300 ore per innamorarsi

I gotta admit, up till now I have neither been a big fan of Til Schweiger nor of German movies in general. But I changed my mind after watching Keinohrhasen. I simply loved it. Yes, it is completely predictable (what romantic comedy isn't?) and yes, there are a few inconsistencies and even some unnecessary scenes - but who cares?! The chemistry between Til and Nora is - surprisingly - just great, the story is classic, but so beautiful and I can't remember the last time I laughed so hard in any movie.

All in all, even though I'm not a big romantic, I was, to my own surprise, somehow very touched by this movie and I enjoyed it very much, I laughed, I cried, I sympathized - the perfect entertainment. I will definitely buy it on DVD.

In the past months I read and heard a lot of positive things about this movie. But I just could not imagine that a movie made by Til Schweiger could be watchable at all. So after more and more positive comments that got to my ears, I dediced to watch it. It was a mistake! What a bad, predictable movie. Once more, terrible acting by Til Schweiger. Dialogues that aren't funny at all, slapstick that doesn't even deserve the name slapstick! The script is full of mistakes and some scenes just don't make sense.

Okay, Til Schweiger has delivered much worse products in his career. "Keinohrhasen" its not the worst thing he did. But anyway, please don't waste your time with this movie. People who like cheap and brainless popcorn-entertainment will be amused. The rest should better keep their hands off this DVD

I really have to support KWiNK in his statement, that this film was great but could have been much better.

I enjoyed this film very much and I can only recommend it to almost anybody, but it really has some flaws that keep gnawing on your mind when you leave the Theater... why the random nudity, what happened to his sisters son, where the hell did Jürgen go, why did Nora dress up for Tramitz, but not for Jürgen, where did all the eggs and tomatoes in the theater come from...

the result was the Beta-Version of a really really good movie.

7 out of 10 points from me

I haven't heard much about that movie prior but had seen a very short preview recently. And this movie was a very pleasant surprise (unlike most of the German productions). Till Schweiger known in the USA from rather serious roles, has become popular in Germany because of all his hilarious and humorous pictures. Again in Keinohrhase he is totally taken up with that funny but also dressy womanizer 'Ludo' who is working as a gossip reporter, always going prey on explosive pictures from local stars. After a very tricky shoot on an important star happening which ends in an éclat he is sentenced to do community service for a not insubstantially period of time at a kindergarten where he meets his unimposing school mate Anna and destiny continued to unfold. It is a very romantic and hilarious picture, which could have been normally attributed to kitschy Hollywood. But as it arises from a German production it appears to be a bit fresher than any plain American romance. It is not really kind of a new plot but it directly goes into your heart due to a disarming love story which is pepped up with great actors who are doing very funny and bright dialogs. Its absolutely spot-on for Christmas. Best Scene is the intro with Jürgen Vogel

Achtung, this is a German comedy! Well, actually the movie is a lot better than what I expected (I painfully remember sitting through a few boring German comedies... Ja!).

The film's first third is very promising - unfortunately there are two other thirds which lack imagination and creativity. Especially the last third is more than lame. The movie makers obviously had used up all of their ideas before.

Til Schweiger proves to be a reliable and sympathetic actor. But he should do something about his voice. He would do himself a favor if he managed to lower it a little bit and get more melody into his way of speaking.

They say that Nora Tschirner is one of Germany's most popular young actresses. I can understand that. She delivers a convincing portrayal of an erotically retarded young woman whose seductive aura equals zero. What I didn't understand was the reason why she has to do two brief, totally superfluous nude scenes. What we get to see is really not that remarkable. At the same time, the bare chest easily destroys some of the ambiguity that Tschirner tries to put into her character.

In short: Enjoy the clever beginning, but prepare for an unsatisfying ending enriched with some clichés.