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Ragazzi miei

Titolo originale: The Boys Are Back
  • 2009
  • T
  • 1h 44min
VALUTAZIONE IMDb
6,8/10
10.591
LA TUA VALUTAZIONE
Clive Owen in Ragazzi miei (2009)
The Boys Are Back Trailer - A sportswriter (Clive Owen) becomes a single parent in tragic circumstances.
Riproduci trailer2: 30
1 video
88 foto
Dramma

Uno scrittore sportivo diventa un genitore single in circostanze tragiche.Uno scrittore sportivo diventa un genitore single in circostanze tragiche.Uno scrittore sportivo diventa un genitore single in circostanze tragiche.

  • Regia
    • Scott Hicks
  • Sceneggiatura
    • Simon Carr
    • Allan Cubitt
  • Star
    • Clive Owen
    • Emma Booth
    • Laura Fraser
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,8/10
    10.591
    LA TUA VALUTAZIONE
    • Regia
      • Scott Hicks
    • Sceneggiatura
      • Simon Carr
      • Allan Cubitt
    • Star
      • Clive Owen
      • Emma Booth
      • Laura Fraser
    • 40Recensioni degli utenti
    • 106Recensioni della critica
    • 57Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 6 candidature totali

    Video1

    The Boys Are Back
    Trailer 2:30
    The Boys Are Back

    Foto88

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 81
    Visualizza poster

    Interpreti principali60

    Modifica
    Clive Owen
    Clive Owen
    • Joe Warr
    Emma Booth
    Emma Booth
    • Laura
    Laura Fraser
    Laura Fraser
    • Katy
    George MacKay
    George MacKay
    • Harry
    Nicholas McAnulty
    • Artie
    Julia Blake
    Julia Blake
    • Barbara
    Chris Haywood
    Chris Haywood
    • Tom
    Erik Thomson
    Erik Thomson
    • Digby
    Natasha Little
    Natasha Little
    • Flick
    Lewis Fitz-Gerald
    Lewis Fitz-Gerald
    • Tim Walker
    Nakia Pires
    • Lucy
    Emma Lung
    Emma Lung
    • Mia
    Steven Robertson
    Steven Robertson
    • School Housemaster
    Georgina Naidu
    Georgina Naidu
    • Paula
    Daniel Carter
    • Digby & Paula's Child
    Adriana Conde
    • Digby & Paula's Child
    Chantal Dwarka
    • Digby & Paula's Child
    Connor Marinos
    • Digby & Paula's Child
    • Regia
      • Scott Hicks
    • Sceneggiatura
      • Simon Carr
      • Allan Cubitt
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti40

    6,810.5K
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    Recensioni in evidenza

    6mrcibubur

    Light hearted Clive Owen drama on serious issues

    this was a very interesting film to watch but by no means gripping. Certainly a lighter role for clive Owen after Duplicity and The International and he is of course faultless in his execution of the role as journalist Joe Carr showing great vulnerability in his relationship with women in general, notably his two wives and then his two sons Arty and Harry who live apart. There are a lot of sensitive moments and much is overplayed, though personally the death of his wife I think is not played enough and the grief of the family seems somewhat hollow to me. Laurel seemed too available and not involved enough in the story and can someone explain what the party was all bout at the house when Joe Carr was away. Who were the uninvited guests and how did they get into the house? Didn't get that at all, not at all! Another film which promises a lot but delivers little, touching on serious family issues but not really addressing them.
    8jeethjohnp

    A good movie

    A brilliant movie with emotions perfectly emoted by characters very well etched by the writers. That's what I would like to say about this movie in one word. The director has blended all the factors into one...be it the shots, the music, the characters, the story...all into one. And he has done it in a brilliant way that I felt that I was with those characters living with them. Clive Owen, Laura Fraser, Nicholas McAnulty, George Mackay all did a wonderful job. I did not have any expectation while going into the cinemas to watch this...and when I got out i was feeling very refreshed... A good movie...I recommend it to all.
    7heffay111

    Very Good, but...

    There is much to admire in this film.

    The acting is superb. In fact it is Oscar worthy, whether from Clive Owen or either of the young actors playing his sons. (I fear the 6 year old will get all the praise, but the 14 year old's performance was simply brilliant and more difficult.)

    The story is honest, fresh, and touching. This isn't a, "What happens if..." movie. This is not just a true life story, it is a true to life story. You can see that Scott Hicks had one goal, honesty. He succeeds at every level and this is perhaps the most honest film you will ever see.

    So why did I debate giving this film a 6 or 7 and not an 8 or 9 or 10? Because in this quest for truthfulness, it often fails to satisfy. It is, in many ways, a movie that only asks questions and provides no answers. They did their best to reach inside this story and create a beginning, middle, and end, but the truth is that at the end you are left without any of your needs met. I absolutely did not want Hollywood elements tossed in, but the story is simply incomplete. It is real. And real stories are incomplete. I suppose I want to praise this movie for being brave enough to not satisfy while warning friends, "Look, this is a very good film, but it's focus is honesty even if that means ignoring your needs as an audience."

    Perhaps over time I will come to see this as brilliant. The characters are often not getting their needs met, and neither does the audience. But how do you recommend someone pay $10 to not have their emotional needs met? At the screening I attended, there was a Q&A with Scott Hicks and Clive Owen. Many people joked about a sequel with their questions, because clearly there could never be a sequel. Even Clive joked about sequel titles. You know what? I believe all the sarcasm about a potential sequel came from the truth that this story is unfinished.

    So...

