Jumong

I am a mess! My mind and heart are all torn up! It took almost 13 days and 81 episodes to finish and I didn't want it to end! This 18-year-old epic drama is THE best I've seen and I've seen many of the top saeguks! The writing, the costumes, the details of each faction of war (the making of steel swords, iron armors, bomblets, fireballs, catapults, etc)...all in amazing color and splendor! Character development was important and the director took his time in developing ALL of the lead and supporting characters. I was enthralled at each one- including some man-to-man attraction (unnecessary to me). The fight scenes and battles were superbly filmed and choreographed. The friendships and bromances were funny yet valiant in nature.

Actor Song Ilgook as JUMONG was all-macho in his demeanor and yet vulnerable at heart. He wore those armors and kingly wardrobe best I've seen on any of the kings I've seen. I only wish he held or hugged or even kissed his women. No such luck. There was strength and clarity in his acting and can't wait to see some more of his other series. Actress Han Hye Jin was gorgeous throughout and portrayed a very strong Soseono. The "three musketeers" were my favorite people: Yeo Ho Min (Oi), Ahn Jung Hoon (MaRi) and Im Dae Ho (Hyop Bo) actors who portrayed true loyalty and love yet amazing martial arts! Veteran actor Lee Kye In (Chief Blacksmith) made me laugh and cry with superb acting chops...pathetic, loveable, warm and cried SO well! The King, the evil Prince and his flighty brother, the true father and warrior Hae Mo Soo, the bitchy Han daughter, the sweet Mother and wife of JUMONG, ...where does one end? Everyone was terrific!

I cannot say much more. THANK YOU, VIKI and Kocowa for presenting this jewel after 18 years. I hope many, many more people see this!

At no point in my lifetime have I felt so sentimental after viewing a television series. Yes, "Dae Jang Geum" (aka "A Jewel In the Palace") (2003) was magnificent, but "Jumong" (2006) is so overwhelmingly awesome on every possible level that it actually exceeds "Dae Jang Geum" in a number of ways. At this very moment I feel as if I've just completed a long journey with my closest friends, but now must say goodbye and move on. I kid you not, I feel hopelessly melancholy, because "Jumong" is an exceptional television series that has burrowed its way into my heart. This is special.

The scriptwriting is no less than phenomenal. There are multiple interests at play (royal family members, merchants, sorceresses, other kingdoms, tribes, etc.), and it's interesting to see them strategize and plot against one another. One of the most enjoyable aspects of this series are the strategy meetings that saturate each and every episode. Each character has his/her close confidants and meets with them regularly to discuss specific tactics to gain an advantage against their rivals, which makes for a seemingly non-stop display of cloak-and-dagger scheming. I personally find these exchanges exhilarating because they rely on intelligence and unorthodox (outside the box) thinking. There's a high emphasis on political coersion, unorthodox alliances, and subtle shifts in power from key events. The dialogue is great, crafting a number of exciting, clever exchanges between the players. Fantastic stuff! The obstacles are also very practical and interesting: discovering a sufficient salt supply, creating steel weaponry, obtaining national independence from hostile, more powerful kingdoms, etc. In addition, these conflicts help to accentuate an emotional resonance due to the large number of episodes dedicated to properly develop each obstacle and their climactic conclusions.

It's difficult for movies and television series to establish even a few memorable characters. "Jumong" has no less than 20. No, that is no overstatement, because 81 episodes (over a full hour each) allows for characters to be given heaping amounts of development that makes them multi-dimensional (even fallen comrades from the earlier episodes are never forgotten). Near the beginning it's somewhat easy to distinguish the "good guys" from the "bad guys", but as the series progresses it adds dimensions that ultimately result in haphazard classifications between "protagonists" and "antagonists." Some of the "good guys" will do "bad things" while some of the "bad guys" will do "good things." This will throw the viewer off guard, because at first the added dimensions may seem unwarranted, but over time these characters will express their actions within the light of logical decision-making. The use of multiple kingdoms adds greatly to this, because a kingdom may benefit from a specific alliance at one point in history, but may suffer greatly from maintaining that same alliance in the future.

Make no mistake, there are some clear protagonists, and within this grand journey there are a number impediments and setbacks that bring these characters closer to their confidants, as well as the viewer. The most impressive player, however, is the main protagonist (Jumong), who is sculpted into a truly charismatic, convincing leader who understands when to fight and when to express humility and passiveness. I have personally never seen a military leader as charismatic nor as convincing as "Jumong." He's quite literally the blueprint for leadership. The few other IMDb reviews already flesh out the other characters, so I will avoid that here, but I assure you that they are all great.

So, are there *any* flaws in this series. Surely, any cinematic endeavor that lasts 81+ hours is going to have a few. For example, the budget restrictions are evident in that the number of extras are a bit thin (especially during battles), but that's a minor flaw because most of the battles involve "detached advancements" that involve fewer extras. The scoring is also limited, but the choice tunes are excellent and will only seem "repetitive" when the viewer watches 3 or 4 episodes in a row, which may be inevitable given just how addictive this series is. Regardless of a few other negligible cons, this is a highly addictive period drama/action series that currently holds my official award for "Best Television Series Ever Made."

I said goodbye to my friends for now, but my DVD set awaits for a reunion in the future. I promise you that I will pay them multiple visits to experience the joy of the journey again.

