La terrazza sul lago

Seven. Yes, seven. No, I'm not talking about the David Fincher directed thriller, nor am I referring to Samurai, Dwarfs or the lucky number. In this context, seven denotes the number of wince inducing minutes it takes for Lakeview Terrace to throw it all away.

Particular genres of movies tend to have a nasty propensity to ruin their final acts, the foremost of those being thrillers and horror films. May it be an amateur director not knowing how to complete their vision, studio intervention sucking the life from the screen or the commonly occurring revelatory "shocker" ending which tries to jam too many ideas in the viewer's already bleeding sockets. Oddly, director Neil LaBute's latest offering does not succumb to a conventional destructive timeline, but instead opts to cataclysmically implode in literally the final scenes, a feat which few films can boast. Perhaps I am being an iota harsh, as I am recommending this film and the majority of this review will be skewed favourably, but chiefly, my unbounded feelings of contempt towards the finale should stand as a testament to their standalone absurdity which contrasts harshly with the preceding 90 or so minutes.

Samuel L. Jackson has had a vibrant career portraying characters in two spectrums of the acting realm. On one side we have his depictions that can be lumped into the loud-mouthed anti-hero category (Pulp Fiction, Die Hard with a Vengeance, Snakes on a Plane), and on the other, his more nuanced (as nuanced as Sam Jackson can be) roles. (Black Snake Moan, Resurrecting the Champ, Coach Carter) Lakeview Terrace to some extent blurs this boundary, but for the most part Jackson plays his role straight, and he is very good because of it. Jackson plays Abel Turner a veteran, but widowed LAPD officer who lives his daughter Celia (Regine Nehy) and Son Marcus (Jaishon Fisher) on Lakeview Terrace in the hills. He is strict to be sure and his protective nature sometimes obscures the obvious affection for his children. It is touches like this, and similar additions by LaBute that makes his character all the more menacing when the tension later builds, as he is not so much a faceless villain, but a deeply flawed everyman. Despite an encroaching wildfire, things are routine on Lakeview; Abel patrols the neighbourhood at night, loves his job and wants nothing more then to protect his family. Things change however when a new couple move in next door. The fact that husband Chris (Patrick Wilson) wife Lisa (Keri Washington) are interracial is only the fuel for Abel's contempt, and when his children witness a late-night skinny dip by these two newlyweds, the fire erupts and Abel and Chris' lives spiral out of control.

Fashioning Abel as a cop is an intelligent choice, as per the television advertisements indicate, what are they going to do, and who are the authorities going to believe; who will police the police indeed. The tension for the duration is so high, you don't even need a knife to cut it, and a definite sense of dread and menace perforates the narrative. LaBute, truthfully, makes few mistakes, he allows for character development, and as I mentioned not just regarding Chris and Lisa, lets the story develop at a slow burning pace, with the hillside fires mirroring the escalating tempers. The story is also far more insightful and caring then I ever would have anticipated regarding the complicated issue of race and marriage, without feeling shoehorned into the thriller template. As you can clearly discern I have a fairly large amount of admiration for Lakeview Terrace, which brings me to the ending.

Few endings I have seen have represented such a radical shift in tone, and made its characters undertake such ridiculous and uncharacteristic actions then we see here; and I assure you it is jarring. The immediately preceding act, is an iota off kilter with the acts preceding, but does not draw attention and properly illustrates the consequences when things are taken too far in the name of retribution. I was fully under the impression that things were going to end sharply until Abel's character jolts erratically from intelligent saboteur to volcanic lunatic and makes a series of choices that are against both his nature, and what the audience would want to see transpire. Either Abel lost his mind, or the director did. Those who seek out this film in theatres may be disappointed and feel the conclusion somehow managed to bilk them out of their cash like a sneaky pickpocket. LaBute's finale does not so much embody a slap in the face, but a swift hard kick to the groin.

Read all my reviews at Simon Says Movies: http://simonsaysmovies.blogspot.com/

So I have to be brutally honest here, I was mainly looking forward to see "Lakeview Terrace" because I really thought it was going to be awful. And it did look that way to me by the trailers. So I went to laugh at it, but when it started to keep getting better and better, I couldn't really laugh at it anymore. Now not saying that this movie does not have flaws, because IT DOES. But it surprised me with its thematic elements, and really suspenseful scenes. But the cons are that it is a really heavy PG-13 film, and I personally thought they could have made it 10 times better if they had crossed the line into 'R'(which wouldn't have taken much more) and really fleshed out some things that are just hinted at because of their content. And the main con to the film for me was that there was no message at the end of the movie. It just ended, no theme or statement about the story. Just ended without saying "Now the moral of the story is..." So overall I'd recommend this movie to you. The good out-weighs the bad and its really a lot of fun.

When i saw the trailer for this movie i immediately compared it to "pacific heights" which stars Michael Keaton and is a favorite movie of mine, i am not a fan of Samuel L Jackson i have never really enjoyed his work and the few movies he has been in lately including "the cleaner" did not help my view on his acting, so going into this movie i was determined i would not like it and i was wrong , the first thing i want to clear up is this isn't like the movie i compared it to, it deals with racism but from the other end which i have never seen before in a movie, And secondly Samule L Jackson does great in this role as a cop with a grudge, the story is more than what you would think and the trailers did not give anything away, it is not a complicated movie with twists but it is a movie that is different from previous films with this type of aim. the fact that i am not a fan of Samuel L Jackson yet i praise him for this role shows how much quality this movie has. Patrick Wilson also does a great job , he is a good actor and its a good warm up role for people to know his face in his next role in "watchmen".

The rest of the cast do a good job in there supporting roles. This by far is not a movie that will win any Oscars but it is a movie that will entertain, i recommend it for a Saturday night in with drinks. A very entertaining thriller with great acting from its two leading actors. I hope my review was help full and if you get the chance to see this take it, because it will not disappoint.

The movie itself might only have gotten 4 to 5 stars from me, weren't it for the cast. And while Patrick Wilson is pretty good in his lead role, Samuel L. Jackson is the one who shines. His performance does truly elevate this movie onto a level it couldn't have reached without him!

His presence is really phenomenal and when he is on screen you can feel his aura. When he delivers his dialogue it's pretty strong, even if the dialogue itself might not be the best, his interpretation of it, makes it stronger. There is one particular dialogue scene, where he is really showing a different side of his character (look for the "Whatever" speech).

Sadly the movie has also quite a few low points, which would be weighing a lot more, if Samuel weren't to play the foe here. Some clichés and the predictability of the whole thing/story. Still worth a watch, if alone (and I can't point that out enough) for Samuel's performance!

A young successful interracial couple move into a new home in an exclusive California neighborhood. Chris Mattson (Patrick Wilson) and Lisa Mattson (Kerry Washington) are greeted with hostility by their new neighbor, LAPD Sergeant Abel Turner (Samuel L. Jackson), a widower and single father with a son and daughter. Chris and Lisa attempt to be cordial with Abel, inviting him and his family to their home and attending a barbecue Abel throws for some of his fellow officers. Despite this, Abel keeps becoming more disruptive and aggressive to Chris and Lisa. This eventually leads to retaliation on Chris' part and a confrontation with tragic consequences.

This movie despite its racial overtones doesn't break any new ground as a thriller. Patrick Wilson and Kerry Washington are a yuppie couple pushed too far and Sam Jackson as Abel is their disturbed neighbor/antagonist who wishes them harm. Definitely nothing new. The acting and script are okay with Sam Jackson's performance easily being the best. The ending is something that can be seen coming a mile away. This film is something you would watch on a slow day if it came on cable.