Precious

To my surprise, this soul-baring 2009 drama is neither as painful nor depressing as the subject matter would imply. In fact, director Lee Daniels' treatment alternates so fluently between gritty realism, social uplift, and fanciful episodes of fantasy that the end result is as much enthralling as it is emotionally draining. First-time screenwriter Geoffrey Fletcher does a solid job adapting the 1996 source novel by Sapphire, "Push", but the strength and honesty of the cast is what sears in the memory. Daniels could have been otherwise charged with stunt casting had he not drawn out such powerhouse work from the out-of-left-field likes of comedienne Mo'Nique and pop diva Mariah Carey. Granted Daniels in his second directorial effort is not the most subtle of filmmakers (his first film was the strangely exotic "Shadowboxer"), but he does bring a level of florid passion that the subject desperately needs to alleviate the unrelenting bleakness of the title character's existence.

Set in Harlem in 1987, the story centers on sixteen-year-old Claireece "Precious" Jones, a morbidly obese girl so void of self-worth that she refers to herself without irony as "ugly black grease to be washed from the street". Nearly illiterate, she finds herself pregnant for the second time by her father, and the school principal arranges to enroll Precious at an "alternative" institution. She recognizes this as an opportunity to better herself, but her mother Mary discourages it and forces Precious to apply for welfare. The unenviable mother-daughter relationship is the crux of the film, and it is here the film gives an unblinking account of monstrous physical and psychological abuse that explains the sharp contrast between Precious' inner and outer lives. On the outside, she is a forlorn yet formidable presence with a face so full that she can't express emotion without a great deal of effort. On the inside, she is loved and admired unconditionally. The two slowly come together at Precious' new school where she finds acceptance and redemption through a dedicated teacher (improbably named Blu Rain), who must get through to a classroom full of girls all disadvantaged in their own ways.

The birth of Precious' son, along with the bonding she feels at school, signals a harrowing showdown between mother and daughter and ultimately a confrontation between Mary and Mrs. Weiss, the no-nonsense social worker who seeks the truth behind Precious' home life. In the title role, Gabourey Sidibe is ideally cast given the film's semi-documentary approach. An untrained actress, she is able to elicit empathy by giving herself completely to the inchoate character, and when Precious breaks down from the weight of yet another seemingly insurmountable development, Sidibe gives the scene a halting honesty. Paula Patton ("Swing Vote") gets to play the Sidney Poitier role of the elegantly transformative teacher as Ms. Rain, but she gives the too-good-to-be-true character a palpable sense of passion. As Mrs. Weiss, a role originally slated for Helen Mirren (who co-starred in Daniels' "Shadowboxer"), Mariah Carey, bereft of her glistening make-up and diva mannerisms, brings an audacious toughness to her smallish but pivotal role.

However, it is Mo'Nique ("Phat Girlz") that gives the film's most shattering performance. I don't know what emotional reservoir she is tapping into, but she nails Mary with a fury so startling and realistic that it's impossible to trivialize the source of her villainy. She never compromises the hardness in her character, and her self-justifying monologue is an impressive piece of work. There is also solid work from a couple of other unusually cast performers, comedienne Sherri Shepherd (of the morning TV talkfest "The View") as a tough school administrator aptly named Cornrows and Lenny Kravitz as a sympathetic male nurse, and a scene-stealing turn from Xosha Roquemore as the ebullient Joann ("My favorite color is florescent beige"). Not all of Daniels' left-turn devices work, for instance, using Sophia Loren's "Two Women" as the basis of one of Precious' fantasies seems contrived given only a die-hard cineaste would understand the connection. Regardless, it's no wonder that Oprah Winfrey and Tyler Perry put their stamp of approval on the film as executive producers since Precious ultimately finds a personal triumph despite the hard life has dealt her.

Precious is a film that doesn't mess around. The passion of director Lee Daniels and company resonates throughout the picture. There is no better example of casting. Geoffrey Fletcher and Mo'Nique couldn't be more deserving of their Oscars. The writing and acting make for an altogether captivating experience. Paula Patton's great as Ms. Rain. I've respected Mariah Carey's ability to crossover into acting since WiseGirls. Gabourey Sidibe is heaven-sent as Precious.

I find it difficult to watch in parts, given how physically repellent Precious and her mother are. Be that as it may, it is a compelling story of a girl finding strength and purpose in an abjectly miserable life. For those who may think her troubles are laid on too thick, life is as bad and worse for some.

I can't decide.

I will say this: Precious' mom isn't unique to Harlem or the black community. as someone with a significantly different background, I found myself nodding and shuddering at turns.

some will say that it is too much bad to happen to one person. but it's the vulnerable ones who are most open to this sort of abuse.

I read around the internet such opinions as, "the inner cities are beyond repair, there is no hope for them, for the people who live there". this is some sort of political statement I imagine. but I would assert Precious' experience is a quintessentially American one; the America I know, after all, the America of enormous racial and economic inequality. Hollywood doesn't like to focus on this aspect of our society considering it not very interesting or likely to induce guilt in the upper-middle class folk most likely to buy movie tickets. but watching precious helped me feel vindicated: "here, at last," I said to myself, "is someone telling my story".

what *is* inaccurate is the portrayal of social workers as generally helpful or even moderately well-meaning people. this is blatantly false. the role of the social worker is that of an auditor; my experience with them is that they have nothing but contempt for the people who they are hired to help.

of course precious was right in the end. what could the nice lady do for her? but at least her heart was in the right place.

the problem with America isn't the inner cities but an utter lack of love, compassion, understanding.

Once every so often a film comes along that will change your perception of things. In one way or another it will give you elements to better yourself. "Precious" is such a film. Lee Daniels, the director, takes things to extremes, so much so that this could easily be an opera. When you think that things couldn't be worse, you discover that they have been worse already for a long time. Precious is played by a sort of miracle. Her name is Gubarey Sidibe and I don't even know how to pronounce it but I will certainly take her in my mind from now on, always. When she stands listening to the rantings of her mother, I surprised myself by feeling tears running down my face. The mother, a standout, once in a lifetime performance by Mo'Nique, is also a character we've never seen before. Brutal, unsentimental and truthful to the core. I saw the film over three weeks ago and I can't shake it out of my system, if that in itself is not a sign of greatness I don't know what is.

Several reviewers have criticized this movie as manipulative. If a director or a screenwriter's work causes an emotional reaction, can't any such movie be considered manipulative. If this had been a documentary, would you have embraced it because the facts would speak for themselves. It would seem that we should only have movies about sunshine and light when it comes to people who were born into poverty. We should have a happy ending but not show the sad facts leading up to it. I found the portrayal devastating. I found the performances to be outstanding, upsetting as they were. This is no movie for children or the faint of heart. Nevertheless, those who have the open-mindedness to look at the depth of this film should see it. Movies may have themes and ideas, but agendas? I'm not so sure.