L'agente della CIA Valerie Plame scopre che la sua identità è trapelata dal governo come ricompensa per un articolo scritto da suo marito criticando l'amministrazione Bush.L'agente della CIA Valerie Plame scopre che la sua identità è trapelata dal governo come ricompensa per un articolo scritto da suo marito criticando l'amministrazione Bush.L'agente della CIA Valerie Plame scopre che la sua identità è trapelata dal governo come ricompensa per un articolo scritto da suo marito criticando l'amministrazione Bush.
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Recensioni in evidenza
In 2003, when Bush administration manipulates the information relative to massive destruction weapons to justify the invasion of Iraq, Joe Wilson writes an article in the New York Times criticizing the government and telling that the intelligence research had been manipulated. In reprisal, the government leaks Valerie's identity to discredit Joe, affecting their professional and private lives and almost destroying their marriage.
"Fair Game" is a bold film about the life of Valerie Plame Wilson, who has had her life destroyed by Bush administration in part of the farce about the existence of massive destruction weapons in Iraq to justify the invasion of that nation. But it seems that later the Wilson family wrote two books and won lawsuits against members of the government and they might have resolved their lives at least financially speaking.
The film glances also at the lives of Iraqi scientists that trusted on Valerie and were murdered by the Iraqi secret service, but does not show the fate of the civilian population that had their country bombed and invaded due to a farce. My vote is seven.
Title (Brazil): "Jogos de Poder" ("Power Game")
What makes this film absolutely mind blowing is that this stuff actually happened. Wow! You can argue the little details if you wish, but the bulk of this is public record and you're not kidding anyone. This gets an 8/10 on IMDb from me because it's non-fiction and it's a very very important story.
The war in Iraq was a crime and the guilty should be required to watch this movie, a few times. How many thousands of lives could have been saved? Feel shame and learn from your mistakes. Get mad! Don't ever be fooled like this again!!!
Frankly this movie should be shown in schools for the next 100 years - it should be considered required viewing in History classes. I think it's important that this little piece of the past is not swept under the rug anytime soon. I praise the makers of this film, I praise Joe Wilson and Valerie Plame.
Those who forget history are doomed to repeat it - so cherish this 108 minute reminder of America's greatest mistake.
The actual leaker, Deputy Secretary of State Richard Armitage got away scot-free, a crucial matter not discussed in the film , but "Scooter" Libby, Vice President Chaney's chief of staff carried the can and nearly spent 30 months inside for lying to investigators before being pardoned by the President. The film focuses on Libby and implies he was the leaker, acting with the knowledge of Karl Rove, the man who described Valerie Plame as "fair game", and Vice President Cheney.
Director Doug Liman is best known as a producer of thrillers ("Bourne Ultimation" etc) but here he and the Butterworths (Jez and John Henry) as scriptwriters have focused not only on the political intrigue but also the effect the Bushies' bastardry had on Joe and Valerie's personal lives. This gives some great acting possibilities to Sean Penn as Joe and our very own Naomi Watts as Valerie, and they both rise to the occasion, although Sean Penn might be a little self-righteous for some tastes. The personal impact aside, what the leakers did was a good deal worse than anything Julian Assange has done, and it is ironic that some of the conservative commentators who tried to discredit Joe and Valerie are now in the front line of those attacking the Wikileaks founder.
Regardless of the politics, this movie is entertaining enough to pass the watch test despite some dodgy hand-held photography. Near the end Valerie has a meeting with a very senior CIA officer glimpsed earlier, on a park bench in front of the White House. This man, played by Bruce McGill, bears a remarkable physical resemblance to the then director of the CIA, George Tenet. He warns her that she and Joe are up against the most powerful men in the world and asks her to stay silent for the sake of the agency. Valerie points out the agency won't even give her family any protection against death threats, to which Tenet, if that's who it's meant to be, merely shrugs his shoulders. What are the film makers trying to say here - that the agency doesn't look after its own?
Both Joe Wilson and Valerie Plame were patriots and, I believe, from Republican backgrounds. This did not bother the leakers who clearly couldn't care less who they hurt in the propaganda battle over the Iraqi invasion they were determined to launch. This film is based on two books by Joe and Valerie so I suppose it is a somewhat partisan account. Nevertheless it is hard to imagine a film treatment justifying what was done to them. George Bush in his memoirs mentions the Libby pardon issue but is otherwise silent on who did what. Never mind, his place in history as one of the lesser presidents is assured.
Hollywood is getting out of it's shell after the 2000-2008 period in which the Hawk's reintroduced a period of McCarthyism. Hollywood became a propaganda machine for Bush: 'Support the troops, don't you love America?' I still see the images of the speech at the Oscars Michael Moore gave: "Shame on you Mr. President". The room booed and cheered at the same time, but the front row with every A-list actor you can think of, sat quiet and didn't move. They said nothing. Joseph Wilson and Valerie Plame did not stay quiet. It's hard to comprehend that these events didn't happen 50 years ago. They happened less than 10 years ago. The White House created a smokescreen that very few people could see through. Those who did were outnumbered and slaughtered. Thank God for the educational purposes of cinema.
The Green Zone, Body of Lies and such are movies which tried to point out the errors in foreign policies, but Fair Game says it out loud: they wanted a war and the would stop at nothing to get it. Destroy anything or anyone who gets in the way. Most members of that White House got a slap on the wrist and are now giving $100.000 lectures.
Doug Liman has made his best movie yet. He has now made my list of accomplished directors. It's topnotch on a technical level and at a dramatic level. Liman leaves out any information the viewer knows or should be able to piece together for themselves. The script got me from start to finish. So did the actors.
No, there not much wrong with this movie. That's why it pains me that it bombed at the box-office. These kinda movies should be celebrated for their courage. But no, movies like Inception get all the attention. And nobody cares over hundreds of thousands civilians died because of the Iraq-war.
Lo sapevi?
- QuizThere is a coded message hidden in the end credits that has not yet been decoded.
- BlooperWhen Joe Wilson arrives at the Niger Republic, the registration plates are written in Arabic ( filmed in Egypt), where in Niger it would be written in French.
- Citazioni
Joe Wilson: The responsibility of a country is not in the hands of a privileged few. We are strong, and we are free from tyranny as long as each one of us remembers his or her duty as a citizen. Whether it's to report a pothole at the top of your street or lies in a State of the Union address, speak out! Ask those questions. Demand that truth. Democracy is not a free ride, man. I'm here to tell you. But, this is where we live. And if we do our job, this is where our children will live. God bless America.
- Curiosità sui creditiIn the closing credits, the last names of some of the characters (Hafiz, Jack, Bill, Dr. Zahraa, Paul, Ali, Hammad, Beth and Pete) are redacted.
- Versioni alternativeDoug Liman re-cut the film for a "2018 director's cut" that runs about six minutes longer.
- Colonne sonoreAwas!
Written by Norman Abdul Halim (as Norman A. Halim) and Yusry Abd Halim (as Yusry A. Halim)
Performed by KRU
Courtesy of EMI Malaysia Sdn Bhd
Under license from EMI Film & Television Music
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- Budget
- 22.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 9.540.691 USD
- Fine settimana di apertura Stati Uniti e Canada
- 651.082 USD
- 7 nov 2010
- Lordo in tutto il mondo
- 25.806.953 USD
- Tempo di esecuzione
- 1h 48min(108 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1