Linkeroever

I'm an American w/ some familiarity w/ Antwerp and I enjoyed seeing it on film. The influence of Rosemary's Baby is obvious. While this is not in the same league, it does have some things going for it: good photography and music and 2 good leads: Schoenaerts and Eline Kuppens. (I'm not sure how good Schoenaerts is but he's nude 5 minutes after it begins so I can forgive a lot.) Probably the weak link here is the screenplay. The ending makes no sense whatsoever but getting there was enjoyable enough that I didn't much care. Atmospherics, mood, that kind of thing can be incredibly important in a film and Left Bank is quite good in the mood department. It helps too, of course, that the film is anchored by 2 strong performances.

LEFT BANK is the story of a track runner named Marie (Eline Kuppens) and her unexpected journey into the realm of the unknown.

Marie meets Bob (Matthias Schoenaerts), who seems like a wonderful guy. As their relationship develops, Bob becomes increasingly mysterious, with possible occult involvement.

The atmosphere is gloomy and foreboding throughout the movie's running time. It starts out very calm, subtly growing more claustrophobic and dread-filled, reaching a frenzied pace near the end. That's when the finale drops on you like a bomb!

Then, just when all hope is certainly lost, it happens. Something so unforeseen that it might make you cry, even as your jaw hits the floor.

If you enjoy supernatural conspiracy films, then LEFT BANK belongs on your watchlist...

It is so obvious that Roman Polanski's REPULSION, ROSEMARY'S BABY or LE LOCATAIRE, with also a slight touch of David Cronenberg's spirit, inspired this movie and many many others. But after all, why not? It is efficient, tense, riveting, you can not be deceived by such a film. And the Belgian film industry is specialized in "offbeat" movies, sometimes disturbing, not destined to wide audiences. This film is the best example of this, and the impact is emphasized by the fact that it shows ordinary people in whom the audience can recognizes itself. I don't know what else this director offered besides this one, seemingly Tv stuff, series episodes. And, look out for a new comer: Mathias Schoenaerts in a supporting character.

The director sure spent most of his effort on the sex scenes, leaving the "horror" to be filmed in a shaky, dark, style.

This was not a scary movie, as a matter of fact, not much happens in the first half at all, except for a very gratutitious sex scene. Lots of sex scenes, and nudity.

Not much horror. Meh.

My beloved Belgium country hasn't got much of an impressive history when it comes to horror cinema, but at least there have always been enthusiast and visionary directors that tried to make a difference. Back in the 70's there was Harry Kümel (whose movies "Malpertuis" and "Daughters of Darkness" are highly desired and acclaimed cult-collector items nowadays), then there's Jan Verheyen (who also hosts horror movie screenings on Belgian TV) and since recently we have Pieter Van Hees. Van Hees is an extremely devoted fan of the genre, as it is illustrated in his absurdly grotesque and engrossing short movie "Black XXX-Mas" as well as in this slow-brooding and atmospheric thriller "Linkeroever". The title literally means Left Bank and refers to a very well known living area in Antwerp. It's a reputedly "troubled" area since the Middle Ages already, with dark historical secrets and mysterious inhabitants, and thus the ideal setting for a sinister story. Marie is a young and talented but introvert athlete who suddenly falls ill and gets forced to cancel her participation in a prominent European tournament. She moves in with her new boyfriend Bobby and, mostly out of boredom, begins to investigate the mysterious unsolved disappearance of the previous tenant. I don't want to reveal too much about the complex and extremely unsettling story, but the script hints at horrific elements such as human sacrifices, reincarnation, pagan rites, excommunication, witches and super massive black holes. "Linkeroever" is basically a typical folklore tale, but set in a present day social environment and decorated with style & content elements that are borrowed from similarly-themed international horror classics like "The Wicker Man", "Blood on Satan's Skin" and "Rosemary's Baby". Pieter Van Hees generates a depressing and constantly grim atmosphere through simple tricks (autumn weather conditions, pauperized living areas…) and patiently takes the time to unfold the story and draw detailed character portraits. The denouement isn't that difficult to predict – especially not when you have experience with occult horror – but it nevertheless evokes a handful of genuine chills and nightmarish afterthoughts. Considering the fairly low budget and overall tense ambiance of the film, you shouldn't hope for a lot of bloodshed, though. Van Hees could rely on a professional crew as well. The photography, editing and musical guidance are damn close to brilliant and, following good old Belgian traditions, the film contains several dared but tasteful and quintessential sex sequences. Eline Kuppens is simply fantastic in her screen debut and she carries the entire motion picture like it's the easiest job in the world. She's a natural beauty with the talent and perseverance to make it even in the international film industry. Kuppens receives excellent support from the handsome young actor Matthias Schoenaerts and a couple of Flemish TV-screen veterans like Marilou Mermans, Frank Vercruyssen and Sien Eggers. Recommended for anyone who can speak the language and fundamental viewing for all Belgian film freaks.