Turneja

I saw this film at Cinequest, a film festival in San Jose, California. I liked it very much and found it to be a very moving anti-war film. It has excellent acting and production values and had me engrossed throughout. Though to a Serb it may seem at first that the film falls into the usual demonization of the Serbs, actually all sides are portrayed as ready to commit terrible acts. This is true for the scene where the Croats are ready to force the actors to clear the mine field. They are saved only by the chance arrival of Serbian troops who then in turn force the Croats to clear the minefield. It is also true for the scene where the Serbian nationalist poet is taken prisoner by Muslim troops and we are given ample clues that he will meet a horrible end, though this is not shown on screen. I am an American anti-war activist with ties to what for me will always be Yugoslavia, not in agreement with the American bombing and not in agreement with savage nationalism either, no matter whose nationalism it is.

The film blurs the line between fiction and reality. The actors perform made-up plays with no connection with the grime reality they confront in the war that just had started. Yet, in a crucial sequence, when one of the actors performs a Greek tragedy for a colonel, she saves the real lives of the whole group of actor. Thus, fiction affects reality. And the other way round, the poet Ljubic seems to be fully occupied by his own fiction. Yet, his words and his imagined ideas of the origin of Serbs contributed to the very real start of the war.

In several scenes it appeared that the soldiers did not understand what was the difference between them and their opponents since the opponents often were their very real neighbours. Thus, the war built on fantasised ideas. Visual blurring was notable in the latter part of the film which took place in a snowy landscape enfolded in fog. These scenes reminds me of passages in Angelopoulos' Eternity and One Day. Angelopoulos also blurs the line between fiction and reality.

This is probably one of the greatest movies in ex-Yugoslavia in the last 20 years and maybe the best from brilliant director Goran Markovic (with "Nacionalna klasa" and "Variola vera"). Markovic also wrote the script that is vaugely based on factual happenings.

Naive half-member troupe from Belgrade National Theater embarks on an dangerous tour through Serbian Krajina in Bosnia. The time is 1993 and there is bloody, difficulty and abstract war between Serbs, Croats and Muslims. Company's intention is to perform Feydeau's vaudveville "A Flea in Her Ear" and to reanimate unwilling and disastrought folk in little town Srbobran. But, the situation soon gets worse and worse. In only three days the actors founds all horrors of Bosnian war.

The whole story try's to explain this conflict from very essence of spirit of the art. For me, this is by far most objective movie about civil war(s) in ex-Yugoslavia. There is also very fine amalgam of comedy and tragedy (for example, we have ridiculously and burlesque moments when leader of the troupe Stanislav tries to assure Croat Commander that they are Croat actors and just few minutes later there is distressing and touching part with 'Panther' Leaders and actress Sonja in mined territory.

The cast is superb. The great turn from main lead, especial from Chaplin-like tragicomical Tihomir Stanic (Stanislav) and ingenuine thrilling Jelena Djokic (Jadranka), gratefully movie inventions. Other four players from the troupe, Dragan Nikolic (old charmer Misko), Mira Furlan (middle-aged leading lady Sonja), Josif Tatic (tippler Zaki) and Gordan Kicic (young star Lale) give us irresistible performances. There is also series of brilliant supports: Slavko Stimac as Djuro, pacifist driver, Vojislav Brajovic as Ljubic, fascist war firebrand, Svetozar Cvetkovic as absentminded surgeon, Bogdan Diklic as sharp, cold hearted Croat Commander, Sergej Trifunovic as violent and hot blooded 'Panther' Leaders and many, many more.

Watch this great anti-war movie and you'll probably understand Balkan conflicts better. But, you'll also understand and take a liking to the actors, too.

The reason to watch this movie again was passing away of Mira Furlan. She delivers an excellent performance, although the cast is doing a good job most of the time.

Most of the script is based on actual people and events yet borrows from other movies. The cast is riding the bus most of the time (see "Ko to tamo peva?" 1980). Then we have some feasting and conversations around various tables (see the finale of "Majstori, majstori" 1980 by the same author). Finally a lot of Balkan bravado which made Kusturica famous worldwide.

I'm cautions in my criticism, since Goran Markovic delivered some of the best movies in Serbian/Yugoslav cinematography. Nevertheless, this time his efforts simply didn't work out...

The movie is a 100 % truth about war in former Jugoslavia , and it's appsurdit'y . Just dont listen opinion's from people who have comment this movie with negative stars , because they are in fight with reality ! Movie is very good satirical comedy , enjoy !