Nel 1840, Cranford è governato dalle donne che adorano i pettegolezzi e il romanticismo dove per tutti il cambiamento è nell'aria.Nel 1840, Cranford è governato dalle donne che adorano i pettegolezzi e il romanticismo dove per tutti il cambiamento è nell'aria.Nel 1840, Cranford è governato dalle donne che adorano i pettegolezzi e il romanticismo dove per tutti il cambiamento è nell'aria.
- Vincitore di 4 Primetime Emmy
- 16 vittorie e 57 candidature totali
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Recensioni in evidenza
This was Austen, Dickens and a bit of George Eliot all together and then some. The bad people not quite as cruel as Dickens. Class System naturally present but not as pronounced and little to none of who has how many thousand pounds and the need for dowries as in Jane Austen. And like (Mary Ann Evans) George Eliot's epochs, decisions and choices we make have consequences. There is laughter, joy, tragedy, misunderstanding, partings, reunions, love, gained, lost, unrequited. What makes this a tour de force is the Cast. Every performance exceptional beyond words, Jewels both from the women and the men. So many from the treasure chest of British thespians female and male. It is only amazing that Dame Maggie Smith or her stellar son Toby Stephens were absent in this Royal feast of actors. All somewhat overwhelming compared to the mediocrity of performance served up from Hollywood. Of Dame Judi Dench one could wax lyrical without end. However, Dame Eileen Atkins as always profound, who has now a career of nearly 50 years, as actress, writer, creator of television and theatre productions and is so extraordinary that adjectives do not suffice. To leave any name out is an injustice but in this space necessary. Francesca Annis' performance must be mentioned not only for its perfection but for her continued beauty and ethereal quality that mesmerises and haunts the spectator. More than 30 years I have rejoiced each time I have seen her. This production is among the finest of what BBC can do. It is rich beyond measure in its script, direction, decor and costume. Visually and Intellectually a Feast.
"Cranford" is the type of drama, in writing (starts with a novel), acting and directing that the British do so well, a period piece that runs the viewer through the gamut of emotions -- frustration, anger, joy, relief, etc. -- in reaction to oh-so-subtle variations of human behavior, by illustrating the mores of the time, from quaint to maddening by modern standards on one hand, to the human generosity which defies them on the other.
As befit the greatest tales, there are several main characters with deftly interwoven stories here, so one must look elsewhere beyond these comments for knowledge of the characters and plot; but let me conclude by saying that "Cranford" has more HEART than any piece I've seen in quite some time. Shown as a "Masterpiece Classic" on America's PBS network, "Cranford" truly, truly, truly lived up to the Masterpiece moniker, with a capital M.
As befit the greatest tales, there are several main characters with deftly interwoven stories here, so one must look elsewhere beyond these comments for knowledge of the characters and plot; but let me conclude by saying that "Cranford" has more HEART than any piece I've seen in quite some time. Shown as a "Masterpiece Classic" on America's PBS network, "Cranford" truly, truly, truly lived up to the Masterpiece moniker, with a capital M.
I am at heart an Austen girl, and I will admit that I find that the BBC's adaptations often far outrank any other, and Cranford was no exception. I have yet to read the books but have dropped heavy hints to Santa. The BBC has, if I'm honest disappointed me recently, but for one Cranford' quality programme I can almost forgive for everything else. Pure excellence. Cranford had me in tears for every episode, and often begging for the happy ending which given the often dark nature of the narrative was unlikely to come, and often didn't. Wonderful performances, from the Sirs and Dames, down to the youngster who played Harry Gregson, and with wonderful characterisation, which made the characters lovable and known and even gives unseen characters and histories unseen depths which are sometimes unavoidably and sadly missed in period pieces. A wonderful job. One request, may 'Cranford' never meet Hollywood, they won't be able to do it better than the BBC! Does anyone know when it comes out on DVD?
First, I'm a big Elizabeth Gaskell fan. I had just reread Cranston last winter...so starting this series, I was really confused and frankly worried about the age of my brain...until I realized that the plot was an amalgamation of three different Gaskill stories. I'm not such a purest that it bothered other than not being aware of it at the onset.
Actually, I was just grateful that anyone was paying attention to Elizabeth Gaskill in the first place. No doubt there are those of us who adore Jane Austen but she always gets all the attention in movies and TV, what with the oodles of remakes and re releases and her immense popularity. But Gaskill is just down right hilarious to read...so hurray for the old new comer!
There's a wealth of material here and BBC put a lot of effort and time into making this a worthwhile production. I agree that the music was really sappy, but the script and the fine acting made up for it. Of course the costuming was fabulous! There were a lot of belly laughs surrounding the escapades of the ladies of Cranford...Mrs Forrester's cow, the misbegotten meaning behind gifts and letters, hair dying, much gossip, of course...even lace eating cats! As character would demand, Eileen Atkins was a tour de force as Miss Deborah...in fact, the entire cast was astounding! All together a remarkable entertaining miniseries!
Actually, I was just grateful that anyone was paying attention to Elizabeth Gaskill in the first place. No doubt there are those of us who adore Jane Austen but she always gets all the attention in movies and TV, what with the oodles of remakes and re releases and her immense popularity. But Gaskill is just down right hilarious to read...so hurray for the old new comer!
There's a wealth of material here and BBC put a lot of effort and time into making this a worthwhile production. I agree that the music was really sappy, but the script and the fine acting made up for it. Of course the costuming was fabulous! There were a lot of belly laughs surrounding the escapades of the ladies of Cranford...Mrs Forrester's cow, the misbegotten meaning behind gifts and letters, hair dying, much gossip, of course...even lace eating cats! As character would demand, Eileen Atkins was a tour de force as Miss Deborah...in fact, the entire cast was astounding! All together a remarkable entertaining miniseries!
10abloke-2
As a typically boofheaded Aussie bloke, it is very hard to admit that i have found myself weeping like a child, during each episode. My wife and I have been keen viewers of BBC drama over a period of 25 years or so and both agree that this must be the most incredibly beautiful series that we have seen! I am humbled by the strength of the female characters and how delicately simple the plots. I can but only give all involved in this series a huge bouquet. I have never been overly impressed by Dame Judy until now. She is incredible in her role as Matti. 10 out of 10.The actress who plays Mary is also a favourite. The right mix of humour and pathos will make this a memorable series for years to come.
Lo sapevi?
- QuizJim Carter (Captain Brown) and Imelda Staunton (Miss Pole) are married in real life.
- ConnessioniFeatured in The Making of Cranford (2007)
- Colonne sonoreGreen Grow the Rashes
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- Return to Cranford
- Luoghi delle riprese
- West Wycombe Park, West Wycombe, Buckinghamshire, Inghilterra, Regno Unito(Hanbury Court: Lady Ludlow's house)
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