I became addicted to this fine Korean drama series in the late spring of 2007, when I got sick of paying my cable company over $50 a month for premium service and switched back to the Limited Basic package for less than $20/month. As a result I was forced to look through some of the foreign-language-network offerings, and lo and behold, found this gem of a quasi-historical Korean epic costume drama on AZN.

Now admittedly, there is a fair bit of pretty silly stuff going on in this series (see the Minuses section below), but the good far outweighs the bad. I especially like the humorous character vignettes, for instance the Iron Chamber master Mo Palmo always cracks me up. :)

**Pluses:**

• Gorgeous costumes;

• Good acting, especially from the actors who play the following characters:

* Emperor Kumwa - The MacBeth of Jumong; carries much of the first 50 episodes of the show. Watching the actor who plays him, I can't help being reminded a little bit of Toshiro Mifune.

* Prime Minister Unavoidable - with a name like that, how can you not like this guy?

* Sorceress Yeo Mieul (I admit she took a while to grow on me)

* Sosuhno - Love those take-charge gals who can do it without being nasty

* Prince Taeso - Every great drama needs a quality bad guy, and the conflicted Taeso is a worthy foil to Jumong.

* Prince Youngpo - The feckless prince #2. I love it when he does his "evil scheming" face. :D

* Keru Troop Chief Yuntabal - Like the name says, this guy has major, um, guts, I love it when he (literally) laughs in the face of the bad guys. Also just plain a fine dramatic actor.

* Oi, Mari, Hyoppo: Jumong's 3 Musketeers. Especially like the "forbidden love" subplot involving tough-guy Hyoppo and someone from Sosuhno's Keru troop. The later addition of the reformed bandits as their 3 counterparts and oft-times rivals makes for a great ongoing source of tension and humor.

* Mo Palmo and his friend, the chief of the Guards - absolutely hilarious pair, they're like the Laurel and Hardy of Korean Costume drama.

• Gorgeous Women (I'm a guy, so I admit I was looking more at the ladies ;): Sosuhno, Ye Soya, Buyong and Lady Yuhwa are all major hotties. Even the bad girls have their moments. :) And did I mention the costumes?

**Minuses:**

• Jumong: I know I'm probably going to catch a lot of flak for his, but Song Il-Guk's portrayal just lacks something. Perhaps this is partly the fault of the series writers, but it's just not as convincing as it should be.

• Too many royal people sitting at fancy carved tables doing nothing at the start of scenes - I mean, don't these people read, or do needlework, or paint, or play board games? A missed opportunity for adding depth and texture to the series.

• Fight scenes way too unrealistic (at least for my taste) - OK, I realize you probably can't have severed heads, limbs and guts flying around without alienating a large part of the audience, but could we maybe occasionally have a little *blood*? (And not just a dab on the tip of some guy's sword). And, all these good guys fighting brutal battles and coming out without a scratch? (except for "designated manly upper arm wound guy".) Or even breaking a sweat...

But as I said, the negatives are far outweighed by the good stuff - unless you're the kind of person who insists on "realism" (whatever that means) in all aspects of a show.

All in all, excellent entertainment for the whole family - highly recommended. 8/10

This entire series is an exceptional creative achievement in all respects. The screen writing, character development and cinematography all combine to make one of the best viewing experiences I have ever had. I first became addicted to the excellence of Korean film and television when I watched the superlative "Dae Jang Geum" (Jewel in the Palace) series. Jumong equals and possibly even exceeds that benchmark series. I have watched many Korean films and television shows, most of which are very good. Jumong is as good as it gets. The show is a loose dramatization of Korean history and the efforts of Jumong to unite the kingdom and then drive out invaders. The character development here is truly awesome with about 20 significant characters that the viewer will come to know very well indeed. Actor Song Il-Kook's charismatic portrayal of Jumong is right out of an Errol Flynn swashbuckling adventure. This actor has an on screen presence and possesses a supreme confidence that simply no longer exists in American cinema. Supporting characters So-Sun-Oh (Hye Jin-Han) and the androgynous and ever deadly Sayong (Soo-bin Bae) enrich this story beyond words. The plot is truly Machiavellian and develops in a way that often grays out simple good and evil. For those equestrians out there, and I know there are many, you are in for a treat. You will see work by all of the actors on horseback that has has not been seen since the heyday of American Westerns of old. Each actor was trained with and kept the same animal for the entire series and it shows. Song Il-Kook sits a horse like he was born to the saddle and the many riding scenes in this series demonstrate a high level of horsemanship. The costuming and the various scenes at court or in battle are something to behold. This is the very highest quality entertainment that the viewer will find anywhere. The entire series is well worth buying and keeping to watch again and again.

courageous. handsome. wise. creator of a state. portrait result as mix between historical events and myths. using the emotions and feelings and facts who define each South Koreean historical drama. a film about a great hero, his wars, his love, his science to use the power. and his impressive reign. so, a manifesto. in same measure, a cultural and political one. because the series propose not only a story but, like many films from the same genre, a proud story. a legitimization for national values. and this did it special. for the small detail to be not exactly a tool of national propaganda but for use of basic ingredients who reminds to each viewer, from every countries, the values who define the national values of his past and tradition.