Nel futuro, l'umanità ha abbandonato il pianeta Terra popolato ora soltanto da un piccolo robot che continua il sul lavoro di raccogliere e riciclare immondizia.Nel futuro, l'umanità ha abbandonato il pianeta Terra popolato ora soltanto da un piccolo robot che continua il sul lavoro di raccogliere e riciclare immondizia.Nel futuro, l'umanità ha abbandonato il pianeta Terra popolato ora soltanto da un piccolo robot che continua il sul lavoro di raccogliere e riciclare immondizia.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 96 vittorie e 95 candidature totali
Elissa Knight
- EVE
- (voce)
Jeff Garlin
- Captain
- (voce)
John Ratzenberger
- John
- (voce)
Kathy Najimy
- Mary
- (voce)
Karleen Griffin
- Mom
- (non citato nei titoli originali)
- …
Kim Kopf
- Hoverchair Mother
- (non citato nei titoli originali)
Niki McElroy
- Pool Mother
- (non citato nei titoli originali)
Garrett Palmer
- Blond Boy in Commercial
- (non citato nei titoli originali)
Lori Richardson
- PR-T
- (non citato nei titoli originali)
- …
Jessica Skelton
- Young Girlfriend
- (non citato nei titoli originali)
Kai Steel Smith
- Brunette Boy in Commercial
- (non citato nei titoli originali)
Michael Toy
- Commercial Human
- (non citato nei titoli originali)
Riepilogo
Reviewers say 'WALL-E' is acclaimed for its innovative animation, compelling robot love story, and strong environmental message. The film delves into consumerism, environmentalism, and technology's impact on humanity. Critics praise its emotional depth, visual brilliance, and thought-provoking narrative. Some note minor issues with pacing and thematic execution, yet 'WALL-E' is celebrated as a landmark in animation and a timeless cinematic experience.
Recensioni in evidenza
Just got back from a special sneak peek/advance screening of this movie, and I must say, Pixar continues to amaze. They just can't seem to make a bad move. Heck, they can't even make a mediocre movie. Now, I will admit, there have been a couple that I would classify as my "least favorite" of theirs, but even they were actually very, very good. This one, though...it just may take the cake. Ranks up there with the absolute best they have produced. Hysterical, emotional, meaningful -- this movie succeeds on every front! I am not going to get into spoilers or specific plot aspects, but I will say that I am almost definitely going to see this one again in the theater..and it will be worth every dime. Come Friday, be in line to see Wall-E. You don't want to miss it!
We went to the San Francisco Film Institute's first public screening at their campus in Emeryville. Everyone's sworn to secrecy, but for a film with little dialog, it carries more of an emotional punch and has a richer story than any live-action movie this year. The tone and style of the film is completely different for Pixar, and Disney haven't tried to override the darker thematic elements at all, making the story surprisingly three-dimensional.
This will end up being the animated film of the year and I had the same 'wow' feeling as after seeing Ratatouille. Considering that animated films have always played second-fiddle to live-action, and have been aimed at kids, it's ironic that once again Pixar produces a film that rivals any live action on every level. Bravo!
This will end up being the animated film of the year and I had the same 'wow' feeling as after seeing Ratatouille. Considering that animated films have always played second-fiddle to live-action, and have been aimed at kids, it's ironic that once again Pixar produces a film that rivals any live action on every level. Bravo!
100U
To this day, this is still my favorite pixar film. The animation is stellar, its heartwarming, funny and proves that pixar movies are always bound to be great (except for cars 2 but thats a different story). This has a shot at the title "best movie of the century"
Over the years I've become quite a sucker for Pixar movies and just love each and every one of them. While there are the states of the art animation and sound effects, the stories have heart. The characters are adorable yet real. It reminds one of those charming movies Disney used to make but Pixar films are very much a unique cinematic experience.
'WALL-E' is quite unusual compared to the previous Pixar movies. There's hardly any dialogue between the two protagonists other than saying each other's name. In fact, barely a word is spoken in the entire first half hour but WALL-E and Eve's silent and playful love story is such a joy to watch. Even though of few words, both characters have strong personalities and the character development is wonderfully done.
The animation is colourful and vivid. Sound effect is amazing. The robot characters are cute and charming. The score deserve special mention as it's mesmerizing and beautiful. Andrew Stanton has done a terrific job as director and co-writer. The portrayal of WALL-E's loneliness and need for love is very well done and then the change that is brought within after the entrance of Eve and his eventual determination to rescue her is effectively shown. There are many genuinely funny and creative moments and it manages to stay away from being 'just plain silly'. The story is rich with humour, action, drama and adventure.
Ben Burtt and Elissa Knight do a fabulous job with the voice acting for WALL-E and Eve. John Ratzenberger, Kathy Najimy and Sigourney Weaver lend great support. While 'WALL-E' tells a magnificent love story it reminds us that Earth is our home and nothing can replace it. It's a joyous magical experience and another sure winner from Pixar.
'WALL-E' is quite unusual compared to the previous Pixar movies. There's hardly any dialogue between the two protagonists other than saying each other's name. In fact, barely a word is spoken in the entire first half hour but WALL-E and Eve's silent and playful love story is such a joy to watch. Even though of few words, both characters have strong personalities and the character development is wonderfully done.
