Il mondo dei replicanti

I see many reviews here that denigrate the film, and a few that celebrate it. I believe it deserves neither fulsome praise nor vitriol, as it is a somewhat better than average film betrayed by bad choices.

I'll keep this short: The concept is decent, the execution is mediocre, the result is that I give it 7 out of 10 stars.

I would have graded this far higher had the creators spent more time making several of the characters more human (which is funny, given that "humanity" as compared to a more machine-like existence is a core concept of the screenplay), but they didn't. The only character in the film who achieves anything like true humanity is Bruce Willis', and this occurs only because the plot requires it.

When a film's construction and leverage depend on the very definition of humanity as it's core concept, leaving the humanity of most of the characters behind is something more than stupid -- it cripples the film.

This doesn't mean the film is unwatchable; it has enough elements of action, pathos, suspense & revenge to make it worth your time throughout.

But it could have been so much better, if not for so many poor choices.

It's a great concept. In the future, the Sims style online gaming, where people live vicariously through characters, has evolved to living out real-life, in the real world, via surrogate robots. Everybody stays home all the time, 24/7. They work, play and travel via their surrogates, from the comfort of their home.

I'm not spoiling anything here -- this all happens in the first 5 minutes. The result of this new era of existence is the dramatic drop in violent crimes, sexually transmitted diseases, death by accident, etc.

Well, it's a great concept. And the CGI is good. Because of the plot, every character is insanely pretty, so the screen is filled with beautiful people.

But... it just... doesn't... quite... gel. The whole thing feels like a cool episode of Star Trek, or something on TV. The story is not riveting. I didn't really care about the characters. The timing was off; things either came too late (I was bored, expecting them) or so fast I couldn't really appreciate.

Surrogates lacks that wow-factor.

Example of bad timing: At the start, one wonders, "What do the users really look like? Anything like like their surrogate robots?" I would expect that, at first, we see Bruce Willis, just some facial hair which his robot doesn't have. Then, eventually, we see that he is older than his robot, so he's "cheating" on age too. Even later still, maybe we'd see an obese person at home posing as an athlete via a surrogate which looks nothing like him. Well, "Surrogates" skips all that build up and goes straight for the punchline: within 10 minutes we see a hot chick robot making with a young man; turns out the hot chick is actually slovenly a middle-aged man. Any twists to come later, in this variety, loses all punch.

Worth a rental.

With the number of mainstream movies centered around a future human dependency on robots, it would be incredibly stupid if we actually let that happen. "Surrogates" is the latest of these concepts and surprisingly one of the more well thought-out ones. Based on the graphic novel by Robert Venditti and Brett Weldele, "Surrogates" imagines a world where humans interact with the world solely through robot versions of themselves called surrogates. They don't have to leave their homes and are impervious to danger.

Writers Michael Ferris and John D. Brancato, who previously collaborated with director Jonathan Mostow on "Terminator 3: Rise of the Machines" and sadly also wrote the Halle Berry "Catwoman," do their best work with this script, which is of course not saying much. The positive here is that they truly embrace and explored the possibilities of a word where people don't interact with people -- just the robot versions of themselves. It's the saving grace of the film.

Bruce Willis stars as a homicide detective assigned to the very first case on record where the actual human operator of a surrogate died when the surrogate was killed. With nearly all of the planet using surrogates, any knowledge of danger would throw the world into panic. Willis -- Det. Greer -- must track down the weapon that did the damage. When his surrogate is destroyed, Greer begins to re-examine life through non-virtual eyes.

Without question, however, the concept and the setting are far more clever than the script. Ironically like robots, when you boil down the exterior of "Surrogates," it's composed of overused clichés and recycled components of Isaac Asimov and Philip K. Dick stories. The simple premise and thoroughly conceived world of "Surrogates" manages to override some lousy story lines and character development, but I'm not sure that most viewers who come to "Surrogates" looking for more action and less high-concept science fiction will be able to say the same.

