Chacun son cinéma ou Ce petit coup au coeur quand la lumière s'éteint et que le film commence
- 2007
- 1h 40min
VALUTAZIONE IMDb
6,7/10
5704
LA TUA VALUTAZIONE
Un film collettivo di 33 cortometraggi diretti da diversi registi per descrivere il loro sentimento per il cinema.Un film collettivo di 33 cortometraggi diretti da diversi registi per descrivere il loro sentimento per il cinema.Un film collettivo di 33 cortometraggi diretti da diversi registi per descrivere il loro sentimento per il cinema.
Isabelle Adjani
- Self (segment "47 Ans Après")
- (filmato d'archivio)
Anouk Aimée
- (segment "Cinéma de Boulevard")
- (filmato d'archivio)
Antonin Artaud
- (segment "Artaud Double Bill")
- (filmato d'archivio)
Vishka Assayesh
- Woman in audience (segment "Where is my Romeo?")
- (as Vishka Asayesh)
Fred Astaire
- (segment "Cinéma de Boulevard")
- (filmato d'archivio)
Brigitte Bardot
- (segment "Anna")
- (filmato d'archivio)
- (voce)
Recensioni in evidenza
Quite the little trove of treasures this one, and some duds too. Chacun son cinéma is a collection of short works by various directors which was released in 2007 to celebrate the 60th anniversary of the Cannes Film Festival. Many different topics and genres are explored. It's a bit of a mixed bag but there is something here for everyone.
This film is impossible to really describe accurately other than to say it 34 short (3 to 4 minutes) films about the movies and movie going. Covering a variety of topics from comedy and tragedy to documentary this is the a look at how many famous directors see the cinema.
I saw this on a Chinese DVD, which has 33 of the 34 movie done by various directors (only the Cohen Brothers contribution is missing). Most of the films are good, a couple are not bad rather they illicit a "what was that about" reaction and a few are glorious, explaining why the cinema is something so magical. I'm not sure this really is a film for all film goers since the films can be rather oblique, not to mention the ride is bumpy with a poor film sandwiched between a couple winners (or vice versa). I would love to critique each film, but that is dangerous since the films are so short it may reveal too much. I think the best way to see this film (as suggested by another poster) is to simply watch each film and wait to see what happens. In most cases the director isn't named until the end so you can simply watch each film without any sort of expectation. Granted some films are obvious as to who made them since the directors appear, but many of the others are not so clear.(I was right about half the time and wrong about half) Definitely worth a look. This is a must see for anyone deeply passionate about the movies and going to them.
I saw this on a Chinese DVD, which has 33 of the 34 movie done by various directors (only the Cohen Brothers contribution is missing). Most of the films are good, a couple are not bad rather they illicit a "what was that about" reaction and a few are glorious, explaining why the cinema is something so magical. I'm not sure this really is a film for all film goers since the films can be rather oblique, not to mention the ride is bumpy with a poor film sandwiched between a couple winners (or vice versa). I would love to critique each film, but that is dangerous since the films are so short it may reveal too much. I think the best way to see this film (as suggested by another poster) is to simply watch each film and wait to see what happens. In most cases the director isn't named until the end so you can simply watch each film without any sort of expectation. Granted some films are obvious as to who made them since the directors appear, but many of the others are not so clear.(I was right about half the time and wrong about half) Definitely worth a look. This is a must see for anyone deeply passionate about the movies and going to them.
Metacinema is cinema in the cinema. This is the connection between many directors. Their passion to the cinema expressed with the metacinema, a dimension that dates back to the metatheater( theather in theater) of Greeks, the Shakespeare' s Hamlet and this meta- concept often becomes a presence in the cinema.
Chacun son Cinema is a collection of 33 short films, 3-minute long each, made by renowned international directors, which was released in 2007 to celebrate the 60th anniversary of the Cannes Film Festival. The shorts revolve about the emotional connection of the director with movies in general, certain movies in particular, or some movie theaters.
As you can expect from a collection of short films, there are good bits, so-so bits, and bad bits.
