In un mondo futuristico dove gli uomini vivono in isolamento ed interagiscono tramite surrogati robot, un poliziotto è constretto a lasciare la sua casa per la prima volte da anni ed investi... Leggi tuttoIn un mondo futuristico dove gli uomini vivono in isolamento ed interagiscono tramite surrogati robot, un poliziotto è constretto a lasciare la sua casa per la prima volte da anni ed investigare gli omicidi di vari surrogati.In un mondo futuristico dove gli uomini vivono in isolamento ed interagiscono tramite surrogati robot, un poliziotto è constretto a lasciare la sua casa per la prima volte da anni ed investigare gli omicidi di vari surrogati.
- Regia
- Sceneggiatura
- Star
- Victim
- (as Danny Smith)
Recensioni in evidenza
I see some complaining about the wooden performances throughout the film, ignoring the fact that this is the point. The surrogates emote very little, and are uncanny to us, who rely so much on non-verbal language to understand our interactions. The moments where actual humans are allowed to emote, especially the brief scenes with Rosemund Pike, shine all the more for it.
Is this movie high art in film form? No, but it's entertaining, it's fairly well paced, and its message is cogent. I recommend watching it at least once.
Surrogacy is a perversion. It's an addiction. And you have to kill the addict to kill the addiction.
The action scenes are what you would expect for a multi-plex appeasing popcorner, loud, colourful and owing great debt to modern technology. Yet to dismiss this totally as one of those easy money making blockbuster movies is most unfair.
Surrogates oozes intrigue, even if it doesn't quite deliver on the smartness written on the page. The idea that in the future robotic alter egos can carry out our everyday mundane functions is cracker-jack, and it opens up a whole can of berserker worms.
This is not merely an excuse to have Bruce Willis running around exploding surrogate robots, as much fun as that is of course, there's a deeper emotional core pulsing away as Willis fights the good fight to make sure being human is not cast aside like a thing of the past, that as flawed as we are, hiding away in a surrogate is not the answer.
This axis of the story is beautifully realised by the plot strand involving Willis and Rosamund Pike as his wife, with both actors doing fine work to give it the required emotional heft. It may ultimately lose itself to a standard conspiracy plot, but there's intelligence within to make Surrogates a better film than it first appears. 7/10
I'll keep this short: The concept is decent, the execution is mediocre, the result is that I give it 7 out of 10 stars.
I would have graded this far higher had the creators spent more time making several of the characters more human (which is funny, given that "humanity" as compared to a more machine-like existence is a core concept of the screenplay), but they didn't. The only character in the film who achieves anything like true humanity is Bruce Willis', and this occurs only because the plot requires it.
When a film's construction and leverage depend on the very definition of humanity as it's core concept, leaving the humanity of most of the characters behind is something more than stupid -- it cripples the film.
This doesn't mean the film is unwatchable; it has enough elements of action, pathos, suspense & revenge to make it worth your time throughout.
But it could have been so much better, if not for so many poor choices.
On the effects of a remote life, thanks to the interwebs and Uber.
And a surprisingly contemporary ending, with people in their dressing gowns coming out in the streets -- is this what the end of the Covid confinement will look like?
Ps-yes, Bruce Willis is scary with that wig. Get over it. In 10 years we won't even have actors.
The film is a very good-looking one, the sci-fi/technological look very handsomely rendered and imaginatively surreal. It's also beautifully shot and crisply edited and there are some good special effects on display. That is not to say that all the special effects are great, some of them looking rather cheap and being more at home in a film from the late 80s-early 90s. The music has its bombastic, pulsating moments as well as a hauntingly understated quality. Some of the script is interesting and probes a lot of thought, but other parts are on the weak side, with some very clichéd dialogue and it doesn't develop its characters as well as it could have done. James Cromwell's character especially is very underutilised and shallow.
From a story point of view, most of it works. There are some good ideas and subplots that are in a good amount if not all cases explored intelligently and intriguingly but what was really remarkable was the subplot with Greer and Maggie's failing relationship, which brought an emotional core that really resonated with me. It's not completely successful, some of it does plod, especially the conspiracy elements, and much more could have been done with the ending, which felt underdeveloped and confused. The action's a mixed bag, some are energetic and exciting but others are pedestrian and on the silly side. Surrogates is directed efficiently and the cast do a great job, though James Cromwell has been much better and more engaged in other roles.
Particularly impressive were a charismatically world-weary and no-nonsense Bruce Willis and Rosamund Pike's excellent, sympathetic performance ranks among her better roles. Radha Mitchell is also touching. Overall, has some uneven moments but a most intriguing film that delivers on most levels. 7/10 Bethany Cox
Lo sapevi?
- QuizBecause an uncooperative Bruce Willis refused to re-record several lines of dialogue when the movie was being restructured, a sound-alike voice-over actor had to be brought in.
- BlooperAfter Greer gets beaten up up by the Prophet's guards, his scars keep moving and changing severity for the rest of the movie.
- Citazioni
Older Canter: I changed the course of human history when I created surrogates. Now I'm going to change it back.
Tom Greer: You don't change what's been done. You and I know that better than most people.
Older Canter: My son's death will not have been in vain. Not if it heals mankind.
Tom Greer: Heals mankind? That's what you want to do? You want to kill everyone? That's going to heal mankind?
Older Canter: They're already dead. The died the minute they plugged into those machines.
Tom Greer: This is not the solution.
Older Canter: That's the way it is.
Tom Greer: That's not the way it is!
Older Canter: I had a vision. I was going to empower the powerless. To enable others like me to walk, to feel, to have a normal life.
Tom Greer: Listen to me! They're going to call you a murderer. That's what you're doing.
Older Canter: Surrogacy is a perversion. It's an addiction. And you have to kill the addict to kill the addiction.
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Older Canter: You're too late. What I've done can't be stopped. Now you're going to be a witness to the rebirth of humanity. That's my gift to you.
- ConnessioniFeatured in The Late Late Show with Craig Ferguson: Episodio #6.5 (2009)
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Identidad sustituta
- Luoghi delle riprese
- Lawrence, Massachusetts, Stati Uniti(human-only reservation)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 80.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 38.577.772 USD
- Fine settimana di apertura Stati Uniti e Canada
- 14.902.692 USD
- 27 set 2009
- Lordo in tutto il mondo
- 122.444.772 USD
- Tempo di esecuzione1 ora 29 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1