Zohan - Tutte le donne vengono al pettine

I can't believe the amount of people slagging off this movie. If you didn't want to see what you saw, why did you go see it?

I think some people have their genres confused when they start talking about 'shedding light on conflict' blah blah. What the hell? It's an Adam Sandler movie not Schindler's list.

It's not the greatest flick there ever was, but it did give me a great laugh! So what if the humor is silly? Most of his movies have an ample dosage of silly that I for one thoroughly appreciate!

I think Don't Mess with the Zohan is best seen knowing nothing about it and having no expectations. Therefore I'm not going to tell you the whole story aside from the ending like so many people. It's not about the story anyway.

In short, to those that appreciate humor of the Adam Sandler/Will Ferrel brand.

Get into it!

--Also for the ladies, Adam Sandler looks so very HOT in this!

The critics are out in full force and tearing this movie a new one. I can understand some of the criticism, it's a brainless comedy chop full of cliché jokes, stereotypes, crude toilet humor, so it's to be expected that it's going to receive a lot of negativity.

With that said, that's exactly why I loved this movie so much. I'm a movie buff, have over 2,000 DVDs in my collection. I love virtually every movie genre there is. So, I knew full well what I was getting myself into before I paid my ten dollars and a Coke the size of Zohan's crotch.

What I loved about this movie so much, was that the jokes never stopped coming. I've watched all of Sandlers movies, many of them have long breaks of nothing much to get in stitches about. Sandler is the type of actor that I look to for this sort of humor. When you're having a bad day and want to watch a brainless, popcorn flick that will most likely have you cracking up virtually the entire movie, then I suggest you see this movie as soon as possible.

This is another reason why I love Sandler so much. He's not afraid to push the envelope to garner a laugh. He knows he's capable of doing a more serious role and have success. I know how good he was in Punch-Drunk Love and Reign Over Me, but he's very versatile and I can't complain about an actor with that quality.

I gave this a 7 out of 10, I'm not afraid to admit that I liked the Zohan.., and I certainly wouldn't mess with him!

Look folks, this is ADAM SANDLER we're talking about here. Yes, this is the same stuff that he was doing ten years ago with "The Waterboy." Yes, this is the same company that brought us "Happy Gilmore" and "Click." And yes, while I have aged a bit since I could appreciate the his silliness, there is still a part of me that enjoys the goofy fun that Adam Sandler likes to put on screen. I knew very well coming in to the 7:45 showing of "You Don't Mess with the Zohan" that this was going to be crazy. And sure enough, it was. But you know what, I liked it, my friend liked it, quite a few people in the audience liked it, it was a good time had.

Adam Sandler loves to put himself in ridiculous situations. In "Gilmore," he was a hockey nut with a hidden talent for golf. In "Mr. Deeds," he became a billionaire overnight. This guy has played football (twice), gone on fifty first dates, paused and sped up his life, and married Kevin James. Now, he's an Isreali counter-terrorist with a fetish for cutting hair. Oh, and he loves making sexual remarks as much as Borat does. Sound familiar? Thought it did.

So how does the humor compare to previous Sandler features? Well, it's unfocused. Part of the problem is that three writers with different mentalities are writing the script. The silliness comes from Sandler, the raunchy stuff comes from Apatow, and everything else comes from Smigel. Although I found myself laughing at quite a few parts (particularly when the Zohan was on the job as a soldier), there were also a lot of parts where I was thinking to myself "Come on. Another shot of the crotch?" (Or butt, or some other sexual reference) All of these various ingredients have been thrown in together, and the end result is, let's face it, uneven.

But though the movie may have lacked focus, I couldn't help but have fun with it. You see, unlike "Mr. Deeds" (which I found boring and lame), this film goes whole hog. Sandler and the cast surrounding him do almost everything in their power to make a joke out of something. These guys aren't sleepwalking through their roles, to the contrary, they're having a great time putting on a show. It's contagious. About halfway through the movie, I began to realize the reason I was having fun with the "Zohan" was because this movie essentially gives out an open invitation to enjoy the silliness that was being presented. By the end of the movie, Sandler had done the most outrageous acts I had seen him do since "Happy Gilmore." And frankly, I think I prefer Sandler when he just tries everything.

Fans of Sandler will most likely enjoy this one, non-fans should pass. For what it's worth, "You Don't Mess with the Zohan" is a good continuation of the act Sandler has put on for us for over a decade now. Worth a Saturday matinée.

This movie starts off as being so overwhelmingly stupid, that it makes you laugh. And it goes on for the duration of the movie. Special effects and stuff are clearly not that good but that is what is making me laugh for a large part of the movie.

In the end, this is a movie good enough to entertain you and bring a big smile on your face.

While I've never been a -huge- fan of Adam Sandler's films, I have watched them and laughed throughout most of them. I'm the type of guy who enjoys some slapstick, some raunchy humor, and a lot of zanyness.

I went into Zohan not expecting anything but pure frivolous humor. You don't go into films like this with any expectations, and I think that's where a lot of the reviewers prior to myself went wrong. They went in expecting to see an evolution of Sandler's humor, and while I would say that Zohan raised the bar a tad, it's still Adam Sandler. Yes, it's going to have a corny ending, a lot of physical humor, and a healthy dose of humor aimed at the more intelligent in the crowd as well.

Overall, I couldn't stop giggling, laughing, and chuckling throughout most of the film. After a long streak of not seeing any humor films, I thought it was the perfect thing to bring me back to comedies. The last few years, especially, have been incredibly lackluster in regards to comedies (if that's what evolution of the genre is, count me out, by the way), and I found Zohan refreshing.

I think another thing a lot of the other reviewers missed, is that the film in no way expected to take itself seriously. The only serious moments were cheesy, predictable, and ultimately corny, which is irony in itself and only contributed to my bemused chuckling. Yes, a lot of the humor bordered on racial stereotyping, there were a lot of over-the-top accents and allusions to the Middle East, so if you're the type to get touchy about that, feel free to skip. I found it to be a rather hilarious joke on the seriousness that everybody applies to the stereotyping. The stereotyping is, actually, rather fair and towards the end even shows plenty of "good stereotyping" (as accurate as stereotyping ever is, which is to say, rarely).

Really, the film laughs at itself. Are there some bum moments? Certainly, but it seems that's been the case for almost every film I've seen in the last few years, but it was grand seeing the cast and crew not try to make this the 'next great comedy' and just have a buttload of fun.

And if the cast and crew are laughing at themselves (which you can clearly feel through the screen), you can't help but laugh with them.

If you want to spend an hour or two snickering and have an open mind, give Zohan a shot. Don't expect an evolution of comedy. Don't expect the bar to be raised, because that's not what this film was trying to do. It was trying to be ridiculous and make people utter that ever so fantastic groaning-giggle followed by the heart chuckle.

Don't let the other critics fool you, they've probably forgotten the meaning of the word 'satire'.