Aggiungi una trama nella tua linguaWhile collaborating with an urban designer (Collins), an architect (Wilson) begins to second guess the perfect life he has constructed for himself and his family.While collaborating with an urban designer (Collins), an architect (Wilson) begins to second guess the perfect life he has constructed for himself and his family.While collaborating with an urban designer (Collins), an architect (Wilson) begins to second guess the perfect life he has constructed for himself and his family.
Susie Stewart Rubio
- Meg
- (as Susan Stewart)
Frederick Weller
- Kit
- (as Fred Weller)
Kevin Rosseljong
- Nate
- (as Kevin Rosselijong)
Recensioni in evidenza
It was great seeing the locations around NYC, but it was a seriously boring, going nowhere, total disaster of a movie.
How the talented cast said the words, deserves some appreciation, but the film said nothing, and never had an iota of cleverness, or humor.
It seemed more like a film school project, then an actual film.
How Patrick Wilson and Amy Smart got to star in this, is a bigger mystery and more thought-provoking then the actual movie.
Anyone who grew up in NYC, and has been away for a while, might be able to enjoy the various places the film was shot, but, there's many better films to watch.
How the talented cast said the words, deserves some appreciation, but the film said nothing, and never had an iota of cleverness, or humor.
It seemed more like a film school project, then an actual film.
How Patrick Wilson and Amy Smart got to star in this, is a bigger mystery and more thought-provoking then the actual movie.
Anyone who grew up in NYC, and has been away for a while, might be able to enjoy the various places the film was shot, but, there's many better films to watch.
Great movie despite the mediocre cast. Inspiring, shows that life is more than the chase for a dollar and selling out in order to feel like you can become someone. The movie is about staying true to nature of being human. I thought it was great because it inspires the search for something real not materialistic but soulful in the concrete jungle where the human connection has been displaced by sensual pleasures and the endless chase for the next big thing and happiness thats never found. The movie inspires stepping back and evaluating life's values, slowing down, smelling the roses and hearing the long lost voice of the yearning soul within self as well as someone else. I recommend this movie to everyone.
Saw this at Tribeca Film Festival and was surprised by the wretched writing. The cast is professional, and the photography, set and production design are all first class. The problem is a script that presents a somewhat dopey male lead, an unredeemable monster (b*tch) of a wife, and a seven-year-itch scenario.
The result is good actors reciting bad lines in overwrought scenes. We bought these tickets expecting that a cast including Patrick Wilson, Amy Smart and several other fine actors would deliver a good result. Tied to that script, they couldn't stay afloat.
The movie inspires me to create a new rule for young filmmakers: don't write a script with an architect as your main character, unless you are remaking "The Fountainhead." And don't remake "The Fountainhead."
The result is good actors reciting bad lines in overwrought scenes. We bought these tickets expecting that a cast including Patrick Wilson, Amy Smart and several other fine actors would deliver a good result. Tied to that script, they couldn't stay afloat.
The movie inspires me to create a new rule for young filmmakers: don't write a script with an architect as your main character, unless you are remaking "The Fountainhead." And don't remake "The Fountainhead."
I liked this movie. The dialogue felt natural, the conversations unforced and believable. The story explores, in a subtle, non-judgmental way, two people at an emotional crossroads. The wife didn't strike me as shrewish, but rather as oriented to success, not the best match for her husband, who was more reflective, more questioning. I've been there in my own way, so I can relate. I liked the ending. Like the rest of the movie, it felt natural, unforced, organic. The casting was good, with the exception of Fred Weller, who is distractingly obnoxious, which, according to what I've seen him in so far, seems to be his default role. In spite of that, this quiet study made me think, and do some questioning of my own.
Patrick Wilson usually makes good choices!
Unfortunately this film wasn't one of them. It was painful very painful to watch his movie. Hopefully Patrick Wilson will read the next script before he agrees to be in it! I really do wonder how it even has a three star rating, those people Musta had some really good weed or brownies While watching. I love the LITTLE CHILDREN! Instead of watching this movie you should watch that one.
Unfortunately this film wasn't one of them. It was painful very painful to watch his movie. Hopefully Patrick Wilson will read the next script before he agrees to be in it! I really do wonder how it even has a three star rating, those people Musta had some really good weed or brownies While watching. I love the LITTLE CHILDREN! Instead of watching this movie you should watch that one.
Lo sapevi?
- QuizAmy Smart, who plays the protagonist's wife, and Lilly Collins, who plays the "young" temptation, are in fact born only one year apart.
- Curiosità sui creditiNo corporations were harmed in the making of this film
- Colonne sonoreLa Cubanita
Written by Antoine Santiago, Jean Motos, Ramon Campos & Antoine Contreras
Performed by Los Niños de Sara
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Bir Aşk Meselesi
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Tempo di esecuzione
- 1h 20min(80 min)
- Colore
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