Otis

I enjoyed this movie greatly. There were times I wanted to cringe and laugh at the same time. A humorous and disturbing look at kidnapping, torture, murder and the family. All overlapping at various part of the movie. Don't expect the movie to make great leaps and bounds in plot and you will enjoy it. If you like some laughs with your gruesome visuals, you just might find this movie fun. Many of the actors you will know and appreciate from other works. All turn in a solid and fun performance. All want to play their part in the movie. They all seem to be having fun along the way. I saw the UN-cut version and it is not for the squeamish. Nothing like "Saw", but pretty graphic. What really sets this movie apart is the antics surrounding the production of gore on screen. Think "The Three Stooges meet Jason" and you might have an idea of what is going on in this little bloody, funny gem of a movie.

The 2008 edition of the SXSW Film Festival's 'Round Midnight section kicked off with the World Premiere of "Otis," the directorial debut of veteran television executive Tony Krantz. It would be redundant to state that this film is not for the squeamish -- just look at the screening time. That said, Otis is destined to join the ranks of Freddie and Jason among the most gruesome, twisted souls in horror movie history. The titular character is a rotund, middle-aged pervert who never quite matured past his senior year in high school. The pleasure he gets out of abusing the neighborhood's teenage girls has all the makings of classic torture porn. Yet writers Thomas Schnauz and Erik Jendresen have crafted a dark comedy, as impossible as it seems, and Krantz manages to keep "Otis" from straying into farcical territory. "Otis" is ultimately a character-driven piece, as the film's tone is achieved only with a careful balancing of performance styles. At one end are Bostin Christopher (Otis) and his "love interest" Ashley Johnson (Riley Lawson), playing their roles straight and chilling. At the other is Jared Kusnitz, as Riley's brother Reed, whose gallows humor provides many of the film's funniest lines and was clearly an audience favorite (Kusnitz' "Dance of the Dead" also has its World Premiere here this weekend). And smack dab in between the horror and the comedy are the parents, Illeana Douglas and Daniel Stern, who are the fulcrum. Veteran character actor Jere Burns leads a team of hapless FBI agents who throw the occasional farce into the mix. Add in the always on-the-mark Kevin Pollak as Otis' brother for more nervous laughter. "Otis" has an indie feel, with natural lighting and perfectly economical cinematography, relying more on powerful in-camera visuals than post-production effects. The soundtrack is killer (no pun intended) with Otis' high school years replayed over and over to tunes like Blue Oyster Cult's "Don't Fear the Reaper."

"Otis" is a huge surprise. Ileana Douglas, Daniel Stern, and Kevin Pollak, eat up the screen. The script is fresh, and the slob-loser kidnapping his date for role playing his senior prom is absolutely brilliant. Although most exploitation films of this type feature ample quantities of female nudity, there is zero t.&a. in "Otis". This might disappoint some in the crowd, but the fine script and acting keeps things interesting. If you think twisted perverts like Otis combined with biting black comedy can't be entertaining, seek this one out, and be amazed. Wildly imaginative, and highly recommended...................MERK

Otis, released in 2008, is a darkly comedic horror movie that delivers a unique and twisted take on the traditional slasher genre. Directed by Tony Krantz, this movie offers a fresh and unexpected approach to the typical horror movie formula.

At the heart of Otis is a standout performance by Bostin Christopher, who portrays the titular character with a perfect blend of creepiness and dark humor. Christopher's portrayal of Otis, a socially awkward and disturbed man, is both chilling and strangely compelling, making him a memorable and unconventional antagonist.

The movie cleverly subverts audience expectations by infusing elements of black comedy into its horror narrative. The dark humor adds an unexpected layer of depth to the story, creating moments that are as unsettling as they are funny. This unique blend of genres sets Otis apart from other horror movies and keeps viewers engaged throughout.

In addition to its strong performances, Otis features well-executed suspense and tension-building sequences that keep the audience on edge. The movie's pacing is tight, with a series of escalating events culminating in a thrilling and satisfying conclusion.

Overall, Otis is a hidden gem in the horror genre, offering a fresh and twisted take on the slasher movie formula. With its standout performances, dark humor, and effective blend of horror and comedy, this movie is sure to leave a lasting impression on viewers looking for something different in the world of horror movies.

Having been reasonably impressed with other Raw Feed films, I was keen to check out 'Otis.' It has a promising, quite original storyline that should make for good entertainment in any horror fan's eyes. But I was rather disappointed.

The acting was good for the most part. Ashley Johnson and Bostin Christopher both nailed their leading roles, and Jere Burns as the left-of-field agent was an awesome injection. Illeana Douglas, on the other hand, er. She stood out amongst the pack as a let down, and even though this is a genre that doesn't get by on its acting merits, I had a problem with her performance.

In terms of soundtrack, I thought the licensed music used throughout was great (ie (Don't Fear) the Reaper), and so too were the few softer, touching pieces. Everything else felt out of place or too dramatic, and in a couple instances, music ruined entire scenes for me (much like Douglas' acting).

I can't rate this movie much above average, and that's coming from somebody who isn't a Horror cynic. Masses complain about modern-day horror flicks being unoriginal or just plain stupid and I never see the value in that. I know there are some bad ones out there, but they do get unfairly bashed on for the most part. So yeah, I'm not anti-slasher or anti-psycho material. 'Otis' just wasn't done right in places, whether that blame be laid down on the script or whatnot. It has its share of bright glimpses, don't get me wrong, but it also has its share of dull, cringe-worthy "you idiot" moments, where I just have to put my fist down.