Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence
- 2007
- 1h 40min
VALUTAZIONE IMDb
6,7/10
5711
LA TUA VALUTAZIONE
Un film collettivo di 33 cortometraggi diretti da diversi registi per descrivere il loro sentimento per il cinema.Un film collettivo di 33 cortometraggi diretti da diversi registi per descrivere il loro sentimento per il cinema.Un film collettivo di 33 cortometraggi diretti da diversi registi per descrivere il loro sentimento per il cinema.
Isabelle Adjani
- Self (segment "47 Ans Après")
- (filmato d'archivio)
Anouk Aimée
- (segment "Cinéma de Boulevard")
- (filmato d'archivio)
Antonin Artaud
- (segment "Artaud Double Bill")
- (filmato d'archivio)
Vishka Assayesh
- Woman in audience (segment "Where is my Romeo?")
- (as Vishka Asayesh)
Fred Astaire
- (segment "Cinéma de Boulevard")
- (filmato d'archivio)
Brigitte Bardot
- (segment "Anna")
- (filmato d'archivio)
- (voce)
Recensioni in evidenza
To Each His Own Cinema (2007) is an anthology movie written and directed by a lot of filmmakers and it stars a lot of people. This movie was a first time watch for me and it was very average.
Positives for To Each His Own Cinema (2007): I really enjoyed watching this collection of short films by various directors. I like the different styles from these filmmakers and it was cool to see what they like to do with their movies. My favorite short film is the one from the Coen Brothers. And finally, I can see this anthology movie getting movie fans interested in watching other movies made by these different filmmakers.
Negatives for To Each His Own Cinema (2007): There are too many short films for me to watch and it felt overstuffed. This is one of those anthology movies where you can feel the tone shift the most. And finally, I had an extremely hard time trying to find these short films on YouTube as I had to do a lot of searching and it was a pain in the ass for me.
Overall, To Each His Own Cinema (2007) is an okay enough anthology movie that I can appreciate as a film fan, but I wouldn't be in a rush to rewatching these short films anytime soon.
Positives for To Each His Own Cinema (2007): I really enjoyed watching this collection of short films by various directors. I like the different styles from these filmmakers and it was cool to see what they like to do with their movies. My favorite short film is the one from the Coen Brothers. And finally, I can see this anthology movie getting movie fans interested in watching other movies made by these different filmmakers.
Negatives for To Each His Own Cinema (2007): There are too many short films for me to watch and it felt overstuffed. This is one of those anthology movies where you can feel the tone shift the most. And finally, I had an extremely hard time trying to find these short films on YouTube as I had to do a lot of searching and it was a pain in the ass for me.
Overall, To Each His Own Cinema (2007) is an okay enough anthology movie that I can appreciate as a film fan, but I wouldn't be in a rush to rewatching these short films anytime soon.
Quite the little trove of treasures this one, and some duds too. Chacun son cinéma is a collection of short works by various directors which was released in 2007 to celebrate the 60th anniversary of the Cannes Film Festival. Many different topics and genres are explored. It's a bit of a mixed bag but there is something here for everyone.
Chacun son Cinema is a collection of 33 short films, 3-minute long each, made by renowned international directors, which was released in 2007 to celebrate the 60th anniversary of the Cannes Film Festival. The shorts revolve about the emotional connection of the director with movies in general, certain movies in particular, or some movie theaters.
As you can expect from a collection of short films, there are good bits, so-so bits, and bad bits.
The movies I liked the most were eight. I loved two of the Asian ones, "Movie Night" by Yimour Zhang and "Zhanxiou Village" by Kaige Chen, which really reminded me of my childhood and my relation with movies; they are beautifully shot and have special magical moments in them. I found hilarious "Cinema Erotique" by Polanski. "Cinema around the corner" by Lelouch is very stylish, while "The Foundry" by Kaurismoki and "Dans le Noir" by Konchalovsky are great concepts an thought- provoking films. I also liked the emotion (without the corn) in "Darkness" by the Dardennes and "Anna" by Iñarritu. Some of the others are still interesting an nice, some others a complete disappointment and waste of time.
The main flaws of the movie, to me, are 1/ the length being limited to 3 minutes, the director has a time constriction that doesn't allow to do much, really, and the stories in the shorts resent it. 2/ The regional unbalance in the selection of the movie directors, very French on the other hand, with a complete shocking absence of Spanish directors! 3/ The only sub-Saharan movie is not even made by an African director... that's a sort of Colonialism... 4/ The presence of that mediocre called Moretti chosen to represent Italy.
