Le avventure di Tintin - Il segreto dell'Unicorno
L'intrepido giornalista Tintin e il Capitano Haddock partono per una caccia al tesoro per una nave affondata comandata dall'antenato di Haddock.L'intrepido giornalista Tintin e il Capitano Haddock partono per una caccia al tesoro per una nave affondata comandata dall'antenato di Haddock.L'intrepido giornalista Tintin e il Capitano Haddock partono per una caccia al tesoro per una nave affondata comandata dall'antenato di Haddock.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 22 vittorie e 63 candidature totali
- Tintin
- (voce)
- Captain Haddock
- (voce)
- …
- Sakharine
- (voce)
- …
- Thompson
- (voce)
- Thomson
- (voce)
- Allan
- (voce)
- …
- Ben Salaad
- (voce)
- Silk
- (voce)
- Nestor
- (voce)
- …
- Tom
- (voce)
- …
- Mrs. Finch
- (voce)
- Pilot
- (voce)
- Co-Pilot
- (voce)
- (as Phillip Rhys)
- …
- Sailor
- (voce)
- …
Recensioni in evidenza
I watched this film this evening, two years after its release .. and i'm left thinking, why did I not watch this film before now?!
This was such an enjoyable film, it was much, much better than i thought it was going to be, there are so many great things about this movie:
THE VISUALS: Easily one of the most visually stunning films I have ever seen, i wish i had watched this at the cinema - especially in 3d. The animation is perfect. it's bright, colourful and scarily lifelike. The characters, scenery and landscapes all look incredible and so creative. Even the opening credits look fantastic! I can't stress how good the visuals are in this film.
THE DIRECTION: Spielberg has done an incredible job here, nothing could have been improved in this aspect. The way the movie flows and the way the scenes intertwine and change is beautiful. There are scenes where it switches from past to present and back again in such a way that you just get lost in it.. you will understand what i mean when you see the movie. There are scenes of fights and chases which are so creative and so imaginative, the way he uses angles and the way everything links on is a real joy to watch. Its hard to explain, watch the film and you will know exactly what I mean.
However, the film is not just a visual feast like many films are. It has a good solid story with likable, interesting characters - I found the story line kept my attention throughout. A very original adventure/quest film, searching for hidden treasure and defeating the bad guys along the way!
I cannot recommend this film enough, i was so surprised by just how good it was. As i said earlier I am sorry I didn't go and see this in the cinema as it really would have been a fantastic experience.
Watch it!
From that point on, it's more or less non-stop comedy—some fizzles, most of it works—with gags ranging from jaw-dropping blockbuster chase antics to throwaway background humour. Captain Haddock works brilliantly for the most part: he's unpredictable, endearing, and colourful in all the ways Tintin himself isn't. While the youngster is well played by Jamie Bell, he's mostly just there to work out the clues for the audience. Tintin and Haddock make for a good double-act, though: brains and brawn, cunning and in-over-his-head rashness; together they'd make a good Indiana Jones.
The plot is a by the numbers mystery/adventure/treasure hunt, complete with bumbling detectives (so-so comic support from Simon Pegg and Nick Frost), exciting sea plane action and hidden clues, but it's brought to life in gorgeous visual style. While the script only comes alive in fits and starts, the whole film is bursting with rich detail, and is given added depth by a good, solid use of 3D. The virtual camera-work throughout is stupendous.
One extended chase sequence through the flooding streets of a North African city is so dazzling and dizzying it reminded me why no other filmmaker can match Spielberg when he lets his imagination out for a spin. Another action scene, told in flashback, depicts a breathless pirate showdown in a storm, and features some of the most playful transitions I've seen since Ang Lee's Hulk. There's a pretty good villain, too, played by a wily Daniel Craig.
Snowy, while definitely smarter than your average cute canine, is also given to chasing cats, digging up fossilised bones from the desert, and gobbling sandwiches at decidedly inopportune moments. In other words, he's an instant audience favourite.
