Dou foh sin

to keep it short, i was highly surprised from it's great entertainment value.

the plot is hollow (good cops vs bad guys) but the good cast, camera work and fight scenes are over the top. speaking of the fight scenes, very impressive style from Donnie Yen (with age 44) and also the bad guys hand out some damage before they go down.

the first movie half is slow, but the ending will round it up. this action flick was nice done by the film crew, they put some work & love in it, something you miss in many HK movies nowadays.

(don't miss the end credits :)

This was a real surprise as on a rainy day in the only Chinese cinema left in Sydney, to think i only went into Market city for some yum cha and got a whole lot more than i bargained for.

A fantastic roller-coaster ride of a film, OK so the long slow ride up to the top end of it can be daunting for those with ADD or a high blood sugar level but its sure worth it once you get there. Intense satisfying action shot from every possible angle yet still filled with a spontaneous verite energy unmatched by any Hollywood film i have seen..ever.

Its innovative style while a bit light on plot or dialogue (OK so i am stuck with subtitles which obviously lose something in the translation) overcomes any accusations of pretentiousness that could be leveled at a lot of similar films. The raw energy of the film leaks into every scene however still and explodes onto the screen when the action finally ramps up. Considering the violent nature of the film a lot of the actual killing is suggested rather than replayed in Technicolor from umpteen angles, but we still experience every kick and punch as if it were flying our way.

OK admittedly the story is about as engrossing as 300 or a lot of other HK cop films, IE runs at a primal level deeper than mere plot twists or any complicated subtext. No, its all about the man versus what he sees as injustice and occasionally about a friendship. Mostly though its about the battle for whats right even if thats not quite clear sometimes, by the end you know who the good guys are and as manipulated as you might feel you are rooting for them all the way.

OK I'm running out of superlatives and metaphors now..just go out and watch it if you like a good old school popcorn bash and can handle some underplayed buddy semantics.

Being a fan of Donnie Yen I eagerly anticipated "Flash Point". There was good and bad in it... first the good: The fight scenes are pretty awesome - in particular there is one which takes place at a driving range that lives up to what I was expecting. The introduction of grappling techniques (paying homage to MMA) is pretty cool. Cinematography & scenes of HK are at some times very stylish.

Now the bad: Kind of moves slow in the first half. In fact after the initial 5 minutes of action the next 20 minutes drags. The plot is not that great, and in the first half of the movie the action isn't enough to make up for this.

All in all, I've been a little disappointed with Donnie Yen's last two - this one and Dragon Tiger Gate. Neither raises the bar or comes close to the amazing SPL of 2005.

Flashpoint is a beautifully shot film that moves a long at a fast pace. I was never much of a Donnie Yen fan but I have been converted to one after seeing this film. Hollywood needs to bring him back, at least as an action choreographer. The action scenes in this film are far more sophisticated than anything Hollywood is doing.

Wilson Yip did an amazing job as director. It's a shame this didn't get a U.S. theatrical release. If Hollywood is smart, they will recruit him.

Bingbing Fan is a beauty that should also be brought to Hollywood.

Flashpoint doesn't break new ground in terms of it being a typical cops and gangsters flick, but it is as good as any of them.

The fights are excellent and realistic.

Flashpoint is highly recommended for HK movie fans.

I've been a fan of Donnie Yen for over twenty years now and had heard that the fight action in Flashpoint was amongst his best work. I hadn't heard wrong: the hard-hitting full-contact mixed martial arts scenes are as awesome as they say.

It's a shame then that the plot for Flashpoint is so unremarkable, a routine Hong Kong police drama—cops vs triads—which introduces lots of indistinguishable characters in such quick succession that, for a while, it's hard to work out precisely who is good and who is bad.

The dull plot trundles along, with the occasional brief spot of action or brutality to spice things up, and it gradually becomes clearer who is who: Archer Sin (Ray Lui), Tony (Collin Chou) and Tiger (Yu Xing) are Korean brothers who run a smuggling operation, Sam is a gangster who has ratted on his bosses, Wilson (Louis Koo) is a plucky young undercover cop working with tough police inspector Jun Ma (Yen), and Julie (Bingbing Fan) is Wilson's really hot girlfriend. So far so mediocre.

The final third of the film, however, is a whole lot better. A non-stop, blood-soaked, showdown between Ma and the bad guys, with incredible gunplay and some of the most painful looking fight choreography I have ever seen, it is everything I had hoped for and more, leaving the viewer with a better impression of the film overall than it probably really deserves. Hence my more than reasonable rating of 7/10.