P.J.

A must see movie from new on the scene director Russ Emanuel. This is a wonderful story that really makes one stop and think about what is important in life. I found it very easy to relate to the emotions of some of the characters. The characters are well developed and leaves one really feeling like they got to know them. A real bonus is that the shots of New York are completely fantastic. I practically felt like I was there myself. It is amazing what they have done on such a limited budget. P.J. is a real tribute to independent films. I can't wait to see what comes next from Russ Emanuel. I hope that it is as strong a film as P.J.

The acting is top-notch, the story too. But then again, any individual opposed to organized religion will absolutely love this movie. The 3 major religions all say someone (an ordinary person)will be "chosen" to intervene & save the lives of others, and will then pass this power on to someone else. That is the crux of this story. All the main characters are(alternatively)intrigued and threatened by the patient who knows their story. What to do? Commit him, or hear what he has to say? It's the challenge the Bible says we must all one day face. At the end of the day, it's discovered that PJ's there to help others and not snare them. I loved it!

I have seen quite a few of Russ Emanuel's shorter films - and not only is he a dedicated and fantastic director, he really puts creativity at the forefront and produces some great cinematography supported by a strong plot and storyline. I am amazed to think that this was his first stab at a feature length film as the quality exceeds all expectations. He keeps us interested in the plot and characters from start to finish and allows you to delve right into the story. The characters are strong and the story is driven through them - and you immediately start sympathising and relating to them. This is a great piece of work and highly recommended if you are starting to get a bit tired of the same old same old mainstream films...!

PJ, based on the award-winning play, is about a man (known only as PJ), brought to a hospital with severe amnesia and apparent insanity. Armed with only the man's initials and a phone number held by someone who refuses to stay on the line, Dr. Shearson, the hospital's leading psychiatric specialist, sets out on a personal journey to find out who PJ is, and bring him back to reality.

The effect PJ has on Dr. Shearson and all the other people around him is poignant and far from the expected. As the film progresses, you are lured into the darkest, yet understandable reaches of each character, and you walk away wiping your eyes. Although I haven't seen Howard Nash in a film before, he is surely a rare, emerging talent, whose career is well-worth following.

For an independent film, I found that seeing so many known and talented performers such as John Heard, Robert Picardo, Patricia Rae, Vincent Pastore, Glynnis O'Connor and Hallie Kate Eisenberg very captivating, refreshing and entertaining.

PJ's original violin and orchestral music, composed by Neil Argo, is inspiring and spiritual - it evokes feelings of grace and redemption while intensifying the emotional bonds with PJ's characters.

This film is for anyone that believes there's good in the universe.

In these difficult times a thoughtful movie with an inspirational message is more than welcome. PJ delivers on both fronts. Howard Nash and John Heard's characters are both in search of solace and solutions and in the setting of a mental facility both struggle to find their individual paths. John Heard portrayal of Dr Shearson is a well crafted and believable performance. Howard Nash's PJ is a conflicted portrayal of man searching for meaning. Patrica Ray is masterful as "PJ's" girl friend. Vincent Pastore adds a comical spin and lightness to the darker portions of the movie. Neal Argo's music ties the elements of the film with a superb musical talent. Finally, Russ Emanuel's direction brings it all together with a fine touch for young director with great promise.