Glory to the Filmmaker!

I can see why some people would hate this movie, but there are a lot of people who shouldn't miss it. I will argue that it is immensely funnier and more meaningful if the viewer: 1.) Has seen several of Takeshi's other films (at least one or two gangster ones, Kikujiro no Natsu, and Zatoichi for good measure)

and

2.) Is familiar with classic Japanese cinema, particularly the works of Yasujiro Ozu...but samurai and horror films are skewered here, too, so if they're more your bag, you'll still have something to relate to.

Bonus enjoyment if the viewer: 3.) Has some knowledge of Japanese and can catch the nuances that subtitles can't capture--the subtitles are indeed serviceable, and my Japanese isn't good enough to understand it without them, but some of the ritual Japanese expressions I caught were uproarious in certain contexts in the film

and 4.) Has spent some time in Japan. I feel like Japanese society, ritualistic conventions, and mannerisms are lampooned often in the film, and any Westerner who is often confused or frustrated by them may find this film a relief and a delight.

All in all, though, what is most necessary is an open mind. This film does not have a very meaningful ending, and even makes fun of the loose ends it leaves undone. It was made for the sake of comedy and is not plot or character-driven, so don't expect Hana-bi. If you're looking for a send-up of Japanese cinema (including the director's own works) and some completely ridiculous, from-way-out-in-left-field humor, check out Glory to the Filmmaker. Some of the gags do fall painfully flat, but even some of the really silly stuff made me laugh harder than I have at any other film in quite a while. Some of the film parodies are pretty subtle and understated, where you could *almost* take them seriously if they weren't in the context of such a ridiculous film, but since the movie makes it clear from the start that everything's a joke, you'll find yourself laughing out loud at the little things that are deliberately askew in them. The narrator is wonderful, too, and is responsible for a good portion of the laughs in the film. Personally I found this more accessible and far more enjoyable than Takeshis', perhaps because unlike that film, the director's intentions are clear here from the start: he's just doing it for the laughs.

So.. Kitano has a sense of humor after all! Just kidding. The movie has some points for the general audience but most of it requires some background in history of Japanese cinema, kitano's career, kitano way of life, etc..

So if you really want to see everything from Kitano's factory it's OK to watch, if you are really knowledgeable about all that stuff you probably got to watch it, but if you are neither one of them then you'll do fine without even knowing that it exists, although if you watch it (and have the presence of mind of not expecting much of it) then you can have a reasonably good time with it.

Kitano is having a hard time accepting he is meant to make movies of a special kind which is not the case of this movie.. He even mentions it in the movie: "I said I wont do another movie with violence and I got to stick to it" Well.. I'm afraid our dear Mr Kitano will have to swallow those words sooner or later, preferably long before he runs out of money.

Okay... that was a TRIP! Holy moly! I'm usually not a fan of movies without plots or anything that doesn't engage the viewer but somehow Takeshi Kitano managed to make a movie that is so silly and so fundamentally engaging that plot is not needed at all. One should view this movie as a sort of state of the auteur and how his relationship to his art has changed him, the viewer and his movies.

As I said, the movie doesn't really have a plot instead it pokes fun at Takeshi's own work with a critical but also a sarcastic and comedic eye- it isn't until the halfway point of the movie (or after the first 40 mins or so) where the movie settles on a really crazy hi jinx sci-fi romantic story starring a mother and her daughter and Takeshi and his own stand-in doll character. The doll character is perhaps the symbolism that most prevails during the movie's own runtime, acting as a stand-in for the director (perhaps a reflection on his own stoicism? Or how he feels as a director?). As you can hear from me I'm still not sure what this movie is really about, and maybe that's the point- just a trip to Takeshi Kitano's mind- and boy is it funny! It's filled with absurd comedy that'll make you laugh. I don't understand why it says in the genre labels of this movie that it's a drama cause it certainly is not!

Moviemaking wise it's shot really beautifully and stylised it has some cheesy elements of bad CGI and effects that are meant to be like that in the movie.

Otherwise I have no more words to describe what I just watched, you just have to see it for yourself! For me it's definitely one of my fav Takeshi Kitano movies so far and I'm happy I saw this one! For any other viewer I'd recommend to just turn off your brain and have fun, cause there's no logic to anything that happens- it's an absurd comedy skit where the only thing that makes some sense is the beginning and the end.

Takeshi's gang hit again. And its a good one. But I am a fan, so don't consider much my opinion. Just keep in mind about this film that if not anything else, it will expand your mind about what is cinema today. That doesn't mean that everything is fresh or striking in those two hours, nor that there is a serious possibility that you will like it, if you ain't a "Kitano-fan"!

Then again, Mr. Kitano has stopped making films for the audience or the critics (whatever that means). And the results only his fans can appreciate it. All the rest, better go back and revisit his previous films. Then, you too, will want to shout,

"Kantoku...Banzai!!!",

indeed!!!!!

How many truly unique films have come out since the year 2000? Not too many. In an age of remakes, rehashes, and parodies, where every film by every director looks exactly the same, it's hard to find an innovative film, especially in the "comedy" genre. Yet once again Kitano delivers in this surreal comedy gem that is unique, deeply personal, affecting on a spiritual level, and is absolutely HILARIOUS.

Takeshi's previous film, "Takeshis'" was a surreal compilation of every film Kitano had made prior to it. This film is something of a compilation of all the kinds of films he hasn't made yet. The first half of this film explores that to a hilarious degree, but the second half is when this film really shines. Some of the most off-the-wall, UNREAL humor I've ever seen in a film, specifically a brief animated part near the end that is probably the greatest scene I've ever seen in a film, period.

Though for nostalgic reasons, my PERSONAL favorite Kitano films will always be "Hana-Bi" and "Sonatine", I have noticed that Takeshi has actually been getting better and better in recent years (excluding "Zatoichi") as he is starting to explore the more surreal, beautiful, and bizarre moments only hinted at in his first few films. Indeed, like many people, I find Takeshi to be the best director currently working in the world today, and his films are always gems... he's completely tearing apart the very essence of cinema, yet still not jumping into a black hole of impenetrable artiness. "Art for art's sake", maybe, but this is still some brilliant, hilarious stuff, and I'm very happy Takeshi is taking all the money he earns from his acting and personal appearances and pouring them into these brilliant films. The "critics" and Japanese audiences may not care for them, but I'm sure in 10-20 years from now, these films be looked upon as classics of cinema.