VALUTAZIONE IMDb
3,2/10
1293
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.A desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.A desperate criminal and a merciless posse become trapped in a remote Mexican ghost town by a vengeful demon.
- Regia
- Sceneggiatura
- Star
María Alché
- Dora
- (as María Alche)
Andrés Bagg
- Lockhardt
- (as Andres Bagg)
Janet Bar Rembaum
- Mary Black
- (as Janet Bar)
Muni Seligmann
- Michelle Black
- (as Mariana Seligmann)
Recensioni in evidenza
Whilst searching for her missing husband Blake (Javier De la Vega), tough, pistol packing babe Clementine (Victoria Maurette) runs across a community of outcast whores who have fled the town of Amnesty after murdering the townsfolk, including its preacher (Andres Bagg) and his pregnant wife. These murderous women are also keen to lay their hands on Blake, for they believe him to be a rapist, but are unwilling to follow him into the deserted town, for this is where the spirit of the preacher patiently waits for revenge...
In my opinion, director Albert Pyun must suffer from severe Hollywooditis, a condition that causes untalented hacks to believe that they are actually successful Hollywood directors. The results are never pretty.
In this instance, poor Mr.Pyun is clearly under the delusion that he is Tony Scott, circa 2004, which explains why his low budget western/horror Left For Dead attempts to mimic Scott's dreadful, self-indulgent movie 'Man on Fire' so closely in style. Unfortunately for Pyun (and his audience), not only is he stricken with the urge to emulate one of Scott's most dire efforts, utilising all of the horrible visual trickery that made that movie such a chore to sit through (flickering imagery, desaturated colours, distressed filters, unnecessary freeze-frames, slow-motion, and even novelty subtitles for both Spanish and English dialogue), but the absence of a mega budget, A-list cast, and, more pointedly, any talent whatsoever behind the camera or in the editing room, makes this project an infinitely more painful viewing experience than anything Scott has ever dished up.
A lengthy prologue attempts to explain the back story to this steaming crap-fest, but is so poorly written that it does little to help viewers' understanding of the movie. The dreadful script, combined with equally awful acting and an over-reliance on absurd visual gimmickry, all go to make this one hell of a bad film which I genuinely believe deserves the lowest rating possible (others have rated this a 'one' to try and counteract the fake positive reviews, whereas I rate it that low simply because I genuinely hated it!).
Still, as much as I have suffered whilst watching this cack, I'm still able to spare a thought for poor old Pyun—if only his affliction had left him thinking he was Scorsese or Spielberg in their prime, things might have been different.
In my opinion, director Albert Pyun must suffer from severe Hollywooditis, a condition that causes untalented hacks to believe that they are actually successful Hollywood directors. The results are never pretty.
In this instance, poor Mr.Pyun is clearly under the delusion that he is Tony Scott, circa 2004, which explains why his low budget western/horror Left For Dead attempts to mimic Scott's dreadful, self-indulgent movie 'Man on Fire' so closely in style. Unfortunately for Pyun (and his audience), not only is he stricken with the urge to emulate one of Scott's most dire efforts, utilising all of the horrible visual trickery that made that movie such a chore to sit through (flickering imagery, desaturated colours, distressed filters, unnecessary freeze-frames, slow-motion, and even novelty subtitles for both Spanish and English dialogue), but the absence of a mega budget, A-list cast, and, more pointedly, any talent whatsoever behind the camera or in the editing room, makes this project an infinitely more painful viewing experience than anything Scott has ever dished up.
A lengthy prologue attempts to explain the back story to this steaming crap-fest, but is so poorly written that it does little to help viewers' understanding of the movie. The dreadful script, combined with equally awful acting and an over-reliance on absurd visual gimmickry, all go to make this one hell of a bad film which I genuinely believe deserves the lowest rating possible (others have rated this a 'one' to try and counteract the fake positive reviews, whereas I rate it that low simply because I genuinely hated it!).
Still, as much as I have suffered whilst watching this cack, I'm still able to spare a thought for poor old Pyun—if only his affliction had left him thinking he was Scorsese or Spielberg in their prime, things might have been different.
