VALUTAZIONE IMDb
3,5/10
1783
LA TUA VALUTAZIONE
Questa volta una coppia fa una serie di omicidi nella loro zona.Questa volta una coppia fa una serie di omicidi nella loro zona.Questa volta una coppia fa una serie di omicidi nella loro zona.
- Regia
- Sceneggiatura
- Star
Cristie Whiles
- Crusty
- (as Cristie 'Crusty' Whiles)
Autumn Smith
- Lydia
- (as Autumn Anderson)
Recensioni in evidenza
The shock film, August Underground's Penance, is the pinnacle of holiday filth. I suggest using your Christmas stockings once you run out of barf bags, you'll definitely need them for this movie! T'is the season for child molesting and baby killing! The August Underground trilogy is a collection of snuff footage filmed by the murderers, one male and one female, themselves. The first August Underground is disturbing in the way that it depicts a snuff film so accurately. August Underground's Mordum, as far as I am concerned, is the most disgusting and upsetting movie ever made. So what does the latest installment have to offer? Pure unabashed gore! Blood, guts, intestines, nails through the head, disembowelment, cigarette burns, limb sawing and heads being opened like Christmas presents! Thanks to the special features section in Penance we learn that real pig intestines were used in the film making the actors sick to their stomachs! Yes, these poor psychopaths actually got immortalized vomiting nearly constantly during the taping. The effects in this gore-fest are so realistic that the Toe Tag crew decided to use a better quality camera then in their previous movies to show off their skills and attention to detail. This film shows the character development of the killers and adds that touch of humanity to contribute to the realism to this movie. And, while Penance may not be as disgusting as Mordum, it does manage to supply a generous amount of its own sickness to the trilogy.
Which brings us to the only thing worse than Christmas carolers; home invaders! Focus on a standard suburban family. Let's call them the Cleavers. Each of the Cleaver family is beaten, raped and killed all on Christmas day. It's better to give then to receive! Of all the atrocities committed on this family the worst by far is done to sweet baby Jane. After the killers viciously beat and rape the sweet lass, her butcher delivers one of the cruelest lines in cinematic history: "Kill it." Did you get that? Not her - "it."
Another offensive scene which actually triggers the emotion of one of the killers highlights a very realistic looking fetus being ripped from a mother's womb. The female slayer finally breaks down and cries once she realizes they've finally go too far. The dead mother-to-be experiences the one instance where it's not better getting your present too early! Taking violence to another level all together. It is chilling the way these serial killers are portrayed so believably. August Underground's Penance also has an ending that has to be seen to be believed! The final scene might leave fans a little choked up.
August Underground's Penance is a shockingly gruesome movie filled with anger, torture, and ejaculation. It looks like it will be a White Christmas after all! This film is a holiday must own for any true gore-hound like me!
Which brings us to the only thing worse than Christmas carolers; home invaders! Focus on a standard suburban family. Let's call them the Cleavers. Each of the Cleaver family is beaten, raped and killed all on Christmas day. It's better to give then to receive! Of all the atrocities committed on this family the worst by far is done to sweet baby Jane. After the killers viciously beat and rape the sweet lass, her butcher delivers one of the cruelest lines in cinematic history: "Kill it." Did you get that? Not her - "it."
Another offensive scene which actually triggers the emotion of one of the killers highlights a very realistic looking fetus being ripped from a mother's womb. The female slayer finally breaks down and cries once she realizes they've finally go too far. The dead mother-to-be experiences the one instance where it's not better getting your present too early! Taking violence to another level all together. It is chilling the way these serial killers are portrayed so believably. August Underground's Penance also has an ending that has to be seen to be believed! The final scene might leave fans a little choked up.
August Underground's Penance is a shockingly gruesome movie filled with anger, torture, and ejaculation. It looks like it will be a White Christmas after all! This film is a holiday must own for any true gore-hound like me!
I'm a big fan of shock and gore films,but this heap of crap wasn't worth the power it took to run my laptop as I watched it...for FREE THANK GOODNESS! It's the same 'ol hash in a different package. If you've seen ONE August Underground "movie" (and I use the word movie LOOSELY) then you've seen them all pretty much. The ONLY redeeming quality of these "movies" is that the gore looks pretty real. Actually better than some HIGH BUDGET films. Aside from that...this "movie" has absolutely nothing new to offer you. Go do a search for "shockumentaries"and you will find much MUCH better films to satisfy your shock and gore needs. I WISH I had my time back with this pile of garbage. Toodles.
After the somewhat disappointing 'August Underground's Mordum', which often went beyond believability in an attempt to do outdo its predecessor, the team at ToeTag have delivered what must be one of the most nauseating, realistically disgusting and vile pieces of filth that I have ever witnessed. The film is an 84 minute catalogue of extreme depravity, sexual violence, torture and dismemberment, and hardly a minute went by where I didn't feel revulsed by what I was watching (and more than just a little bit sordid). But, of course, director Fred Vogel doesn't want viewers to enjoy Penance; he wants them to endure it, which means that the third and final movie in the August Underground series can only be hailed as a success!
The aim of Penance is to make damn sure that anyone watching it sees murder as it truly is: an ugly act that is nasty, messy and totally repugnant. Viewers are made to feel sickened by what they witness. Vogel's on-screen killers, a couple of psychos (played by the director himself and Mordum's Cristie Whiles) who enjoy nothing more than inflicting pain and suffering on complete strangers, are neither glamourised or exaggerated, nor are they portrayed as anti-heroes; they're shown to be real people—albeit bloody scary ones who would be perfectly happy to remove your head from your shoulders without giving it a second thought.