The animation is colourful and vivid. Sound effect is amazing. The robot characters are cute and charming. The score deserve special mention as it's mesmerizing and beautiful. Andrew Stanton has done a terrific job as director and co-writer. The portrayal of WALL-E's loneliness and need for love is very well done and then the change that is brought within after the entrance of Eve and his eventual determination to rescue her is effectively shown. There are many genuinely funny and creative moments and it manages to stay away from being 'just plain silly'. The story is rich with humour, action, drama and adventure.
Ben Burtt and Elissa Knight do a fabulous job with the voice acting for WALL-E and Eve. John Ratzenberger, Kathy Najimy and Sigourney Weaver lend great support. While 'WALL-E' tells a magnificent love story it reminds us that Earth is our home and nothing can replace it. It's a joyous magical experience and another sure winner from Pixar.
10DrWetter
I just returned from an advanced benefit screening of WALL*E, and I want to be careful not to spill too much regarding the movie. I had the added privilege of watching the film at Pixar, which in and of itself, was amazing.
This picture is not a cartoon; it is a film. In fact, it even has the LOOK of film. One of my complaints of more recent 3-D/CG animated films (not from Pixar) is that they all seem to look the same... clean lines, crisp colors, and very "virtual", for lack of a better term. WALL*E transcends the typical look of CG animation, and has a true to life "grit." The creators at Pixar are true artists, and are indeed masters of their craft. Not only are they masters of the technology, they are masters of telling a story. WALL*E is no exception.
The best way to describe the film is as a science fiction, comedy, dramatic love story. WALL*E, as a character, has dimension, personality, and heart... pretty impressive given that he is essentially a trash compactor. It is true that there is little dialogue in this feature, but I personally did not feel it detracted from the story at all.
WALL*E is very much a different Pixar film from it's previous features. I will be curious to see how it is received by others, but in my opinion, I think Pixar has stayed true to itself, demonstrating a commitment to telling great stories and pushing the edge of technology to leave your jaw dropping! My most sincere compliments to Andrew Stanton, Jim Morris, John Lasseter, Ben Burtt, and all the creative forces at Pixar. Can't wait to see what the future brings...
This picture is not a cartoon; it is a film. In fact, it even has the LOOK of film. One of my complaints of more recent 3-D/CG animated films (not from Pixar) is that they all seem to look the same... clean lines, crisp colors, and very "virtual", for lack of a better term. WALL*E transcends the typical look of CG animation, and has a true to life "grit." The creators at Pixar are true artists, and are indeed masters of their craft. Not only are they masters of the technology, they are masters of telling a story. WALL*E is no exception.
The best way to describe the film is as a science fiction, comedy, dramatic love story. WALL*E, as a character, has dimension, personality, and heart... pretty impressive given that he is essentially a trash compactor. It is true that there is little dialogue in this feature, but I personally did not feel it detracted from the story at all.
WALL*E is very much a different Pixar film from it's previous features. I will be curious to see how it is received by others, but in my opinion, I think Pixar has stayed true to itself, demonstrating a commitment to telling great stories and pushing the edge of technology to leave your jaw dropping! My most sincere compliments to Andrew Stanton, Jim Morris, John Lasseter, Ben Burtt, and all the creative forces at Pixar. Can't wait to see what the future brings...
Lo sapevi?
- QuizThe first Pixar film to be nominated for 6 Academy Awards. This ties it with the only other animated film to garner this many nominations: La bella e la bestia (1991).
- Blooper(at around 1h 19 mins) When the Axiom goes into a roll, the passengers and a considerable amount of heavy equipment are thrown off balance, rolling and piling up against one side of the common area. This should not happen as the gravity originates within the ship, not from an exterior source "beneath" it. Its artificial gravity should hold everyone and everything right side up no matter what position it assumes. It is possible that AUTO intentionally or inadvertently shifted the angle of the artificial gravity during the "roll" maneuver, but it was still presented as being directly caused by the roll, and there is no reason for such an effect to have been designed into the ship originally.
- Curiosità sui creditiThe Pixar logo at the end has the lamp Luxo Jr's light bulb burn out, so WALL-E enters and replaces the light bulb. But as he leaves he accidentally knocks down the "R" in the logo, and he tries to cover it up by posing like an "R".
- Versioni alternativeEnd credits for international versions feature additional dubbing credits footage. It contains animation of WALL·E in the same 8-bit video game graphics style as the original end credits compacting two vertical rows of different objects into cubes of garbage only to have two WALL·A robots collide in the front of the screen, closing the credits.
- ConnessioniEdited into Burn·E (2008)
- Colonne sonorePut On Your Sunday Clothes
Written by Jerry Herman
Courtesy of Twentieth Century Fox Film Corporation
Performed by Michael Crawford and Danny Lockin
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Dettagli
Botteghino
- Budget
- 180.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 223.808.164 USD
- Fine settimana di apertura Stati Uniti e Canada
- 63.087.526 USD
- 29 giu 2008
- Lordo in tutto il mondo
- 527.403.656 USD
- Tempo di esecuzione1 ora 38 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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