All in all, it's a rollicking good adventure, one of Spielberg's most fun movies in a long time, and I'll be buying it on Blu-ray next year.
Adapted from three of the comics, Spielberg's re-creation of the comics introduces us to Tintin (Jamie Bell), a Belgian reporter who gets caught up in all sorts of adventures. One day, he found a model of a ship, the Unicorn and bought it and brought it home. However, when Tintin was buying the ship, two men came to try to buy the model, Sakharine (Daniel Craig) and Barnaby. Later, Tintin discovers that the model holds an important secret and somehow, the secret is linked to the real ship itself. On the way for answers, he meets the grumpy Haddock and head off to an adventure spanning around the globe with his white fluffy dog Snowy.
The animation is one of the most beautiful I've ever seen. It's not right to call it a CGI film as the motion of the characters are much smoother than that of CGI films. Tintin's animated self looks stunning (even though he looks kind of different from his comic-self) in his blue long sleeves. Snowy is fluffier than ever. Captain Haddock is grumpier than ever. All of the animation is simply breathtaking and the best I've ever seen.
I like how they change scenes. While most other movies just shift scenes normally, this film uses a little imagination and is ingenious in shifting scenes. They can change from a scene of shaking hands to a desert scene by using the outline of the two hands into the surface of the desert. This thing is just entertaining and great in its own right and deserves some reward.
The movie itself is fun to watch. The story is compelling, the lines are natural-sounding, and the action is plenty of fun to watch. It is great excitement to watch and I was hooked from beginning to end. Great plot + awesome action + breathtaking animation equals up to amazing movie.
The 3D is perfectly fine. The depth is seen and the 3D just makes the movie even more fun to watch.
I definitely recommend you to watch this film. "Tintin" fan or no, this is sheer fun to watch. If this movie is out in your country, watch it immediately. For U.S. citizens, I'm sorry if you still have to wait for a while but I promise you, this is like no other movie. This movie is over the top and is plenty of fun to watch. A full 10 out of 10! Thanks for reading my review on "The Adventures of Tintin". I do hope this review is of good use to you.
After discovering an elegant model of the ship the 'Unicorn' at a market, Tintin (voiced by Jamie Bell) and his loyal dog Snowy are intrigued as to why so many desire it, and comment on the secrets it holds. When the model is stolen, more information surfaces and the pair set out to discover the truth, teaming up, after a surprise meeting, with the boisterous drunkard Captain Haddock (voiced by Andy Serkis). The group's adventure spans the globe, with each destination bringing more danger and that crucial step closer towards unravelling the mystery.
From the moment the picture opens, the film's tone and mood is set: mystery and adventure merged with fun and frolics. The classy, hand-drawn, animated titles use the signature silhouette imagery with style and sophistication, making the wit and wonder evident even before audiences have graced their eyes on the monumental motion capture work.
In a rather lacklustre year for animation, with the only true blossom of beauty being Studio Ghibli's impeccable 'Arrietty', Spielberg's latest thankfully ends this dry-run with a picture that explodes with vibrancy, craftsmanship and realism. Unlike Robert Zemeckis' motion-capture entries (The Polar Express [2004] and A Christmas Carol [2009]); The Adventures of Tintin is an entirely different bunch of blistering blue barnacles – every frame enforces impeccable detail and naturalism, and like the best animated pictures, viewers will forget they are watching digitalised representations in no time. Whether the visuals are mind-blowing as in the all-important action sequences – or brilliantly subtle – like the red, sweat-streaked cheeks and brows of Tintin and Haddock as they trek through a desert – this film is a clear example of just how magnificent technology is in this day and age.
Without a shadow of a doubt this is the year's finest animated entry – expect an Oscar nomination and a deserved win. As well as its tremendous visual flair, the feature's script is a revelation: beautifully written and whimsical dialogue that is frequently hilarious and manages to merge the three classic tales so seamlessly. Considering Hergé's stories are separate volumes, the typing trio behind this movie are able to make a sensible structure with the texts, making the film flow as gracefully as its perfect imagery. As well as the laughs, the script provides great character development for those new to the world of Tintin without insulting audiences with an hour's lesson. Young children will have no trouble picking up who's who in the early stages, before settling back for the incredible roller coaster ride of the second and climatic act.
