Strafumati

There will be many who will dismiss "Pineapple Express" as immature, overly silly, disjointed, and scatter-shot. There will be others who recognize it as a bizarrely artful, playful, loose genre-bending comedy with some outstanding performances, an inspired comedy script, and some great work from director David Gordon Green, certainly one of the finest young directors around.

The latter group is correct. "Pineapple Express" is, as a whole, the best movie the Apatow clan has produced yet. David Gordon Green is unquestionably the best director to direct one of these movies, but this is also a very different sort of movie than the films he usually directs. Does he rise to the challenge? He certainly does. I never would have believed that he was capable of directing such exciting and fun action scenes, or keep the movie's tone steady despite the different elements it consists of being so wildly disparate, but somehow he pulls it off. No other stoner movie can claim to be as artful and well-directed as this film.

Seth Rogen and Evan Goldberg's much-anticipated follow-up to "Superbad" is an excellent screenplay, but expect none of the realism and resonance of that film; "Pineapple Express" is all about the laughs, and the laughs are certainly here, and they are practically non-stop, with just about every scene featuring some great dialogue, acting, or the sort of incredible sight gag this movie does so well. This is just great comedy throughout.

In addition to David Gordon Green's excellent work as director, the film is technically superb. The soundtrack and use of music is brilliant, and frequent Gordon Green collaborator Tim Orr's cinematography is consistently great.

"Pineapple Express" will be an inherently divisive film. It didn't get the sort of critical accolades many previous Apatow clan movies did, and I expect audiences will also be a little less unanimous. Indeed, there's little of the critic-pleasing dramatic scenes Apatow's comedies have been praised for, and even when they do pop up they're usually deflated instantly with a joke, and credit has to go to director David Gordon Green for his expert handling of the film's tone, which never becomes schmaltzy, thank the heavens. Really, the whole film is throughly enjoyable except for the very last scene in the film, which contains one of the film's best jokes, but is really hard to buy given the state the characters are in, and also more than a little forced. Aside from that moment the whole thing works beautifully, quite astounding given the mesh of many different genres and sorts of comedy that this is. You either go with this movies sense of humor or you don't, and I imagine more people will enjoy the first three quarters of the movie, before the big, long action scene happens, and lots and lots of violence occurs. I guess you have to have a somewhat morbid sense of humor to laugh at ALL of the jokes in the film, but so what? There are also some nice little tongue-in-cheek references to the film's influences ("they messed with the wrong melon farmers").

The cast really give it their all. It was great to see James Franco back in a comedic role, and his performance steals the show. Rogen is good as usual, Gary Cole is a perfect villain, and it's nice to see the gorgeous and talented Amber Heard finally make a quality film (and get one of the film's funniest scenes as her character's final scene). The supporting cast are also all good in their roles.

There are a lot of reasons why "Pineapple Express" won't work for many people, and they will probably end up being the very reasons the film works for those who like it. The film's plot is inherently silly to an extent (although this is nowhere near the "Anchorman" style of comedy), and one must be prepared for an outright comedy and not something in the vein of "Knocked Up". "Pineapple Express" may end up being more enjoyable for stoners and those with friends who are stoners, but it works on its own as great comedy because the humor has much more range and scope than just marijuana. One of the best comedies in years.

9/10

This movie is actually a well written movie that is original and uniquely funny. It's one of those movies you can watch throughout time and it won't get old.

I've seen this a few times and it is enjoyable and stupid. Its clearly aimed at stoners and I was high when I first seen it and just one one of those movies that is hilarious when stoned.

I can just watch this movie over and over and crack up every time. The fight scenes are the best EVER. I can't say enough about how funny it is. Watch it with friends!

