Aggiungi una trama nella tua linguaA gangster named Perrier looks to exact his revenge on a trio of fugitives responsible for the accidental death of one of his cronies.A gangster named Perrier looks to exact his revenge on a trio of fugitives responsible for the accidental death of one of his cronies.A gangster named Perrier looks to exact his revenge on a trio of fugitives responsible for the accidental death of one of his cronies.
- Premi
- 3 candidature totali
- Mulligan
- (as Patrick McCabe)
Recensioni in evidenza
With the help of his beautiful, slightly crazy and suicidal neighbour Brenda (Jodie Whittaker), they accidentally kill a thug, and then with the encouragement of his might-be-dying father (Jim Broadbent), they go on a crime spree.
It's a comedy of errors where the errors lead to many murders, some accidental but some because there's nothing better to do. It's violent for the sake of being violent with a few uneasy laughs. Add Gabriel Byrne as the voice of the narrator/The Reaper expounding on the philosophical virtues of life, death and the ocean, just to make the film more well-rounded. I'm assuming that's the purpose, and also that the contradiction between philosophy and gangster crime is supposed to be hilarious.
"Perrier's Bounty" could be a brilliant fusion of all genres into a gangster crime film. But it's missing some vital cohesiveness and substance to make this more than a weirdly funny, violent crime spree through an Irish night. Which isn't all that bad, but it's no "In Bruges".
The movie does have an impressive list of actors and actresses on the cast list, but despite this fact, that wasn't enough to pull off the story in a manner that would turn out to be outstanding.
The story is about Michael McCrea who owes money to Perrier. Michael is given a short amount of time to make payment due, otherwise Perrier's goons will set out to collect the debt one way or another. A frantic night turns worse when Michael ends up on the run with his suicidal neighbor and his dying father.
Storywise, then there were moments throughout the movie that were great and there were some good ideas to the script as well. However, the overall impression of the movie was fairly mediocre, and there is sort of an irrelevant vibe to the movie, which was a shame.
"Perrier's Bounty" is great for a single watching, but the movie is nowhere near anything that would support multiple viewings of the movie. The storyline just doesn't have what it takes.
"Perrier's Bounty" may sound like a good idea, but it is poorly executed. The characters are cardboard cut-outs that have no chemistry with each other. I frankly do not care about any of the characters at all, so watching them run around for 80 minutes is not so much fun.
The plot is plainly told in a mundane way. Imagine the dullest speaker telling a story with a hypnotic voice, that's how "Perrier's Bounty" tells a story. There are desperate attempts at humour, but they fall completely flat. The frequent use of 'man' is so unnecessary and is so irritating. The filmmakers try to make the film artistic and atmospheric. I admit the cinematography and scene composition is often good, but that does not enhance the enjoyment factor of a crime thriller. "Perrier's Bounty" is so dull and irritating, please do not watch it.
Like I mentioned in the title - there is quite a bit of humor here that can be hard to pick up because of its' dry nature, and because of the thick accents. It can really make the difference between this being a completely average film, and this being a truly enjoyable, albeit lesser-known, humorous, and darkly adventurous tale.
The cast is strong and the story moves at a brisk pace. It's in the storyline vein of Tarantino or Ritchie, but lacks a bit of the panache of those directors' work.
Perrier's Bounty has good performances throughout, and there is little doubt that those fans of the afore mentioned directors will find this to be an exciting film. It's rated R for brief nudity, drug use, and violence.
The only stand-out negative would be the music. The music selections were great, but the volume of the music was WAY too loud compared to the dialog and the rest of the movie. Maybe the music director was a bit too proud of his/her selections. I had to turn the TV down every time a song came on, and then turn it back up when the dialog resumed. The only other negative would be a slightly rushed and under-developed love story that could have really put this over-the-top.
Recommended. THose who liked pulp fiction and lock stock will find this to be a good(not great) film along the same lines. LIsten carefully as many of the hilarious lines can pass you by. The strongest characteristic of this film is the relationship between Cillian Murphy and the actor(who's name escapes me as I'm writing this) who plays Cillian's father. Also, having two fantastic actors playing in the two lead Gangster roles helps immensely.
71/100
You'll like it if you liked: Layer Cake, State of Grace, or Harry Brown.
The word 'MAN' becomes very annoying through the film. It's used as much as the word 'The'. Dublin working class people use this word, but not like it is portrayed in the script.
In saying that it's better than many irish films.
Lo sapevi?
- QuizWhen asked what they did to prepare for the film, Brendan Gleeson said he went to find a coat and Cillian Murphy said he grew a beard.
- BlooperEarly in the movie Michael gets into a car (possibly VW Golf mk3) which was a 1995 registration, however when we see him pull in to speak to his father the car has a 2001 reg plate. A closer shot in the same scene reveals the 95 plate again.
- Citazioni
[first lines]
Voice of The Reaper: The ocean, huh? Never fails to provoke a person to musing on philosophical shit. Heavy shit, like life and death, and fate, and all that bewildering shit. The fuckin' universe. The individual's seeming insignificant in it. But are we insignificant? I mean take, for example, this individual. Wears the name of Michael McCrea. Last night he imbibed to beat the band. And today he's paying the seedy price. It's evening. He's having himself a little siesta, yeah? Little catnap. Now relax yourself and pay close attention. There's a point to all this drivel.
- ConnessioniReferenced in Il Saturday Night Live: Brendan Gleeson/Willow (2022)
- Colonne sonoreNew In Town
Written by Little Boots (as Victoria Hesketh) & Greg Kurstin
Published by Universal Music Publishing Ltd/EMI Music Publishing Ltd
Performed by Little Boots
Licensed courtesy of Warner Music UK Ltd
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 828 USD
- Fine settimana di apertura Stati Uniti e Canada
- 828 USD
- 23 mag 2010
- Lordo in tutto il mondo
- 167.938 USD
- Tempo di esecuzione
- 1h 28min(88 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1