Action fans will gain greatness from this movie too. Expect high octane chases, pirate swordplay and more bullets than a Sylvester Stallone entry – just a lot less gore and swearing. In fact, although The Adventures of Tintin is action-packed, its PG certificate is justified; I cannot recall anything remotely damaging or frightening for young eyes, so parents have nothing to fear with this one when deciding on their half-term picture.
The film also sees the much needed return of composer John Williams who provides yet another dazzling and effective score. The music captures the essence of the film in an instant and compliments it throughout.
The voice casting is collectively brilliant with Bell and Serkis being the obvious standouts. Bell's inquisitive tone and frequent high-pitched bursts mirror the speech bubbles Tintin utters in the comic panels. When reading a Hergé story, this is exactly how the character sounds in your head. Serkis steals the show as Captain Haddock and is given splendid dialogue to growl through bitter Scottish chords. Haddock's often stupid remarks and forgetfulness is beautifully represented through the animated character. Daniel Craig is also fantastic as the less-than-trustworthy Ivanovich Sakharine while Simon Pegg and Nick Frost are side-splitting as the lovable policing dunces Thomson and Thompson. Plus Snowy is absolutely wonderful.
There is no doubt that Spielberg's adaptation will be top of the box office upon release and hopefully those new to Tintin will be influenced to re-visit the books and television shows of yesteryear and become more involved with one of the century's most beloved and important literary creations.
Verdict: 'The Adventures of Tintin' is quintessentially the perfect family film and has plenty to offer audiences of all ages. This is an incredibly joyous, thrilling and comically genius adventure. Hergé was onto a winner with his thoughts towards Spielberg and he can rest easy now knowing his tales have been faithfully and beautifully translated into a cinematic masterwork. Great Snakes, it's good.
Story Level – Hollywood have adapted many novels for big screen and most of the times it has failed to recreate the finesse of the original work. Spielberg's rendition of Tintin somehow managed a mixed reaction in terms of story. Firstly selecting "The Crab with the Golden Claws" make sense as that shows the boy sleuth meeting the gold hearted Captain Haddock for the first time and in the first encounter Tintin comes face to face with the perennial drinking habit of Captain. "The crab with the golden claws" had enough spice for a full fledged film but may be Spielberg wanted some adventure which prompted him to juggle with "The secret of the unicorn" and "the crab with the golden claws" thus making a concatenation of two stories. Personally I felt that the two stories have been woven wisely with liberty taken in creating an ancestral fight between Captain Francis Haddock and Pirate Red Rackham. Somehow the cocktail was well crafted with the story oscillating between two original books. But the second half was outright outlandish as Spielberg merges his own imagination in creating a full fledged action film which took away the essence of Tintin. The subtlety, intelligence were missing as the director chose to make a 80s Bollywoodish action climax which had no connection to the original one. Moreover the movie ended in the way the comic book "Red Rackham's Treasure" ends yet Spielberg hinted a sequel which is related to Red Rackham's treasure. That shows the sequel will be a total new story by Spielberg (or Peter Jackson) with touches of original. It will be strictly for those who have no idea of what actual Tintin is all about. I mean Spilberg could have named it anything Tom Dick and Harry if not Tintin specially for the second half.