"Left For Dead" has a dreamlike, hauntingly chilling atmosphere from the beginning to the end. There is not too much landscape, there are not too much environmental elements, but the atmosphere is so strong, so hypnotizing that I found myself re-watching "Left for Dead" again and again. "Left for Dead" is a Gothic western about the moments that decide the fates of human beings. I emphasize on "human beings" because the characters here are not only likable but believable. Victoria Maurette makes me the biggest impression, adding layers of depth to her character without even uttering a word, just her facial expressions, the way she moves, the confidence with which she acts is simply brilliant. It is incredible how Pyun achieves to create such memorable scenes. There is in "Left for Dead" one of the best uses of slow-motion (and no-motion) I have ever seen. Slow-motion that captures the darkest, saddest moment, the one thing no one would expect to happen in a western. There is something haunting and sad all over the movie. It has a very intense emotional effect on the viewer. "Left for dead" is a uniquely dark voyage into the brutal reality of human nature. Watching it has been one of the most powerful experiences I've had for a long time. The darkest and most brutal sides of human nature are here present all the time and the things get almost surreal at times. The ending of the film is so harrowingly real it becomes almost unbearable in its sadness and both mental and physical violence. The theme of violence and vengeance remember me the best spaghetti westerns, specially Corbucci's. Only a master like Pyun could break all the conventions and rules of the genre, because this film just wants to be and is so much more. The imagery is stunning for such a tiny budget. So haunting --it becomes almost a surreal element and a very creepy one. The cinematography blows with some great compositions and different angles plus some extreme close ups to make each scene look as powerful as their potential. I Think that "Left for Dead" is one of Pyun's greatest achievements. I'm sure that it will remain. The cinematic magic could not be any more fantastic. This is a 'piece of honest, raw, beautiful, mighty cinema. What we have here, is nothing less than the ultimate essence of the Gothic Western: irony, cruelty, tenderness, beauty, violence, powerful characters... and chaos. Throughout the movie is laced with the anguish of haunted souls. "Left for Dead" comes across as a powerful and beautifully constructed Greek tragedy with a cynical and almost psychological edge bound to it. Pyun's stylishly first-rate direction keeps the film sombre with a brutally inspiring tone in its dramatic images and context. The wonderful use of lighting and composition keep the viewer's attention. The inventive framing also shows the quality and uniqueness of his direction. Even the flashback sequences are positioned in the story accordingly and in a fulfilling style. The story is full of symbolic and uncanny issues. What more can I say ? "Left for dead" is an unmissable, magnificently macabre opera of death.
I remember years back as a kid the first Albert Pyun movie I saw was CYBORG, then after that I saw NEMESIS, and I enjoyed them both mainly because they looked cool, and as a kid I never really paid attention to the flaws or tried to over analyze the plot, I just liked CYBORG because I was a big Van Damme fan, and I liked NEMESIS because it was something different, and over the years every time I saw Albert Pyun's name on a film, I would immediately say that's the guy who directed CYBORG & NEMESIS, but of course, he has directed some terrible films, such as that URBAN MENACE junk and a few others that made me wonder if this actually was directed by the same guy.
LEFT FOR DEAD was the first Pyun movie I saw since TICKER, and compared to the other films I've seen before, it was nothing like any of Pyun's previous work, and I mean that in a good way, sure its no masterpiece, but it is also not the worst movie out there, I actually liked the storyline, it was very original and unfolded nicely, I'll also add that I am not a die hard fan of the spaghetti western genre so I guess its easier for me to accept it as it is, the acting was not all bad but also not all good, entertainment wise, a lot of people might find it a bit on the boring side, because it doesn't have any major action sequences or anything that will make you jump out of your seat, it is mainly focused on being more of a ghost story than anything else, other than that it has a part near the ending that is pretty gross.
I actually liked this film, and for those that consider it the worst movie you've ever seen, check out these titles, HUNTING SEASON, THE CAVERN and FIVE ACROSS THE EYES, then you'll know what's worse.
LEFT FOR DEAD was the first Pyun movie I saw since TICKER, and compared to the other films I've seen before, it was nothing like any of Pyun's previous work, and I mean that in a good way, sure its no masterpiece, but it is also not the worst movie out there, I actually liked the storyline, it was very original and unfolded nicely, I'll also add that I am not a die hard fan of the spaghetti western genre so I guess its easier for me to accept it as it is, the acting was not all bad but also not all good, entertainment wise, a lot of people might find it a bit on the boring side, because it doesn't have any major action sequences or anything that will make you jump out of your seat, it is mainly focused on being more of a ghost story than anything else, other than that it has a part near the ending that is pretty gross.
I actually liked this film, and for those that consider it the worst movie you've ever seen, check out these titles, HUNTING SEASON, THE CAVERN and FIVE ACROSS THE EYES, then you'll know what's worse.
While searching for a deadly bandit that happens to be her husband, a woman joins an all-female posse hunting him down and eventually tracks him to a remote mining town haunted by a vengeful ghost intent on not letting them leave alive.
