Nel futuro, l'umanità ha abbandonato il pianeta Terra popolato ora soltanto da un piccolo robot che continua il sul lavoro di raccogliere e riciclare immondizia.Nel futuro, l'umanità ha abbandonato il pianeta Terra popolato ora soltanto da un piccolo robot che continua il sul lavoro di raccogliere e riciclare immondizia.Nel futuro, l'umanità ha abbandonato il pianeta Terra popolato ora soltanto da un piccolo robot che continua il sul lavoro di raccogliere e riciclare immondizia.
- Regia
- Sceneggiatura
- Star
- Vincitore di 1 Oscar
- 96 vittorie e 95 candidature totali
Elissa Knight
- EVE
- (voce)
Jeff Garlin
- Captain
- (voce)
John Ratzenberger
- John
- (voce)
Kathy Najimy
- Mary
- (voce)
Karleen Griffin
- Mom
- (non citato nei titoli originali)
- …
Kim Kopf
- Hoverchair Mother
- (non citato nei titoli originali)
Niki McElroy
- Pool Mother
- (non citato nei titoli originali)
Garrett Palmer
- Blond Boy in Commercial
- (non citato nei titoli originali)
Lori Richardson
- PR-T
- (non citato nei titoli originali)
- …
Jessica Skelton
- Young Girlfriend
- (non citato nei titoli originali)
Kai Steel Smith
- Brunette Boy in Commercial
- (non citato nei titoli originali)
Michael Toy
- Commercial Human
- (non citato nei titoli originali)
Riepilogo
Reviewers say 'WALL-E' is acclaimed for its innovative animation, compelling robot love story, and strong environmental message. The film delves into consumerism, environmentalism, and technology's impact on humanity. Critics praise its emotional depth, visual brilliance, and thought-provoking narrative. Some note minor issues with pacing and thematic execution, yet 'WALL-E' is celebrated as a landmark in animation and a timeless cinematic experience.
Recensioni in evidenza
Over the years I've become quite a sucker for Pixar movies and just love each and every one of them. While there are the states of the art animation and sound effects, the stories have heart. The characters are adorable yet real. It reminds one of those charming movies Disney used to make but Pixar films are very much a unique cinematic experience.
'WALL-E' is quite unusual compared to the previous Pixar movies. There's hardly any dialogue between the two protagonists other than saying each other's name. In fact, barely a word is spoken in the entire first half hour but WALL-E and Eve's silent and playful love story is such a joy to watch. Even though of few words, both characters have strong personalities and the character development is wonderfully done.
The animation is colourful and vivid. Sound effect is amazing. The robot characters are cute and charming. The score deserve special mention as it's mesmerizing and beautiful. Andrew Stanton has done a terrific job as director and co-writer. The portrayal of WALL-E's loneliness and need for love is very well done and then the change that is brought within after the entrance of Eve and his eventual determination to rescue her is effectively shown. There are many genuinely funny and creative moments and it manages to stay away from being 'just plain silly'. The story is rich with humour, action, drama and adventure.
Ben Burtt and Elissa Knight do a fabulous job with the voice acting for WALL-E and Eve. John Ratzenberger, Kathy Najimy and Sigourney Weaver lend great support. While 'WALL-E' tells a magnificent love story it reminds us that Earth is our home and nothing can replace it. It's a joyous magical experience and another sure winner from Pixar.
'WALL-E' is quite unusual compared to the previous Pixar movies. There's hardly any dialogue between the two protagonists other than saying each other's name. In fact, barely a word is spoken in the entire first half hour but WALL-E and Eve's silent and playful love story is such a joy to watch. Even though of few words, both characters have strong personalities and the character development is wonderfully done.
The animation is colourful and vivid. Sound effect is amazing. The robot characters are cute and charming. The score deserve special mention as it's mesmerizing and beautiful. Andrew Stanton has done a terrific job as director and co-writer. The portrayal of WALL-E's loneliness and need for love is very well done and then the change that is brought within after the entrance of Eve and his eventual determination to rescue her is effectively shown. There are many genuinely funny and creative moments and it manages to stay away from being 'just plain silly'. The story is rich with humour, action, drama and adventure.
Ben Burtt and Elissa Knight do a fabulous job with the voice acting for WALL-E and Eve. John Ratzenberger, Kathy Najimy and Sigourney Weaver lend great support. While 'WALL-E' tells a magnificent love story it reminds us that Earth is our home and nothing can replace it. It's a joyous magical experience and another sure winner from Pixar.