    If you feel like seeing honesty and emotional truth, if you want a break from Hollywood BS, if you want to see a slice of real life without any pretense or falsehood, rush to this movie. And I do hope you enjoy it more than I did because of these warnings.
    8DICK STEEL

    A Nutshell Review: The Boys Are Back

    Mention Clive Owen, and chances are you'll think of that suave persona playing no less than roguish characters ranging from secret agents to well, erm, the go-to man if you want things done. Like Jackie Chan in The Spy Next Door, he's about to discover that the biggest challenge of his cinematic career is parenting, and in The Boys Are Back, Owen sheds his larger than life, indestructible spy characters for the role of Dad, and a complicated one too in having to reconnect with two boys from different marriages.

    Based on the memoirs by Simon Carr, Owen stars as Joe Warr, a British sports news reporter now living in Southern Australia with his wife Katy (Laura Fraser) and son Artie (Nicholas McAnulty). But an unforeseen tragedy forces him to rethink his priorities in life, and figure out just how to cope with bringing up a kid, having no experience when he abandoned his ex-wife and his son Harry (George MacKay) from a previous marriage. So he hatches what he thought was a brilliant plan, and that's to bring Harry to Australia, and together, as a trio, would seek out new adventures in their parent-child relationship, imposing no rules other than to listen to him when commanded should the boys get out of hand.

    The opening sequence would give rise to a certain expectation of how this film would play out, and little would you guess just what the beach going public was cursing at Joe for. It's this no holds barred growing up adventure that elevates this beyond just another movie with mourning and longing, where the protagonists realize that their unorthodox ways of bonding together, forging strong family ties, is just as easy and fragile as it is to be torn down.

    Scott Hicks doesn't sugar coat the film with saccharine sweet moments, but instead offers some real pragmatism in what one would expect in a household lacking a woman's touch. And as a male I too abhor household chores unless it's absolutely necessary, so watching how the art direction of the Warr household just brought out that smirk that the filthy pig sty, erm, isn't far off from personal experience.

    But it's not always just about the boys, as the narrative did offer a sneak peek into another what if moment, where budding romance with Laura (Emma Booth) was suggested at, though smartly worked on in not allowing it to overshadow the examination of the main relationships in the film about a father's attempt to connect with his sons, and them with each other. You'd wish for more given Booth's fine performance as the divorcée giving out all the right signals, only being frustrated that they're not acted upon with some degree of sincerity, with that unfair feeling of always being used.

    For those familiar with what Clive Owen does best in his cinematic, larger than life personae portrayed on film, this role of Joe Warr would lead you to believe the the actor certainly has dramatic chops for more serious, father roles even. With excellent tracks by Sigur Ros, The Boys Are Back is one film that manages to get under your skin and make you feel very much for the dysfunctional family trying to find its rudder in the confused world they live in.
    7teelbee

    refreshing and amazing, yet...

    Going in, I had utterly no idea of what to expect from this film. My companion didn't even tell me ~what~ movie we were going to see, much less any clues to what it was about. I don't think I've ever walked into a theater with so little idea of what to expect. All I knew was that Clive Owen had a role; but he plays such diverse roles, that gave me no clues.

    But, I'm sure even those who knew lot more about this movie going in were surprised. The story provides lots of unexpected and unusual moments. I would anticipate the plot would turn one way, and it would find a whole new direction of it's own. It was refreshing to see a movie that didn't try to fit a mold - that has it's own unique view, rather than fitting into a genre.

    The acting was quite amazing; really wonderful believable performances all around. Main characters and minor characters were so believably portrayed that watching the movie occasionally gave me as sense of being the peeping tom.

    So those are truly amazing achievements in a movie, especially these days. And yet...

    "Boys" has aspects of a great movie, but, sadly, it isn't great. The underlying Peter Pan theme was a bit overplayed. It felt as though the director kept whispering in your ear, saying, "Got it? Got it, yet?"

    The storyline held surprises, drama, tension, and some great comic relief... along with more than a few tediously boring scenes that let the audience fall right out of the movie (enough of the raindrops on windows!). It's always a bad sign when I check my watch during a movie, and I checked my watch way too many times in this one.

    So, go see it and expect to see something special in it. The specialness is there, even if the movie sometimes dumps you out of the scene and back into your theater seat.

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    Trama

    Modifica

    Lo sapevi?

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    • Quiz
      The nine songs by Sigur Rós in the film were initially used as a temporary score. However, director Scott Hicks felt the music was so perfect for the film that he personally traveled to Iceland to get approval from Sigur Rós to be featured in the film.
    • Citazioni

      Artie: Hands up if you like sheep muck. Hands up if you like cow pee. Hands up if you like dog fart. Hands up if you like me.

    • Connessioni
      Featured in Siskel & Ebert & the Movies: Capitalism: A Love Story/Brief Interviews with Hideous Men/Coco Before Chanel/The Boys Are Back/Fame (2009)
    • Colonne sonore
      Illgresi
      Written by Jon Thor Birgisson (as Jón Þór Birgisson), Orri P. Dyrason (as Orri Páll Dýrason), Georg Holm (as Georg Hólm), Kjartan Sveinsson (Universal Music Publishing Ltd.)

      Performed by Sigur Rós

      Licensed courtesy of EMI Records

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    Dettagli

    Modifica
    • Data di uscita
      • 18 giugno 2010 (Italia)
    • Paesi di origine
      • Australia
      • Regno Unito
    • Siti ufficiali
      • Hanway Films
      • Kojo
    • Lingua
      • Inglese
    • Celebre anche come
      • The Boys Are Back
    • Luoghi delle riprese
      • Adelaide, Australia Meridionale, Australia
    • Aziende produttrici
      • Australian Film Finance Corporation (AFFC)
      • BBC Film
      • Hopscotch Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Lordo Stati Uniti e Canada
      • 809.752 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 49.342 USD
      • 27 set 2009
    • Lordo in tutto il mondo
      • 3.252.136 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 44 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 2.35 : 1

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