Validation

I know. It's MY LIFE that's real, not movies. Movies are just a shadow on the wall, and you can hit STOP any time you feel like it. But I'd somehow managed to befriend Kurt Kuenne after being wowed by his "Shuffle," and had to see the rest of his resume. Unfortunately (for ME, since I've been an emotional wreck for decades), next up was "Dear Zachary," BRILLIANT but WAY too disturbing for the likes of moi. That was a month ago, and I haven't slept right since. Kurt actually apologized. But HERE was the best of all possible apologies..."Validation" was, simply, the most life-affirming 16 minutes of celluloid I've ever encountered (and please believe me - the celluloid I've encountered could reach to Pluto from here). I won't relate its story - a 2-line synopsis can't do it justice - but I do feel the need to convey that this is 16 minutes with the power to HEAL. And you'll laugh while healing. And I think maybe my poor battered subconscious can be talked into letting go of that psychotic witch from 'Zachary' that had sunk her claws in DEEP. Thank you, Kurt. This slate is CLEAN.

This short film revolves around parking attendant Hugh Newman who not only gives people tickets but compliments that changes their whole outlook on life . Within a short period of time Hugh has become something of a celebrity but finds his life unfulfilled when he meets a photographer who is incapable of smiling . What can he do to make her smile just once ?

On paper there might have been great potential turning this short in to a feature length movie but the more I thought about it the more I started to realise quirky shorts probably don't make good features . One the problems might have been the character Hugh himself and the way he's played by TJ Thyne .Try and imagine a young Gene Wilder on ecstasy and you have some idea of how irritating an initially happy clappy character can quickly become

This probably sums up VALIDATION - it's length compliments its quirky nature and feel good factor . It's well shot by director Kurt Kuenne and is a feel good fable that comes to a stop just around about the time when cynical embittered nihilists feel their patience might just end

A cheerful parking attendant considers it his job to do more than validate parking. He wants to validate the customers themselves, delivering compliments about their appearances and the inner qualities behind them. Everyone who comes up to him with a ticket walks away validated as a worthwhile human being. Soon, the parking attendant becomes so popular that people line up for validation. He appears on news broadcasts and even ends up validating George W. Bush and Saddam Hussein. His life hits a roadblock when he goes to the DMV to get his driver's license photo taken and is met with a beautiful photographer whom he can't get to smile.

As with "Rent-a-Person" (2004), writer-director Kurt Kuenne takes a thin joke and blows it up into a splashy (if low budget) black-and-white musical extravaganza. In fact, the man with the camera who makes a brief appearance in the earlier film, returns as the main character in this one, which we don't realize until we see the scene in which the two movies intersect.

This one is less extravagant, but I liked it a bit better - possibly because the toilet humor is gone.

I've lost count of how many times I've been grateful for YouTube. Today a friend sent me the link to this short and within seconds I knew it was special.

Validation is truly a gem.

There are so many superlatives I could use about Kurt Kuenne's short. The acting, direction, writing, etc., are all superb. But what really stands out is the movie's heart and simplicity. The story (a parable, really) is subtle, uplifting, inspirational--it even surprised me. And after 50+ years of movie watching, I don't surprise easily. This is not your typical Hollywood movie. It has a French feel to it; in fact, it reminded me a bit of Amelie. It is uniquely American, though. I can't wait to see more of Kuenne's work.

It's rare that I get a link I can forward to everyone on my email list. You'll see what I mean. Don't miss this one--and pass it along!

(It's an hour since I saw it and I'm still smiling!)

I have read nearly all what the former reviewers said. I agree with much of it. What can I add?

First, I'd like to say that there is a lot of symbolism in this movie. The producer meant every thing he did in it. Nothing is done randomly. For example the choice of black and white (no colours) states clearly that our lives can shift within these two colours Black (sadness) and white (smile-happiness). They have to exist together. they fight each other. We are the ones to choose which side to take. This is the old philosophical debate of good and evil.

Second, I think that the movie tells us that what ever our social class, our financial situation or where ever we are we can either influence others positively or negatively. We have seen the cheerful park attendant turn many sad people into happy one, from simple citizens to countries'presidents and also the opposite: we have seen the same person turn the same people from happiness to sadness because that is what he was living at that moment.H just communicated it. So Every one counts in this world.

Thirdly, He made happy many people but he didn't succeed to make the photographer smile. What ever he did. However, she smiled at him at the end and he didn't even know how she did it. This episode teaches us no to give up but continue our fight because thing change in a way or in an other.

To conclude, as I am a teacher of English language, I will try to use this video in classroom, and I hope it will bring a lot of my student to this web site and post their reviews.