The movies I liked the most were eight. I loved two of the Asian ones, "Movie Night" by Yimour Zhang and "Zhanxiou Village" by Kaige Chen, which really reminded me of my childhood and my relation with movies; they are beautifully shot and have special magical moments in them. I found hilarious "Cinema Erotique" by Polanski. "Cinema around the corner" by Lelouch is very stylish, while "The Foundry" by Kaurismoki and "Dans le Noir" by Konchalovsky are great concepts an thought- provoking films. I also liked the emotion (without the corn) in "Darkness" by the Dardennes and "Anna" by Iñarritu. Some of the others are still interesting an nice, some others a complete disappointment and waste of time.
The main flaws of the movie, to me, are 1/ the length being limited to 3 minutes, the director has a time constriction that doesn't allow to do much, really, and the stories in the shorts resent it. 2/ The regional unbalance in the selection of the movie directors, very French on the other hand, with a complete shocking absence of Spanish directors! 3/ The only sub-Saharan movie is not even made by an African director... that's a sort of Colonialism... 4/ The presence of that mediocre called Moretti chosen to represent Italy.
However, it is an interesting and enjoyable collection of stories. Cinema is full of magic and has shaped our lives since childhood, and this collection of shorts tries to honor that.
As you can expect from a collection of short films, there are good bits, so-so bits, and bad bits.
The movies I liked the most were eight. I loved two of the Asian ones, "Movie Night" by Yimour Zhang and "Zhanxiou Village" by Kaige Chen, which really reminded me of my childhood and my relation with movies; they are beautifully shot and have special magical moments in them. I found hilarious "Cinema Erotique" by Polanski. "Cinema around the corner" by Lelouch is very stylish, while "The Foundry" by Kaurismoki and "Dans le Noir" by Konchalovsky are great concepts an thought- provoking films. I also liked the emotion (without the corn) in "Darkness" by the Dardennes and "Anna" by Iñarritu. Some of the others are still interesting an nice, some others a complete disappointment and waste of time.
The main flaws of the movie, to me, are 1/ the length being limited to 3 minutes, the director has a time constriction that doesn't allow to do much, really, and the stories in the shorts resent it. 2/ The regional unbalance in the selection of the movie directors, very French on the other hand, with a complete shocking absence of Spanish directors! 3/ The only sub-Saharan movie is not even made by an African director... that's a sort of Colonialism... 4/ The presence of that mediocre called Moretti chosen to represent Italy.
However, it is an interesting and enjoyable collection of stories. Cinema is full of magic and has shaped our lives since childhood, and this collection of shorts tries to honor that.
Its difficult to assess and review this film because it comprises of so many different directors and direction styles that grading this movie would be quite unfair to them all. Certain segments are simply brilliant whereas certain leave us with a 'wtf was that all about?' emotion. The film as a whole feels like skimming through the personal diaries of various directors wherein we may sometimes come across gems whereas certain sections only make sense to the film makers themselves.
Nevertheless, it is an essential watch for people who love experimental cinema because as an experimental film, it works brilliantly. It will probably make you feel how all movies make you feel. Take it as a taster of all the various genres of movies presented in bite sized pieces. The movie consists of humour, thrills, horror, autobiographies, biographies, drama, romance, erotica, documentaries, surrealism viz every single genre that exists...alas...no animation.
It is a very personal selection and everyone is guaranteed to find something that he/she likes. Overall this is a great collection of shorts and a must see. The star grading reflects how I perceived the movie as a whole - recommended.
Nevertheless, it is an essential watch for people who love experimental cinema because as an experimental film, it works brilliantly. It will probably make you feel how all movies make you feel. Take it as a taster of all the various genres of movies presented in bite sized pieces. The movie consists of humour, thrills, horror, autobiographies, biographies, drama, romance, erotica, documentaries, surrealism viz every single genre that exists...alas...no animation.
It is a very personal selection and everyone is guaranteed to find something that he/she likes. Overall this is a great collection of shorts and a must see. The star grading reflects how I perceived the movie as a whole - recommended.
Lo sapevi?
- QuizMichael Cimino's last film before his death on 2 July 2016.
- ConnessioniFeatures L'uscita dalle fabbriche Lumière (1895)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is To Each His Own Cinema?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Cada quien su cine
- Luoghi delle riprese
- Liège, Belgio(Dans l'obscurité)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo in tutto il mondo
- 403.819 USD
- Tempo di esecuzione1 ora 40 minuti
- Colore
- Mix di suoni
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti