Aggiungi una trama nella tua linguaA space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitaria... Leggi tuttoA space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitarian human states of the 20th century.A space traveler from the Earth of the 22th century - without wars, poverty and oppression - crashes on an unknown planet. Politically and economically that planet similar to the totalitarian human states of the 20th century.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 8 candidature totali
- Rada
- (as Yuliya Snigir)
- Prokuror
- (as Fyodor Bondarchuk)
Recensioni in evidenza
As to fighting scenes, I estimate them as dead. There was almost NO real action. The usage of Bullet Time technology of matrix all fight long turned the action into slow and boring trash. The martial arts instructors should really be ashamed of this.
There is a Russian proverb: "The first pancake is laid shapeless". It is just about the film. The spectator expected to see a miracle, because a $40million worth Russian film is considered like a $400million Hollywood movie. This expectations of a common viewer were ruined. I do hope that next attempts of Russian directors and producers to catch up with Hollywood will be more successful.
It struck me that ALL the film industry the way we know it is projecting nothing but visions and dreams of certain individuals, too(and sometimes these visions and images are no better than those shown in ‘Obitaemyy ostrov’). And book fiction is the same. So what’s the difference between Earth and Saraksh in terms of culture then?
And the towers are here, too. Look around – here are the TV towers and radio towers. They project these visions and dreams to the same effect as on Saraksh. Scary, isn’t it? Where are we?
On the other hand, where would the world be without this day-dreaming and wool-gathering? Do culture and a sort of hypnotic suggestion go hand in hand? How free in our minds are we really?
Sad smile.
The movie is not piece of art. It really takes a lot from classic sci-fi movies (from costumes designs to city views). And directing sometimes is confusing. But the film has one strong point - the plot, original story that authors reflected rather well. Special effects are good (they were performed by American specialists), acting is not bad (dramatic acting usually is not required in sci-fi action movies). In essence, the movie is good and worth seeing. Don't take negative comments for granted.
BTW as far as I know Boris Strugaztsky (the one of two brothers who is still alive) liked the adaptation.
The screenplay sticks to the original dialogue almost verbatim. A serious mistake in my view: the director seems to be afraid of the book fans, and doesn't dare to touch anything in the original. But the original dialogue was backed by a lot of description of internal thinking of the heroes - which cannot be shown on the screen. The result - the storyline is flat and uninteresting, instead of the intriguing and fascinating story in the book.
The actors' play is a total fiasco - except, maybe Strannik ("Strider") - but his role is relatively simple. Everybody else looks like they're reading from a phone book - which probably has to do with the fact that the dialogues were left as-is, see above.
I do appreciate the effort to create an "exoplanet" look of everyday things (cars, glasses, forks, plates, food, clothes etc). The things created would be unusable, but had the desired unusual look.
Overall, disappointing, and leaves a taste of a missed opportunity.
Lo sapevi?
- QuizThe symbols of the Country of Unknown Fathers are very similar to those of the Hungarian national socialist Arrow Cross Party, which is probably due to the fact that the names used on the planet of Saraksh both in the film and in the original novel are based on Hungarian-language names.
- BlooperRed armored car, which Maxim steals near the final, was designed without a door. So the crew had to cut the hatch in the tank's plating. When Guy Gaal knocks the car, it can be seen that the hatch cover is actually made of wood.
- Citazioni
[first lines]
Narrator: The year 2157, the Noon of Mankind. Armed with the Great Theory of Upbringing, people have forgotten about wars, hunger and terrorism. Nature lives again. A breakthrough in medicine has set people free from illnesses, allowing them to use hidden resources of the human body. Earthlings are reclaiming distant planets. New generations have risen, for whom search in deep space is a routine matter. Young earthlings are brave, strong and naive. They think they are capable of everything.
- ConnessioniFeatured in Arkadiy Strugatskiy v Kanske (2016)
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Dettagli
Botteghino
- Budget
- 29.500.000 USD (previsto)
- Lordo in tutto il mondo
- 23.772.559 USD
- Tempo di esecuzione
- 1h 55min(115 min)
- Colore