Character Level – Spielberg is almost perfect in designing the characters. The look and the way the screen Tintin reacts brings in nostalgia of childhood days when we imagined (and discussed amongst friends) how Tintin would have behaved if made on screen. The attire to expression was all nicely done. Same goes for Snowy, the cute loyal dog of Tintin who can fight with the goons to save his beloved master. In fact children will fall in love with Snowy after watching this film. In one of the scene when Tintin gets kidnapped Snowy follows the car of the goons to the ship were Tintin was deported. The scene indeed brings out the pathos and concern inside Snowy for his master. Coming to Captain Haddock the characterization isn't as perfect as the comic book. The laziness and craziness in the first half were apt but then Captain fighting in the second half is too hard to digest. The detective duo Thompson and Thomson is appropriate and so is famous nightingale singer Bianca Castaphiore. But Spielberg should have included the verbal fights between Castaphiore and Haddock though he hinted Haddock and Snowy's disgust for Castaphiore's opera. Coming to the villains I am not convinced of Sachcharin as the main villain. The original had Bird Brothers as the villain duo which was more convincing than the screen one. In fact if they wanted to include a dreaded notorious villain then Rastapopulous (the evergreen big nosed enemy of Tintin) would have been the right choice. Even malicious Captain Allan has been relegated to side kick of Sachcharin. Captain Francis Haddock and Red Rackham's characters were true to the original book and it worked well.
Technical Level :- Frankly speaking the 3D effects were disappointing though the animation was top notch. The shadows and the structures created the by gone era with utmost precision. The fight sequence between Captain Francis Haddock and Red Rackham was one of the best sequences in the film. With brilliant camera-work and fine editing the scenes looked captivating on screen. Thought the fight sequences in the climax were loud for Tintin purist but at technical level those are a treat to watch and would be lapped by those who don't have a clue of "actual" Tintin. Dialogues were plain pedestrian and thanks to morality lectures by Captain it becomes ridiculous as a Tintin loyalist to sit through in the second half. As a director Spielberg has lost his midas touch long back which is echoed by this film again.
As a whole Adventure of Tintin started of brilliantly but lost its true sense with faulty narrative towards later half. Tintin loyalists would feel cheated but then they would still watch it for Nostalgia. Non-Tintin fans would lap it for the action. But believe me the Belgian reporter who resides in the heart of millions deserve a better on-screen representation thus doing justice to original masterpiece created by genius Herge. Whatever may be the fate of Spielberg's Tintin please go and read the original comic series. Each is brilliant in it's own way..On-screen or off-screen Tintin and Snowy rocks!! Tintin the film 6/10..Tintin the comic book 11/10
Lo sapevi?
- QuizThe "Market Artist" at the beginning bears the likeness of Hergé, creator of the "Tintin" comics. Furthermore, he draws Tintin's portrait in Hergé's style. Using Hergé's likeness is an homage to the artist's own private joke of incorporating the likenesses of friends and family in his Tintin comics. Humorously, the first lines of the film, as stated by the painter are: "Very nearly there, sir. I have to say, your face is familiar. Have I drawn you before?" Tintin, responds: "Occasionally."
- BlooperAt several points during the film, characters talk about "INTERPOL". While the organization that we now commonly know as INTERPOL first came about in 1923, well before the time of the film, it did not take the name "INTERPOL" until 1956. Prior to that it was the International Criminal Police Organization or ICPO. "INTERPOL" was its telegraphic address and where it got its current name from.
- Citazioni
Captain Haddock: I thought you were an optimist.
Tintin: You were wrong, weren't you? I'm a realist.
Captain Haddock: Ah, it's just another name for a quitter.
Tintin: You can call me what you like. Don't you get it? We failed.
Captain Haddock: Failed. There are plenty of others willing to call you a failure. A fool. A loser. A hopeless souse. Don't you ever say it of yourself. You send out the wrong signal, that is what people pick up. Don't you understand? You care about something, you fight for it. You hit a wall, you push through it. There's something you need to know about failure, Tintin. You can never let it defeat you.
- Curiosità sui creditiThe font used in the opening and ending credits is the font used in the Tintin comics.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Las aventuras de Tintín - El secreto
- Luoghi delle riprese
- Wellington, Nuova Zelanda(Studio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 135.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 77.591.831 USD
- Fine settimana di apertura Stati Uniti e Canada
- 9.720.993 USD
- 25 dic 2011
- Lordo in tutto il mondo
- 373.994.233 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.78 : 1
- 2.39 : 1