While this one wasn't too bad, there's not a lot here to really get much enjoyment out of this one. This is mainly due to the fact that there's just not a whole lot of horror elements to go around, as most of the time it's a Western film, as it's set in the 1880s, for instance, and while that makes a nice impression as to the uniqueness of the setting, it never really does a lot with it's horror elements. The ghost has a few bits of screen-time, which is fine as it's to dish out the kills or chases around the town, but the majority of the time is spent with the group spouting off at each other or an incredibly lame drama about the relationship between them all, and it just makes it hard to stay invested in the middle. Also problematic is the fact that it tends to show-off some pretty nifty camera tricks that are just plain pointless and irritating, from the slow-motion shots to the never-ending series of flash-effects used during the sequences. Add in more gunshots for the cause of death than anything despite some decent deaths when it matters, and it's a disappointing effort overall.
Rated R: Graphic Violence, Graphic Language and Nudity.
While this one wasn't too bad, there's not a lot here to really get much enjoyment out of this one. This is mainly due to the fact that there's just not a whole lot of horror elements to go around, as most of the time it's a Western film, as it's set in the 1880s, for instance, and while that makes a nice impression as to the uniqueness of the setting, it never really does a lot with it's horror elements. The ghost has a few bits of screen-time, which is fine as it's to dish out the kills or chases around the town, but the majority of the time is spent with the group spouting off at each other or an incredibly lame drama about the relationship between them all, and it just makes it hard to stay invested in the middle. Also problematic is the fact that it tends to show-off some pretty nifty camera tricks that are just plain pointless and irritating, from the slow-motion shots to the never-ending series of flash-effects used during the sequences. Add in more gunshots for the cause of death than anything despite some decent deaths when it matters, and it's a disappointing effort overall.
Rated R: Graphic Violence, Graphic Language and Nudity.
So, I finally got to see Albert Pyun's most recent effort. A strange western about a foreign woman (along with a bunch of local women) hunting down her ex (who happens to have impregnated the daughter of one of them) into a town haunted by a ghost who's sworn revenge over those women.
I was drawn by this film. Firstly, because it's Albert Pyun, and no matter how bizarre the film is, there's always something I find cool in his film. Secondly, the movie was shot in my country, and now checking with IMDb, it has an almost completely local cast.
Pyun abuses of the slow-motion effect in this movie. That and an excess of cutting during the "action" scenes produces annoyance. Other than that, the story was good, and it could have been improved with a better budget (no, I didn't say director). THere're tons of blood, deaths and gore too, which will please fans of horror/slasher movies.
Victoria Maurette, of whom I've noticed in stupid teen flicks, has left me stunned. I didn't know she could actually act, and matter of fact, I didn't even recognise her (again, thanks IMDb). The rest of the actors are OK too, especially the one playing Moebius Lockwood (who looks terrific), but she delivered quite a good performance. Too good actually.
This film should be held in the same light as Pyun's "Omega Doom". It has its resemblances and differences, some more noticeable than others. But they're both unusual, peculiar movies, which depart from standards.
Overall, it's watchable. Not a film to watch again, though. So much for a film which was supposedly the second part of a trilogy started with "Mean Guns", which is a film that I personally have watched at least 20 times, and I'd watch it 20 times more if I had the opportunity.
Albie, get back to that sort of flicks!
I was drawn by this film. Firstly, because it's Albert Pyun, and no matter how bizarre the film is, there's always something I find cool in his film. Secondly, the movie was shot in my country, and now checking with IMDb, it has an almost completely local cast.
Pyun abuses of the slow-motion effect in this movie. That and an excess of cutting during the "action" scenes produces annoyance. Other than that, the story was good, and it could have been improved with a better budget (no, I didn't say director). THere're tons of blood, deaths and gore too, which will please fans of horror/slasher movies.
Victoria Maurette, of whom I've noticed in stupid teen flicks, has left me stunned. I didn't know she could actually act, and matter of fact, I didn't even recognise her (again, thanks IMDb). The rest of the actors are OK too, especially the one playing Moebius Lockwood (who looks terrific), but she delivered quite a good performance. Too good actually.
This film should be held in the same light as Pyun's "Omega Doom". It has its resemblances and differences, some more noticeable than others. But they're both unusual, peculiar movies, which depart from standards.
Overall, it's watchable. Not a film to watch again, though. So much for a film which was supposedly the second part of a trilogy started with "Mean Guns", which is a film that I personally have watched at least 20 times, and I'd watch it 20 times more if I had the opportunity.
Albie, get back to that sort of flicks!
Lo sapevi?
- QuizVictoria Maurette's debut.
- BlooperGoldie impales Lockhart with her pick and leaves the pick buried him. However, when she runs outside to tell the others, the pick is slung across her back. When she returns to check on Lockhart, her back is bare and the pick is still in Lockhart.
- Citazioni
Mary Black: If I have to, I will baptize this baby in your blood.
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Dettagli
Botteghino
- Budget
- 98.000 USD (previsto)
- Tempo di esecuzione1 ora 24 minuti
- Colore
- Proporzioni
- 2.35 : 1
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Divario superiore
By what name was Left for Dead (2007) officially released in Canada in English?
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