Sugar - Il giovane campione

If you have no knowledge of, or appreciation for, the sport of baseball, then I think you will likely not enjoy this film as much as those who do. It is more of a baseball movie than many such movies, such as "The Natural," since it plays almost like a documentary rather than the usual script of "talent, obstacles, ultimate fantastic success." I can imagine that the box office receipts for this in the United Kingdom would be about what they would be in the U.S. for a movie about cricket. In "Sugar" we follow Miguel "Sugar" Santos from a U.S. major league baseball training academy in the Dominican Republic to his move to a small city in Iowa to play minor league ball. We get to know Miguel's family and humble living conditions in the Dominican Republic and then the formidable difficulties he faces in being inserted into a foreign culture where he does not speak the language.

I will never look at foreign-born baseball players the same way after having seen the discipline, arduous training, perseverance, and sacrifices they make to get where they are. And the pressure is ever-present--if you fail there are many others who can and will take your place.

Casting the native Dominican non-actor Algenis Perez Soto as Miguel is a small stroke of genius. He had played some ball (as shortstop) but had to be taught how to pitch for this movie. Perez is such a natural both on and off the field that it's impossible not to be taken by him. He has a great ability to capture emotion with facial expressions. A lot of effort must have gone into the casting, since every role rings true.

Sure, this film makes incisive comments about the immigrant experience in the United States, but, even if you are a baseball fan I think you will learn details you did not know about how the sport recruits many of its players and what they go through. Many are called, but few are chosen, and it's not necessarily clear sailing for the chosen.

If you are looking for another "sports" film, this isn't it. Sure, it's about Dominican baseball players trying to make it in the United States, and get some money for their families, just as African-Americans use the NBA to get out of the ghetto, but it is so much more.

Baseball isn't the story here. It is just a backdrop. The story is immigration.

It was funny watching Miguel 'Sugar' Santos (Algenis Perez Soto) put up with an Iowa farm family when he went to play "A" ball. They didn't speak Spanish, and he didn't speak English. The daughter (Ellary Porterfield) seemed interested, but couldn't take the big step.

He left for New York when he felt his game go. He managed to find a new life. Not completely without baseball, but without making it to the majors. Life is like that. It's what happens when you make other plans.

"Sugar" is simply one of the best sports movies ever and it does so avoiding every sports movies cliché ever made. The story of the main character is simply a composite of the story of the majority of people who go to play the game professionally. Not only that, but also reflects the story of the immigrant who comes to America pursuing a dream.

Spoken mostly in Spanish, the movie almost qualifies as a foreign language film. The filmmakers do an excellent job capturing the contrast in atmosphere of the Dominican Republic -a poor country, rich in happiness- to the heartland of America, and back to the Bronx -a Dominican stronghold outside of the island, also stricken by poverty.

As in "Friday Night Lights" you can feel the constant stress these young players endure to make it big. It's every bit as tense and if you like baseball, and are interested a little bit about these foreign superstars now playing the game, this movie is going to be a treat.

One of the best films of 2009.

What's with the low ratings for this movie? I saw this at the Toronto Film Festival, and people loved it. Is it that some audiences wanted a regular sports movie, with everything leading up to the big game? This follows Dominican ball players and their dreams of making it to the bigs. We go from the Dominican to small town Iowa, then to New York City in a movie that's pitch perfect the whole way. And it got everything right, from how small towns in America watch these young guys grow and progress, to how they're treated like animals when they face injuries or setbacks.

The actors are mostly unknowns, and they give the movie a documentary feel. I especially loved the old couple that takes one ball player in every year, and the minor league baseball manager, who is portrayed very fairly as a guy who pushes his players, but wants to see them make it.

This movie is a home run, pardon the pun, because it transcends the sports genre and becomes a movie about finding one's self worth, no matter where your career path takes you.

I believe that if you want something more from a sports movie than being just a past-time, you'll find it in "Sugar", from the team who directed "Half Nelson", another movie that was more concerned with characters and self-worth over silly plot requirements.

To the low scorers out there I would say don't judge a movie for what it's not, and really look at what it is. Because this is a special movie that never goes wrong.

Sugar is an important Hispanic film. And yes, two Americans made it, Fleck and Boden, but they do so without compromise, without an agenda, and without patronising - and what we get IS an Hispanic film - it is not a film about America, it really is a superb Hispanic (Spanish in America) perspective - and it just blew me away. 100% convincing, valid, justified - and simply a great film.

The story of the baseball player Sugar, played with consummate skill by Soto, has all the elements of a good sports movie plus the added dimension of a very well thought through arc and development.

This is without a doubt one of the better films of the year; it captures both baseball and the alienation of the Hispanic experience in the US with alacrity and a light touch. The characters have real depth and emphasis is placed on the internal rather than simply the external.

Strongly recommended as a breakthrough film for Hispanic film in the US, both in the quality of the story and acting and for excellence in film making.