However, it is an interesting and enjoyable collection of stories. Cinema is full of magic and has shaped our lives since childhood, and this collection of shorts tries to honor that.
As you can expect from a collection of short films, there are good bits, so-so bits, and bad bits.
The movies I liked the most were eight. I loved two of the Asian ones, "Movie Night" by Yimour Zhang and "Zhanxiou Village" by Kaige Chen, which really reminded me of my childhood and my relation with movies; they are beautifully shot and have special magical moments in them. I found hilarious "Cinema Erotique" by Polanski. "Cinema around the corner" by Lelouch is very stylish, while "The Foundry" by Kaurismoki and "Dans le Noir" by Konchalovsky are great concepts an thought- provoking films. I also liked the emotion (without the corn) in "Darkness" by the Dardennes and "Anna" by Iñarritu. Some of the others are still interesting an nice, some others a complete disappointment and waste of time.
The main flaws of the movie, to me, are 1/ the length being limited to 3 minutes, the director has a time constriction that doesn't allow to do much, really, and the stories in the shorts resent it. 2/ The regional unbalance in the selection of the movie directors, very French on the other hand, with a complete shocking absence of Spanish directors! 3/ The only sub-Saharan movie is not even made by an African director... that's a sort of Colonialism... 4/ The presence of that mediocre called Moretti chosen to represent Italy.
However, it is an interesting and enjoyable collection of stories. Cinema is full of magic and has shaped our lives since childhood, and this collection of shorts tries to honor that.
It's hard to review an anthology movie like this, as it's essentially 33 short films that all go for three minutes or less, and each is done by a different director. There are some recognizable names here (like David Cronenberg, Lars Von Trier, Takashi Kitano, and Jane Campion), and then a few I didn't recognize. Some of the shorts from filmmakers I know I really liked, and some really didn't do it for me at all. I feel like the cast members are generally a little less famous, but there are still a few big names in there from the world cinema scene.
Each short film has to revolve around a cinema in some way, and even with the uneven quality, I guess it is interesting to see how many different approaches all the filmmakers have to tackling such a broad concept. Some shorts are incredibly abstract, at least one was super self-indulgent and just terrible, and others are charming in their simplicity and bluntness (I think Lars Von Trier might have had the best of the lot for this reason - it was one of the only ones that got a real reaction out of me... also, Cronenberg's was a highlight).
It's hard to recommend something like this. It's creative and interesting, but also tedious in parts, and I'd say one-third of these shorts feel pretty disposable. Like, Gus Van Saint's is so weird, and I usually like his stuff. Same for Campion - not sure what was she thinking or trying to say there?
I think it would be fun to watch and react to with a friend who's also a huge, possibly slightly pretentious film buff. It's quite fascinating, but I don't really know many people who I could watch and discuss something like this with, but thank you for reading my ramblings; it's the next best thing I guess!
Each short film has to revolve around a cinema in some way, and even with the uneven quality, I guess it is interesting to see how many different approaches all the filmmakers have to tackling such a broad concept. Some shorts are incredibly abstract, at least one was super self-indulgent and just terrible, and others are charming in their simplicity and bluntness (I think Lars Von Trier might have had the best of the lot for this reason - it was one of the only ones that got a real reaction out of me... also, Cronenberg's was a highlight).
It's hard to recommend something like this. It's creative and interesting, but also tedious in parts, and I'd say one-third of these shorts feel pretty disposable. Like, Gus Van Saint's is so weird, and I usually like his stuff. Same for Campion - not sure what was she thinking or trying to say there?
I think it would be fun to watch and react to with a friend who's also a huge, possibly slightly pretentious film buff. It's quite fascinating, but I don't really know many people who I could watch and discuss something like this with, but thank you for reading my ramblings; it's the next best thing I guess!
Lo sapevi?
- QuizMichael Cimino's last film before his death on July 2, 2016.
- ConnessioniFeatures L'uscita dalle fabbriche Lumière (1895)
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Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Cada quien su cine
- Luoghi delle riprese
- Liège, Belgio(Dans l'obscurité)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 403.819 USD
- Tempo di esecuzione
- 1h 40min(100 min)
- Colore
- Mix di suoni
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