There's no doubt about it, Pineapple Express is a relentlessly funny stoner movie, start to finish with little in the way of compromise; telling the story of two stoners, who end up entangled within a drug conspiracy plot that threatens their lives while smoking plenty of pot along the way, this year's latest instalment to the genre is the finest example of dumb -but well delivered- comedy yet. One discrepancy against it's classification as a stoner comedy however lies in that even if you're not high yourself; even if you've never even been high in your life, there's still lots of fun to be had here as the jokes are broad enough in their design to apply to any ridiculous situation. So while the plant obviously makes a starring role here, the focus is not primarily on it, and the movie is better off as a result.

So far this year we have been treated to an unusually high dosage of stoner comedies, with Pineapple Express being a late third behind the too-dumb-for-it's-own-good Strange Wilderness and the dumb-but-fun Harold & Kumar. However, despite coming in late to the game, the old expression of "saving the best 'till last" seems applicable here. Where previous instalments from this year combined the dumb with surreal through incoherent situations obviously dreamt up from people who were under the influence at the time, Pineapple Express feels silly, but not the extent where the entire feature boils down to caricature comedy. Here the writers take two characters, start them off one place and take them on an adventure not just through crime, car-chases, comical fight scenes and little personal squabbles, but through themselves. It's a combination which could have had a disastrously polarising effect, but the writers get it spot on here.

Main characters Dale Denton (Seth Rogan) and Saul Silver (James Franco) may have alliterative names akin to comic book heroes, but they're certainly not of that kind. Instead, they deal with drugs; Saul is Dale's supplier, and as much as Saul would like to think of Dale as a buddy, Dale wants nothing else to do with him outside of the service he provides. However, after Dale witnesses a murder involving some drug-dealer crimelords, the two are forced to embark on a journey that will have them at odds with each other whether they like it or not. What results of this is a story of friendship, and while the unlikely premise of these guys not exactly getting along does seem a bit shifty, the chemistry between Rogan and Franco is superb enough to allow their characters plenty of growing. To be sure, this isn't a hallmark drama, there are no grandeur statements and no tears are provoked from director David Gordon Green but that's what makes it lovable; it's a story about two regular guys, who get into crazy shenanigans, smoke weed and crack some jokes. It's not enlightening per se, but it's entertaining, and down to earth.

This is where Pineapple Express begins to take the lead in front of its predecessors, as it actually attempts to tell a compelling story with an undoubtedly overblown amount of action, but with grounded drama to bear the weight of its fabrications. Through this fusion of solid characterisation with a ridiculous but conceivable action-packed plot, the film succeeds in creating an engagingly entertaining experience that doesn't just provide excitement and memorable characters, but also manages to tickle the funny bone just as frequently.

Coming from the three guys who last year blessed the screen with the hilarious Superbad, Pineapple Express is a riot start to finish, combining lots of blunt dialogue with slapstick and farce to great effect in ways which made the aforementioned creation as funny as it was. It has to be said that this time around, the pacing isn't quite as tight, and the script's insistence on some scenes' ability to sustain laughter is a little off, and this in turn leads to the movie's only real technical fault. In such moments, jokes will be drawn out for long stretches of time, losing momentum, yet thankfully such scenes are far and few between, and with the pace heightening the more film reaches the conclusion; the frequency sharply decreases with time. Nevertheless, if you don't mind profane dialogue, blunt jokes and plenty of passive violence used mainly for comic effect, then Pineapple Express should please any desire for laughter that you may have.

And that's all it basically comes down to, but what else were you expecting? As a movie, Pineaple Express is an entertaining and at times sweet take on friendship based around two very down to earth characters that most people should be able to relate to in some way or another. As a duo, Rogan and Franco are extremely well matched, with the interplay between the two coming off as naturally comical and aptly delivered to the point of satisfying the movie's biggest pulling point and focus. With some great action scenes tinged with plenty of comedy, all revolving around some memorable characters portrayed by enthusiastic, suitably cast performers who end up within a plot which is admittedly hammy, but fun all the same; Pineapple Express is good for many things, but the thing that it does best is in making you laugh, and it does so with enough frequency to make this one of this year's greater comedies.

• Written by Jamie Robert Ward (http://www.invocus.net)