I can't say enough about how good this movie, that you probably haven't read, so I'm going to keep this short.
This is the best thing out there in theater's right now, and might just be the best animated film of all time, whether you believe that or not, is your own opinion, but what Pixar has done here, can put companies like Dreamworks, Sony, and Blue sky to shame.
Wall E also may go down as the most lovable character ever to grace the movie screen, I praise Ben Burtt and Andrew Stanton, and the people at Pixar for what they did, and will continue to do.
This is why Pixar is the top studio in the world.
10/10
This is the best thing out there in theater's right now, and might just be the best animated film of all time, whether you believe that or not, is your own opinion, but what Pixar has done here, can put companies like Dreamworks, Sony, and Blue sky to shame.
Wall E also may go down as the most lovable character ever to grace the movie screen, I praise Ben Burtt and Andrew Stanton, and the people at Pixar for what they did, and will continue to do.
This is why Pixar is the top studio in the world.
10/10
100U
To this day, this is still my favorite pixar film. The animation is stellar, its heartwarming, funny and proves that pixar movies are always bound to be great (except for cars 2 but thats a different story). This has a shot at the title "best movie of the century"
Just got back from a special sneak peek/advance screening of this movie, and I must say, Pixar continues to amaze. They just can't seem to make a bad move. Heck, they can't even make a mediocre movie. Now, I will admit, there have been a couple that I would classify as my "least favorite" of theirs, but even they were actually very, very good. This one, though...it just may take the cake. Ranks up there with the absolute best they have produced. Hysterical, emotional, meaningful -- this movie succeeds on every front! I am not going to get into spoilers or specific plot aspects, but I will say that I am almost definitely going to see this one again in the theater..and it will be worth every dime. Come Friday, be in line to see Wall-E. You don't want to miss it!
Who says popular films are not and cannot be art? If anything is proof that popular films can be of a stunningly high quality, the beauty of the animation, writing, music, and sound design in "WALL·E" is it. "WALL·E" eclipses even Andrew Stanton's "Toy Story" and "Toy Story 2" in the Pixar pantheon, is perhaps Pixar's best film to date and, call me crazy as I've just seen it, a contender for the title of best animated film, period.
"WALL·E" is everything we've come to expect from Pixar and more- colorful, vibrant, imaginative, exciting, involving, beautiful, and most importantly a film with interesting, involving characters. Sure, WALL·E is adorable, and as much credit as the animators get for that, this film would be nothing without Stanton's screenplay, which features very little dialogue but is still notably intelligent and surprisingly subtle, making a refreshing change from the 'go green' campaigns we're all so used to. Does "WALL·E" have a message? Sure, but it's an important message and it is delivered subtly and beautifully.
"WALL·E" operates on two levels (and works spectacularly well on both). It is a majestic science fiction epic like we haven't seen in a couple of decades and it is a genuinely touching and never cheap romance. "WALL·E" will never get points for originality but it doesn't exactly need them because the homages to great films and figures of the past- Chaplin, Keaton, Tati, the Marx Brothers, "2001: A Space Odyssey" (this one is particularly spectacular), "Close Encounters of the Third Kind" are actually homages and not ripoffs. "WALL·E" is a wonderful tribute to a bygone cinematic tradition (well, two or three of them actually).
The social commentary in "WALL·E" is sobering because it's never overbearing and most importantly because we see the world through machines, machines who feel more about Earth and life than the humans do. The depiction of humans on the ship could have been incredibly offensive, cheap, and tasteless in concept but the execution here is absolutely perfect.
What is most surprising about "WALL·E" is how sad it is. Not even in the 'how will they get out of this, oh I feel so sorry for them' way "Finding Nemo", a previous Stanton effort, is, but in a truly melancholy sense. The early portion of the film maintains all the playfulness of a Jacques Tati film but also evokes a striking and powerful feeling of loneliness. It's a brilliant introduction to WALL·E, given that the rest of the film is too wacky to bother with long scenes focused entirely on character, and works beautifully with the ugly yet beautifully-rendered future Earth, a barren wasteland filled with nothing but garbage, a seriously resilient cockroach being WALL·E's only companion before EVE shows up, but I won't go into the story- it's best you see it unfold for yourself.
