Il mio amico Einstein

While most of the reviews here are spot on, there is always someone who had to take a contrary view based on 'their' grasp of science. NO ONE SAID THIS IS A DOCUMENTARY! It is though a very well made film, with a great cast, a good period piece, and the science is correct enough! Any movie that educates the general public - an IOTA - is doing its job. We should all expand our knowledge of the world around us, it is surprising how many people today know nothing of Einstein and role he played in shaping the 'modern' world. An enjoyable movie that takes some very hard to understand theories and makes them understandable and entertaining.

The fine ensemble of actors never seemed to gel and had zero chemistry. Einstein was portrayed as a joke, when he wasn't working, that is. They tried to drag too many dramatic elements which muddled things. They should have picked two and stuck to those. Nowhere it say, that I have found, that Eddington was gay. He might have been, but he never came out. As many people view movies based on history as history itself, this was a cheap ploy to resemble A Beautiful Mind, and further muddled the plot (why hire an actor to play the object of his affections, for two very short scenes?). Tennant, a fine actor, played Eddington over the top and his glasses magnified his eyes in a very distracting and strange way. What was the director thinking??? Give him clear lenses and contacts.

The "history" in this movie is not even close, except that Einstein did indeed solve this puzzle. Eddington did not help him or pose the question. Einstein already had the question. They left out key life milestones. Einstein did marry his 1st cousin, right after his divorce from his 1st wife came through, as it had taken a long time (the only thing this got right). The whole Africa thing didn't happen like this nor did the scene where Eddington proved Einstein's theory, and it wasn't in public. I don't expect any movie based on history to be a documentary, but at least get half of it right, not 10%.

The writing was bad TV movie worthy. I cringed for the actors often. The music was just embarrassing. I almost turned it off after the overly majestic opening, as I thought it was a kid's movie. The composer copied the ET score, if not in notes, in theme, mood, and dynamics. And not near as good as the ET score. I am glad that Andy Serkis got a nice leading role after being known as Gollum for so long. But like the other actors, he never got to really shine. He managed the situation better than most of the male ensemble, though. The women did very well, however.

This is a superb drama, combining a well-presented scientific and historical explication of Albert Einstein's theory of relativity alongside a gripping portrait of the moral dilemmas that scientists have to struggle with as they try to reconcile the demands of country and conscience.

The twin leads –British scientist Arthur Eddington (David Tennant) and Einstein (Andy Serkis) – lead very different lives but face not only similar scientific opposition and derision but also similar pressures to back their country's efforts to win the First World War. Tennant shakes off the Dr Who expectations in pointing up the problems of a gay pacifist Quaker who tries to prove the new-fangled theories of 'enemy' scientist Einstein – a theory especially dangerous because it undermines the ordered view of the universe created by English scientist Isaac Newton. Einstein's complicated private life is compounded by his revulsion at fellow scientists' work in developing poison gas. Both Tennant and Serkis get right into the skin of their characters - two brilliant actors on top form.

The drama brings over very effectively the transition from the comfortable life of the scientists in pre-war Cambridge and Switzerland to the tragedies of war. Jim Broadbent as Sir Oliver Lodge and Donald Sumpter as Max Planck lead the scientific establishments in Cambridge and Berlin as they pervert their scientific beliefs to condone mass killing on a scale never before seen. The main female roles have rather less to do, but Rebecca Hall as Eddington's sister, Lucy Cohu as Einstein's abandoned wife and Jodhi May as his mistress all add an extra warmth to the production and help to avoid the danger of focusing only on clever men using symbols and formulae to bemuse their colleagues (and the audience).

The settings – Cambridge, Berlin and West Africa, where Eddington photographed a total eclipse of the sun to prove the Einstein's theory was right – provide a powerful backdrop to the human drama, making it all the more believable. All in all, a very successful and informative BBC and HBO drama that maintains tension and excitement throughout.

The central approach is quite good: Einstein v Newton during WW1. It's the perfect setting for yet another reminder of the British/German enmity that Hollywood loves to ram down our throats. According to the plot, Einstein is given a top Berlin academic post in order to embarrass the Britons by proving Newton wrong. Whilst in England Sir Arthur Eddington is given a senior Cambridge position just in order to prove the upstart German wrong.

All the standard ingredients are there; nasty German scientists devoted to anti-personnel gas production, stiff old aristocrats interfering with progress and our two cool dudes strutting around their patches telling everyone what's what. But it's not just about giving the Krauts another bashing. Once again the Studios give us a spoon fed morality session with stereotypical bad guys looking like greasy bankers, sold out scientists and pompous officials waging senseless war for their own profit and power. (If only life was that clear cut) Meanwhile the good guys, Eddington and Einstein, are both above the mass killing. Their search for truth is a shining example of how the individual can change the world - or so Eddington tells us in a much edited final speech that could have been written by Thatcher.

The sheer banality of the script is enough to bend space itself. Max Plank makes a stage entrance so contrived that even the Cleethorpes Junior School Drama Society would be embarrassed to stage it. We are treated to Einstein the improvised clown who leaps from boats explaining relativity to knee high children. Then he becomes a disheveled dropout who goes around demanding that the German authorities stop their gas campaign. Once again Hollywood takes 21st century man and sticks him into 19th.century society and once again it doesn't work. Our Einstein is so profoundly rude and abusive to the authorities that you know exactly which century he comes from.

Of course David Tenant as Eddington is superb. Had he not been in the show I don't think I could have stuck it out and written this review. Watch this if you have a crush on him or an obsessive interest in Einstein. But don't expect to learn anything about 'Einstein the Man' in this movie for it was one of the worst pieces of casting and scripting that I've ever had the misfortune to endure.

Although this was easy and enjoyable to watch, the characters all lacked depth and the script in general was rather superficial, simplistic and ultimately unsatisfying. It could have been so much more, given the fascinating setting and the magnitude of the underlying facts. The science itself was almost completely omitted or dumbed down. It was disappointing that there was a rather cheap and unconvincing attempt at a religious 'miracle' as well as some one-dimensional and unnecessary politics. On the positive side, Cambidge university in the WWI era made for a pleasing backdrop and the actors' performances were decent on the whole.