Once again, the film consists of random video footage shot by the twisted twosome as they go about their day-to-day business, attacking the homeless, going to rock gigs, indulging in drugs and, of course, raping and killing innocent people. This time, however, the quality is not that of a degraded VHS tape (as in the previous two AU films), but digital (and in widescreen), meaning that the viewer gets to see every last sickening detail.
And what sights they have to show us: Vogel's character wrestles with entrails whilst trying to disembowel a corpse, removes a foetus from a pregnant victim, and (unsuccessfully) tries to rape a woman after having smashed her husband over the head with a hammer; Whiles's soulless bitch slowly squeezes the life out of a child, gleefully hacks up a deer (which is later fed to the scariest lion in existence), and also indulges in her fair share of vicious torture and bloody dismemberment. Every last second of each hideous act is unflinchingly captured by the roving camera, and watching without wincing is not an easy trick. The gruesome effects are top notch and praise must be given to effects man Jerami Cruise for successfully turning my (usually cast-iron) stomach several times.
With the OTT approach of the second film replaced by the more realistic feel of the first, Penance is a satisfactory end to a unique and very unsettling series of films. I now hope that Vogel leaves the 'pseudo-snuff' genre well alone and turns his attention to making the zombie film that he has mentioned in the past.
As with the other AU movies, I find it a hard film to rate. It's not 'enjoyable', and at times it plods (the first twenty minutes are pretty uneventful), but it's a powerful work that you just cannot ignore, and for that reason Penance gets 7.5 out of 10 (rounded up to 8 for IMDb).
The aim of Penance is to make damn sure that anyone watching it sees murder as it truly is: an ugly act that is nasty, messy and totally repugnant. Viewers are made to feel sickened by what they witness. Vogel's on-screen killers, a couple of psychos (played by the director himself and Mordum's Cristie Whiles) who enjoy nothing more than inflicting pain and suffering on complete strangers, are neither glamourised or exaggerated, nor are they portrayed as anti-heroes; they're shown to be real people—albeit bloody scary ones who would be perfectly happy to remove your head from your shoulders without giving it a second thought.
Once again, the film consists of random video footage shot by the twisted twosome as they go about their day-to-day business, attacking the homeless, going to rock gigs, indulging in drugs and, of course, raping and killing innocent people. This time, however, the quality is not that of a degraded VHS tape (as in the previous two AU films), but digital (and in widescreen), meaning that the viewer gets to see every last sickening detail.
And what sights they have to show us: Vogel's character wrestles with entrails whilst trying to disembowel a corpse, removes a foetus from a pregnant victim, and (unsuccessfully) tries to rape a woman after having smashed her husband over the head with a hammer; Whiles's soulless bitch slowly squeezes the life out of a child, gleefully hacks up a deer (which is later fed to the scariest lion in existence), and also indulges in her fair share of vicious torture and bloody dismemberment. Every last second of each hideous act is unflinchingly captured by the roving camera, and watching without wincing is not an easy trick. The gruesome effects are top notch and praise must be given to effects man Jerami Cruise for successfully turning my (usually cast-iron) stomach several times.
With the OTT approach of the second film replaced by the more realistic feel of the first, Penance is a satisfactory end to a unique and very unsettling series of films. I now hope that Vogel leaves the 'pseudo-snuff' genre well alone and turns his attention to making the zombie film that he has mentioned in the past.
As with the other AU movies, I find it a hard film to rate. It's not 'enjoyable', and at times it plods (the first twenty minutes are pretty uneventful), but it's a powerful work that you just cannot ignore, and for that reason Penance gets 7.5 out of 10 (rounded up to 8 for IMDb).
In 2007's "August Underground's Penance" we are introduced to a young couple of serial killers that torture and kill innocent people. This is the third movie in the franchise and with the other two being absolutely terrible and disturbing I wasn't expecting anything else here. And obviously that's exactly what I got. This movie differentiates a little because in the beginning the movie feels a little tamer then it's predecessors. But about halfway through the movie gets off the rails and continues exactly where the other movies left. It's a sick and disturbing found footage horror movie that basically does not entertain at all. The gore is pretty good but that's about it. One movie of this kind was more than enough but this unnecessary franchise has thankfully stopped by now. [2,8/10]
"August Underground's Penance" is basically the personal home video of two sociopathic killers on murder spree.Again two nameless butchers played by Fred Vogel and Cristie Whiles videotape their bloodthirsty madness,but "Penance" shows also their slow decline.First of all I'm not a big fan of "August Underground" series.Still as a lover of extreme cinema who had previously seen "August Underground" and "August Underground's Mordum" I really wanted to see the final installment.This time the faux-VHS look of Mordum has been tossed aside in favor of a more contemporary digital look.The gore effects made by ToeTag crew are very convincing and the violence is dirty and vile.There are some boring moments,but overall "Penance" is not as perverted and repulsive as "Mordum".7 out of 10.
Lo sapevi?
- QuizMost of the budget was spent on a digital camera that was used in the film since digital cameras were new in 2007.
- ConnessioniFollows August Underground (2001)
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- Data di uscita
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- Sito ufficiale
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- Подполье 3: Покаяние
- Luoghi delle riprese
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- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 5000 USD (previsto)
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Proporzioni
- 1.85 : 1
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