From the entertaining shorts shown before the film to the memorable characters, locations, and animation we have come to expect, Pixar films are now event cinema, and they have outdone themselves with "WALL·E". This film is spectacular, majestic, touching, involving, and achingly beautiful. Most importantly, however, it is perfect entertainment. I may be saying this too soon, but I don't think I have ever seen an animated film that has satisfied me more than "WALL·E", and 2008 is going to have to work hard to keep this from being the top film of the year, which it most certainly is at the moment.
9.5/10
"WALL·E" is everything we've come to expect from Pixar and more- colorful, vibrant, imaginative, exciting, involving, beautiful, and most importantly a film with interesting, involving characters. Sure, WALL·E is adorable, and as much credit as the animators get for that, this film would be nothing without Stanton's screenplay, which features very little dialogue but is still notably intelligent and surprisingly subtle, making a refreshing change from the 'go green' campaigns we're all so used to. Does "WALL·E" have a message? Sure, but it's an important message and it is delivered subtly and beautifully.
"WALL·E" operates on two levels (and works spectacularly well on both). It is a majestic science fiction epic like we haven't seen in a couple of decades and it is a genuinely touching and never cheap romance. "WALL·E" will never get points for originality but it doesn't exactly need them because the homages to great films and figures of the past- Chaplin, Keaton, Tati, the Marx Brothers, "2001: A Space Odyssey" (this one is particularly spectacular), "Close Encounters of the Third Kind" are actually homages and not ripoffs. "WALL·E" is a wonderful tribute to a bygone cinematic tradition (well, two or three of them actually).
The social commentary in "WALL·E" is sobering because it's never overbearing and most importantly because we see the world through machines, machines who feel more about Earth and life than the humans do. The depiction of humans on the ship could have been incredibly offensive, cheap, and tasteless in concept but the execution here is absolutely perfect.
What is most surprising about "WALL·E" is how sad it is. Not even in the 'how will they get out of this, oh I feel so sorry for them' way "Finding Nemo", a previous Stanton effort, is, but in a truly melancholy sense. The early portion of the film maintains all the playfulness of a Jacques Tati film but also evokes a striking and powerful feeling of loneliness. It's a brilliant introduction to WALL·E, given that the rest of the film is too wacky to bother with long scenes focused entirely on character, and works beautifully with the ugly yet beautifully-rendered future Earth, a barren wasteland filled with nothing but garbage, a seriously resilient cockroach being WALL·E's only companion before EVE shows up, but I won't go into the story- it's best you see it unfold for yourself.
From the entertaining shorts shown before the film to the memorable characters, locations, and animation we have come to expect, Pixar films are now event cinema, and they have outdone themselves with "WALL·E". This film is spectacular, majestic, touching, involving, and achingly beautiful. Most importantly, however, it is perfect entertainment. I may be saying this too soon, but I don't think I have ever seen an animated film that has satisfied me more than "WALL·E", and 2008 is going to have to work hard to keep this from being the top film of the year, which it most certainly is at the moment.
9.5/10
Lo sapevi?
- QuizThe first Pixar film to be nominated for 6 Academy Awards. This ties it with the only other animated film to garner this many nominations: La bella e la bestia (1991).
- Blooper(at around 8 mins) WALL·E's cockroach, Hal, sleeps in a "Kremie" (parody of the Hostess Twinkie). Twinkies grow stale and their cream filling evaporates after a few decades, yet Hal's interaction with it betrays it to be the same as a new Twinkie. This is most likely a joke implying that only cockroaches and Twinkies can survive the apocalypse.
- Curiosità sui creditiThe Pixar logo at the end has the lamp Luxo Jr's light bulb burn out, so WALL-E enters and replaces the light bulb. But as he leaves he accidentally knocks down the "R" in the logo, and he tries to cover it up by posing like an "R".
- Versioni alternativeEnd credits for international versions feature additional dubbing credits footage. It contains animation of WALL·E in the same 8-bit video game graphics style as the original end credits compacting two vertical rows of different objects into cubes of garbage only to have two WALL·A robots collide in the front of the screen, closing the credits.
- ConnessioniEdited into Burn·E (2008)
- Colonne sonorePut On Your Sunday Clothes
Written by Jerry Herman
Courtesy of Twentieth Century Fox Film Corporation
Performed by Michael Crawford and Danny Lockin
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Dettagli
Botteghino
- Budget
- 180.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 223.808.164 USD
- Fine settimana di apertura Stati Uniti e Canada
- 63.087.526 USD
- 29 giu 2008
- Lordo in tutto il mondo
- 527.403.656 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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