance to see a beautiful waif walk around twisted, quasi-Gothic landscapes to a score by Danny Elfman.
Not that this isn't an enjoyable experience in itself, and as seen in the vast Screen 1 at the Empire it is at times breathtakingly pretty. It's just inessential, and while it may be unfair to expect a classic from a favoured filmmaker every time out, when they tackle something with the pedigree and history of Alice In Wonderland you can't help but hope for something special. And that's the problem, that Tim Burton, while he is still making decent films, has been a long way off special for some time now.
6/10 (if they gave half stars it'd be 6.5), but that doesn't mean it's a bad film. It's possible that my grade is affected by high expectations and lost potential. If you have kids, I'm sure it'll be better than 90% of the dross that passes for family films now. At least there is some artistry involved, and while he might not be at his best I'll still always pay to see a Tim Burton film (although I got this one for free...)
If you remember, Steven Spielberg's Hook was the live action sequel to Peter Pan. Similarly, Tim Burton's film is very much like a close cousin, except it's about Alice. The progression of the story is also kind of similar, where the main character, Alice, like Peter, must rediscover herself and finally defeat her nemesis. Likewise, both films are both elaborately staged, they are both about growing up and making choices, and there's a big showdown. Chances are if one liked Hook, one will find many things to like about Alice.
Tim Burton's version of the Wonderland's environments are gorgeous, imaginatively created, lots of colorful details, and breathes life. The castles are sleek and intricately designed. The creatures are generally live versions (CG) of the Disney's previous animated version, and they're even more odder and fun to look at. I particularly loved the portrayal of the Chesire Cat in this film, and the way he snakes through midair like water feels very natural, although it wouldn't feel so natural in real life. Only complaint I may have in terms of visuals would probably be where we see CG versions of natural creatures like dogs--they're not particularly stylized so their CG-ness can be more noticeable.
Danny Elfman's score fits the environment just right, giving added intensity when needed. This film is essentially Tim Burton's playground and even if there wasn't any story, it still would be plenty of fun to just watch the loony characters in their environment. I will add that 3-D aspect of it helped a lot.
Johnny Depp plays the Mad Hatter with usual gusto, as he brings much energy and quirkiness to such an oddball character. I suppose there is a mix of Willy Wonka and Jack Sparrow in there somewhere. Given that other characters are mostly or completely CG, Johnny Depp's character can feel a bit of out of place, as he still feels human. Helena Bonham Carter as the big-headed (literally) Red Queen is fun, expressive, and extremely likable for such a short-tempered character. Mia Wasikowska is particularly noteworthy as Alice, which she plays with free-spirited pluckiness, charm, and beauty.
The story, admittedly, is a simple one, although it is to the story's credit that Alice is now an adult--it helps since many happenings in Wonderland can be quite unfriendly, bizarre, and grotesque. Thankfully, no more worries about some dream causing some lifelong trauma to some poor child. I also appreciated the fact that her Wonderland, like dreams, is an extension of her frustrations with the "real" world, where she felt she had many "expectations" from outside forces. At the same time, it's not like Where the Wild Things Are, where other characters are actually projections of real-life people from the main character's life. For example, to read Mad Hatter as an extension of her father feels a bit like a stretch, although the Red Queen could possibly represent her future mother-in-law since they both dislike animals. Certainly, one can merely enjoy it at face value and the creativity of this world and be fine with it.
Overall, I enjoyed this world of Alice. In one sense, that may be the important thing, if one were to stick to the flavor of the original novel. The story within the Wonderland, I felt, wasn't as poignant as "real life" moments, which were filmed with much love and detail. Given the fact that original story consisted of series of random events and character interactions, it was nice to see the characters work together a bit. The overall result isn't something beyond what one would expect from this style of work, but it's fun, and where it succeeds, it succeeds well, thanks to the consistency of Tim Burton's imaginative visuals. *** out of **** stars.
For more of my reviews, you can follow me on Twitter at http://twitter.com/d_art
Moving rendering of Lewis Carroll classic with gimmick of blending live action and computer generator puppets and 3D animation . Riveting for its casting , but overall , roller-coaster spectacle. Most of the charm and wit remains from original story in this particular version . It results to be an amusing of somewhat aloof , storytelling of children classic with a magnificent three-dimensional visual effects team at its best bring to life the following : the Cheshire cat , Blue caterpillar, the Queen of hearts, March Hare , Tweedledum and many others. Breathtaking array of technical effects with impressive set pieces illuminate the Alice's full-blown adventures. The amazing plot is pure entertainment and with interesting screenplay based on characters created by Lewis Carroll , though here Alice acts as a heroine who combats dragons , monsters and of course the evil Queen of Hearts . Episodic characters as Mad Hatter and Queen of Hearts are given major boost by strong personalities from Johnny Depp and Helena Bonham Carter . Spectacular final battle full of action , groundbreaking frames and fabulous fights . Overwhelming production design , though full of digital effects with impressive scenes and portentous images . Stirring musical score fitting perfectly to story by Danny Elfman and colorful cinematography by Dariusz Wolski . The motion picture lavishly financed by veteran producer Daryl F. Zanuck is originally directed by Tim Burton in his exceptional style. Rating : 6,5 acceptable rendition .
Other take on based on this vintage tale are the following : 1933 by Norman Z McLeod with Gary Cooper , Edward Everett Horton and Jack Oakie ; 1950 by Dallas Bower with Carol Marsh , Pamela Brown and Felix Aylmer ; 1951 by Walt Disney directed by Clyde Geronimi, Hamilton Luke with voices of Sterling Holloway , Ed Wynn and Richard Haydn ; 1972 by William Sterling with Fiona Fullerton, Peter Sellers , Dudley Moore and Michael Crawford and TV version with Tina Majorino and Woopy Goldberg .
Lo sapevi?
- QuizJohnny Depp, who says that he likes "an obstacle" while filming, admitted that he found the process of filming in front of a greenscreen "exhausting", and that he felt "befuddled by the end of the day".
- BlooperWhen Alice climbs back up out of the rabbit hole, the estate where her party is being held is visible in the background. Many of the guests appear to be dancing, yet when Alice returns to the gazebo, all of the attendees are waiting for her exactly as she left them.
- Citazioni
The Mad Hatter: Have I gone mad?
[Alice checks Hatter's temperature]
Alice Kingsley: I'm afraid so. You're entirely bonkers. But I'll tell you a secret. All the best people are.
- Curiosità sui creditiThe ending credits have flowers going from dead to blooming, a sun rising and setting, and vines moving around.
- Versioni alternativeAlso released in a 3D version.
- ConnessioniFeatured in The Rotten Tomatoes Show: The Ugly Truth/G-Force/Orphan (2009)
- Colonne sonoreAlice
Written by Avril Lavigne
Produced by Butch Walker
Mixed by Deryck Whibley
Performed by Avril Lavigne
Courtesy of RCA/JIVE, a Label Group of Sony Music Entertainment
I più visti
Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Alicia en el país de las maravillas
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 200.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 334.191.110 USD
- Fine settimana di apertura Stati Uniti e Canada
- 116.101.023 USD
- 7 mar 2010
- Lordo in tutto il mondo
- 1.025.468.216 USD
- Tempo di esecuzione
- 1h 48min(108 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1