The subplots and back stories given to Greer and other characters are throw-away. At 89 minutes long, "Surrogates" offers just enough in terms of story development to be a glorified TV detective show set in the future. The twists are foreseeable and the character motivations barely scratched at, but it keeps your attention and stays focused enough on the central story that you never have to actually dwell on the more hollow elements of the film. The venerable James Cromwell, who plays the disgruntled inventor of surrogates, has never looked more shallow in a role, but it's hardly of any consequence.

Sci-fi epiphany? None here, but a well-calculated exploration of a possible new technology - - yes. "Surrogates" is not mindless fun, but it's not artistic science fiction perfected to a tee either. It does just enough to intrigue the future-curious mind with a different cut from the same robot mold.

~Steven C

Visit my site moviemusereviews.com

As with most films, the trailer made this look like it would be something good – an action movie with an interesting sci-fi concept behind the world created for us. For this reason I was a bit surprised to see the "finishing time" of the film being listed as barely 90 minutes after the start time because I thought it would be hard to do all the things that the trailer proposed in such a comparatively short time. Leaving the film at the end, I found it easily fitted into the 90 minute time period and sadly it achieved this by not actually doing a great deal that I had hoped it would. The plot sees us in a world where the majority of humans live their lives from the comfort of their homes, experiencing life through the android clones (surrogates). Although pockets of humanity have banded together to resist this, generally they are seen as weirdos rather than having any sort of point. Due to the surrogates, accidental death has been nearly eliminated while crime is at an all-time low. However when the destruction of a surrogate leads to the death of the user, Detective Tom Greer is assigned to the case – a case that becomes even more high profile when the victim turns out to be the son of the creator of the surrogacy system.

The potential is there in the plot and the various things they put in around it (Tom's marriage, the loss of a child etc) but it doesn't really deliver on much of it. The subject matter isn't really that thought provoking, partly because it doesn't hold out a lot for consideration by the viewer but partly because the film doesn't even seem happy with its own world creation. The whole idea is full of holes to the point that the film can't hide them or distract from them for very long and you get the sense that it is rushing a bit before it all runs out through its cupped hands. This is a shame because it niggles the whole way through and becomes worse whenever we see what surrogates can do (their speed, strength etc) because you wonder why the world looks the same as it does when full of "normal" people. Outside of this though it is still an action film of sorts so one hopes for thrills of that side.

Unfortunately this doesn't really spark either. The running/jumping effects are not perfect and the scale of some of the action sequences means that some come over as being remote and not engaging or thrilling – a bit like watching someone else playing an video game that you don't really care about. It isn't bad though – the effects do still work, the action is still noisy and the plot is decent enough to at least not irritate – but that is the sort of level of film we're dealing with, one where my "praise" of it includes me saying its not too irritating! The performances sort of match the patchwork feel to the world and the film – it doesn't seem to be sure of itself and neither are they. Willis does his best (despite the wig etc he has to wear) but doesn't manage to balance the action with the character stuff and, thanks to the material, doesn't really deliver on either. Mitchell is so-so, as is Pike, while Cromwell essentially dials in a character he has sort of played before (but it made sense in other films) and Rhames is just plain odd.

Surrogates is not an awful film – but it is a distinctly average one thanks to the amount of things it half does. Whether it is the action, the substance, the effects, the performances or whatever, it all appears to be "OK" but never pushing for more than that. Improved focus, a stronger script and a longer running time could have made this a better film but ultimately it was just average.

When you have scores of people living their lives through their online personas, each competing with one another to appear more happy, more perfect, then this movie seems rather prophetic.

I see some complaining about the wooden performances throughout the film, ignoring the fact that this is the point. The surrogates emote very little, and are uncanny to us, who rely so much on non-verbal language to understand our interactions. The moments where actual humans are allowed to emote, especially the brief scenes with Rosemund Pike, shine all the more for it.

Is this movie high art in film form? No, but it's entertaining, it's fairly well paced, and its message is cogent. I recommend watching it at least once.